This week on Streamin’ Demons, Jo and Amelie take a look at the 2022 indie horror film Anacoreta. The movie follows a group of filmmakers heading out to a remote cabin in the woods to shoot an experimental horror project, but as the cameras keep rolling the situation slowly starts to unravel.

The acting is surprisingly strong, especially considering the cast is often playing actors inside the film itself. Jo and Amelie talk about how that works in the movie’s favor early on, along with the solid atmosphere and setup. But once the story hits the third act, the logic starts to slip and the tension that was building begins to fall apart.

Along the way the hosts also get into a debate about how people react to danger in the woods. Amelie’s instinct is to call out to a stranger and figure out who they are. Jo’s instinct is much simpler: get in the truck and leave.

Is Anacoreta worth checking out? Jo and Amelie break down what works, what doesn’t, and why the film ends up being a mix of solid ideas and frustrating decisions.

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Opening riff – Jo kicks things off joking about reviewing a “new” movie from 2022 that they couldn’t talk about until now.

The premise – A group of filmmakers head to a remote cabin to shoot an experimental horror movie… and things slowly start unraveling.

Acting inside acting – The cast pulls off the tricky job of playing actors making a movie, shifting between intentionally bad acting and real performances.

Jo’s take – The first two acts work well, but once the movie hits Act 3 the internal logic falls apart and the tension drops.

Cultural clash moment – Jo and Amelie debate what they’d actually do if they saw a stranger who was stalking them in the dark in the woods. Amelie would call out and talk. Jo’s response: get in the truck and leave.

Location oddity – The “abandoned” cabin somehow has perfectly maintained flowers, which becomes one of the episode’s running jokes.

Final verdict – There’s real talent here from the filmmakers, but the third act keeps the movie from landing as well as it could.

Dolly (2025) is NOT about Dolly Parton — and Jo is still recovering from that realization. This Shudder-backed horror throws you straight into the blood-soaked chaos within five minutes, no slow burn, no filler.

Jo & Amelie break down the film’s relentless pacing, jaw-dropping practical effects, and the surprisingly layered performance behind the monstrous Dolly. From grindhouse energy reminiscent of The Texas Chainsaw Massacre and Evil Dead to moments of unexpected sympathy for the killer, this one flies by at 83 minutes and leaves a mark.

They debate the “paralysis” character moments, scream at the screen, and agree this is a rare horror that’s brutal, funny, and wildly entertaining without relying on cheap jump scares.

If you love retro horror vibes, backwoods terror, practical gore, and smart writing that respects its audience — this is your movie.

In U.S. theaters and on Shudder March 6.

Opening chaos – Within five minutes: blood, abduction, and no time to breathe.
Monster reveal – Dolly’s design and practical effects hit hard and feel authentically retro.
Jo’s big take – The “death by paralysis” moments that sparked debate about character realism.
Amelie’s reflection – This is horror you can scream through, laugh through, and survive together.
WTF moment – The shovel scene. No spoilers. Just pain.

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The Morrigan (2025) is a new Irish folk horror film blending pagan mythology, supernatural possession, and classic B-horror energy — and Jo & Amelie are breaking it all down in this spoiler-free Streamin’ Demons review.

Is this indie horror movie worth seeing in theaters? Or is it the perfect Friday-night streaming watch?

We dive into:

• Irish folklore and the Morrigan war goddess mythology
• B-movie horror elements and low-budget CGI debate
• Strong performances that elevate familiar possession tropes
• Gorgeous rain-soaked coastal cinematography
• Why this 90-minute horror thriller never drags

Jo argues the cinematic landscape shots deserve the big screen, while Amelie calls it a cozy horror experience — perfect for popcorn, M&Ms, and guessing what happens next.

If you’re into folk horror movies, supernatural thrillers, indie horror films, or possession stories with strong acting and tight pacing, The Morrigan (2025) might be your next watch.

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Opening chaos – Fresh screener energy, red shirts, and immediate spoiler-free reactions.

Main plot or twist – Tomb, curse, and possession elements unpacked without spoilers, plus discussion on the film’s efficient flashback technique.

Character study – Strong performances elevate a familiar horror setup and keep the tension engaging throughout.

Jo’s big take – The cinematography and immersive landscape shots make a compelling case for seeing it on the big screen.

Amelie’s reflection – A perfect Friday-night B-horror: snacks, guessing what happens next, and pure cozy chaos fun.

WTF moment – The unexpected showdown of carrots vs. M&Ms becomes the real horror debate of the episode.

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Paradise on Hulu gets the Streamin’ Demons deep dive. Jo & Amelie unpack the wild extinction-level event reveal, Sterling K. Brown's gripping lead as agent Xavier, James Marsden's president flashbacks, and why this smart sci-fi thriller feels so grounded and human despite the bunker world. A killer first-episode hook that had us hooked—perfect binge if you love mystery with heart.

Key Moments:

Opening chaos – Jo kicks off with the usual chaos, allergies, sickness blame game, and that deep 15-year friendship telepathy riff (hummus sync!).

Main plot or twist – The massive premiere reveal: what looks like a normal day turns into post-apocalypse bunker life after an extinction event, president murdered, total game-changer.

Character study – Sterling K. Brown shines as the dedicated agent/single dad Xavier—fit, intense, relatable struggles; James Marsden nails the charismatic president in flashbacks.

Jo’s big take – Thought it was some neighbor drama at first, blown away by the smart sci-fi that doesn't shove tech in your face, more thriller/mystery with real human connections (loved not recognizing faces for immersion).

Amelie’s reflection – Praises the grounded, sober approach—like Black Mirror or Battlestar Galactica, everyday problems in extreme settings, character depth, no over-info overload, hooks you right from episode one.

WTF moment – That late-episode jazz-hands twist flips everything you thought you knew, leaving you desperate for more.

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Solid pick, Amelie—went from "meh screener week" to this hidden gem (well, not so hidden with those Emmy noms and buzz). The human stuff hits hard, the twist lands perfectly, and yeah, Sterling looks way too good for any of us. Go stream Paradise on Hulu/Disney+ if you haven't—worth the ride. Peace out!

Honey Bunch on Shudder gets the full Streamin’ Demons treatment. Jo & Amelie dive into the slow-burn psychological thriller, unpacking marriage tests, experimental trauma treatments, nudity debates, European vs. American views on love, and those eerie ear-bleeding jumps. A perfect twisted Valentine’s watch with real emotional weight.

KEY MOMENTS

• Opening chaos – Jo skips the Super Bowl for this instead, calls out slow-burn burnout from prior films but praises the purposeful build.
• Main plot twist buildup – Diana’s memory loss and the remote facility’s “treatments” ramp up, revealing dark marriage truths and identity questions—who are we without our past?
• Character study – Homer’s shifting likability (loving yet super weird/annoying) vs. Diana’s intellectual, honest vibe; parallels in paired relationships (husband-wife, father-daughter) add layers.
• Jo’s big take – Riffs on full-frontal nudity casting calls, compares to Game of Thrones old-dude scenes, and questions American prudishness vs. European normalcy around bodies.
• Amelie’s reflection – Loves the 60s/70s aesthetic, golden lighting, philosophical love talks (no forced “I love you”s), and real-world tie to exhausting Valentine’s days with butter chicken and relaxation turning intense.
• WTF moment – That random ear-bleeding scare jumps Amelie hard; no monsters, just raw, realistic horror that makes you worry for the characters.

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Happy Valentine’s Day, you beautiful weirdos—go watch Honey Bunch and question everything about love. Toodles!

Jo & Amelie dive into The Day the Earth Blew Up: A Looney Tunes Movie — a hilarious buddy comedy with classic slapstick, modern winks, clever writing, and just enough edge to keep adults laughing while kids enjoy the ride. Perfect family theater pick (some mildly scary moments!). Check it out in UK/Ireland cinemas from February 13.

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Key Moments:

Opening chaos – Jo’s pure excitement for a new Looney Tunes film + Amelie’s nostalgic French childhood memories of Bugs Bunny & historical cartoon jokes

Main plot & twist – Porky and Daffy’s origin story, bubblegum aliens, and how they save the day without ever quite getting along

Character study – Daffy’s wild antics push boundaries (Amelie: “You can’t do that!” Jo: “It’s cartoons!”), yet the duo’s odd-couple dynamic shines

Jo’s big take – Thrilled by the updated-but-classic hand-drawn style, voice cast nostalgia (Eric Bauza, Candi Milo, Carlos Alazraqui), and how it feels like childhood + adult brain at the same time

Amelie’s reflection – Loves the timeless Tex Avery-style humor mixed with modern touches; appreciates the smart, layered jokes that hit different for kids vs adults (and yes, some French-kissing-level cheekiness)

WTF moment – That one dark lab/monster suspense scene that genuinely builds tension — Amelie warns it might scare younger kids, Jo shrugs “I grew up on Faces of Death”

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That’s it, demons — grab the family (or just yourself) and hit the theater if you’re in the UK/Ireland from February 13. This one’s a blast.

Jo & Amelie suffer through Don't Look in the Dark (2025/26?), a 71-minute found-footage disaster of endless black screens, shaky phones, and zero payoff. We bailed—first time ever. If you want to know how bad a horror movie can really get, this is your warning. Streamin’ Demons Season 5 begins with rage.

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Key Moments

• Opening chaos – Jo tries to figure out what holiday it even is while Amelie shows the infamous black camera
• We bailed – Historic first: Jo & Amelie stop the movie mid-way because it’s unwatchable
• Motion sickness warning – Amelie describes the never-ending shaky phone footage that makes viewers want to vomit
• Colorblind whining – Jo loses it over the male lead’s endless colorblind complaints with no payoff
• Reality check – Both agree even a phone-recorded jungle trip in Malaysia looks 100× better than this
• Positive spin – If you’re thinking of making a movie, watch this first so you know you can do way better
• Mail call & teaser – Jo shows off the signed Dogma 25th Blu-ray + quick hype for the upcoming Dogma sequel

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In this haunting episode of Streamin’ Demons, Jo and Amelie dive deep into Mother of Flies (2025), the stunning folk horror from the Adams Family (John, Zelda, and Toby Poser). A young woman facing a terminal diagnosis turns to a mysterious witch in the woods for a cure that comes with a terrifying cost. Expect breathtaking cinematography, raw natural performances, poetic dialogue, and unflinching conversations about death, grief, and acceptance. Amelie shares why she loves how the film handles mortality in a real, non-Hollywood way—and even opens up about her own “dream death” plans, from prepaid cremation to birthday cake celebrations with loved ones. Jo praises the practical effects, zero exposition, and how it’s both creepy and beautiful. If you’re into slow-burn folk horror, body horror, or movies that actually make you think about dying, this is a must-watch on Shudder. Watch it twice—the layers hit harder the second time.

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KEY MOMENTS

• Opening chaos – Jo in a hoodie, happy new year vibes, and immediate confusion about when this episode even drops
• Amelie’s big hook – Why she picked Mother of Flies despite hating the trailer: real, natural death instead of sexy Hollywood horror
• Emotional gut punch – The father-daughter forest conversation about suicide, grief, and what happens after death (no spoilers, just tears)
• Jo’s take – “It’s not a boring slog fest… I was hooked after the first act” + jealousy over the Adams family making movies together
• Amelie’s reflection – Her personal “dream death” plans: prepaid cremation, beautiful urn, no open casket, and annual birthday cake celebrations with loved ones
• WTF moment – The flies scene (is it CGI or real?!) and the poetic, disgusting beauty of the body horror
• Theme kicker – Nature as a character, zero exposition, real faces with wrinkles, and why this film is better than a lot of big-budget horror