Ritual House 2025 gets the Streamin’ Demons treatment as Jo and Amelie unleash a wild rant! As our hero Jo battles a Tony Horton diet—Golden Child style--Amelie chows a 32-centimeter pizza, gyros, and Coke right in front!

The movie follows two friends turning a debt-ridden inherited house into a haunted bed-and-breakfast. The premise? Solid—40-something women tackling loss and finance. The acting? A disaster! Jo dubs it “third-grade play” territory, while Amelie finds it hilariously offbeat. Crystal’s stalker subplot with Bob confuses—creepy or comic? Jo sees an incel vibe, Amelie a quirky twist.

The chaos peaks with a plushie “dead cat” sporting a price tag, fake eyelashes in the shower, and death scenes sounding like diarrhea—pure unintentional laughs! Jo’s hunger fueled rants on pacing and repeated flashbacks, while Amelie dreams of her own B&B, mirroring the plot. They clash: Jo rejects it, slamming IMDb’s typos and “award of recognition” hype, while Amelie values the story’s heart. This episode’s a shoutfest of diet drama, horror flops, and personal takes—Jo teases Amelie’s feast, both mock tropes like a Ring-style TV creature. Check it out at https://linktr.ee/Emptyhell! We are Amazon Affiliates; if you click/use an Amazon link, we earn money.

• Opening chaos – Jo rants about IMDb typos and his Tony Horton diet struggle while Amelie eats pizza.
• Main plot or twist – Two friends turn a haunted house into a bed-and-breakfast, but the acting flops hard.
• Character study – Jo and Amelie debate the confusing stalker scene and Bob’s creepy charm.
• Jo’s big take – Jo calls out the film’s “third-grade play” vibe, craving a better horror twist.
• Amelie’s reflection – Amelie loves the real-life debt-to-B&B idea but mourns the lost tension.
• WTF moment – A plushie “dead cat” and fake eyelashes in the shower steal the show!

Jo and Amelie jack into Tron: Ares and don’t hold back. From childhood arcade dreams and 3D IMAX flashbacks to Jared Leto’s controversial casting, they dissect the sequel’s glowing grid of tech nostalgia, coding culture, and emotional AI twists. Amelie shares how learning programming made the movie hit differently, and Jo gets real about why Tron was his first spark into geekdom. Whether you’re here for Evan Peters, Gillian Anderson’s surprise gravitas, or to argue about what “woke” even means anymore—this ep’s got you.

Watch the lightcycles blaze, the emotions glitch, and the popcorn get silenced in the sound mix. Plus, why Tron: Ares might be the most misunderstood blockbuster of the year.

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Key Moments:

• Opening riff – Jo & Amelie admit they’re going to spoil everything.
• Nostalgia check – Rewatching the original Tron and what it made them feel.
• Big insight – Amelie’s coding story & how the film reflects real‑world AI dilemmas.
• Behind‑the‑scenes moment – Jared Leto’s casting controversy and how it plays out.
• Personal story – Jo recounts babysitter chaos and arcade memories to tie into the film’s world.
• Why it matters – Discussion on whether this is a theater‑worthy movie in the age of streaming.

In this episode of Streamin’ Demons, Jo and Amelie go full-on divine as they resurrect Dogma for its 25th anniversary. They deep-dive into the Kevin Smith classic’s brand-new 4K remaster—marveling at the fresh visuals, crisp sound, and how shockingly well it holds up in 2025. But this episode isn’t just about pretty pixels.

They get personal, reflecting on what it meant to first see Dogma—whether in a theater seat in 1999 or on a scratched DVD in Australia. There’s a whole lotta love (and a little rage) for the lost era of physical media, with Jo and Amelie going head-to-head on whether streaming can ever compare to the raw ownership of a shelf full of discs.

From Alan Rickman’s divine delivery to Bethany’s gut-punch story of faith, loss, and reproductive rights, this one’s packed with sharp takes, laugh-out-loud moments, and plenty of righteous indignation. They talk cancel culture, translation woes, and why Dogma still hits hard—especially when religion, politics, and comedy are constantly under fire.

💿 Whether you're Team DVD or Team Stream, this one’s for the cult movie lovers, the spiritual skeptics, and anyone who’s ever thought, “Wait… didn't Snape have a penis?”

🎟️ Dogma is back in theaters (UK & Ireland) on November 7th—and this episode is your front-row warm-up.

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KEY MOMENTS

• Opening riff – Jo & Amelie set the tone by joking about the film’s 25‑year “resurrection” and their DVD memories.
• Restoration reveal – They dive into how the new 4K remaster hits, how young the actors look, and what that timing means.
• DVD vs streaming culture – A nostalgic segment on owning physical media vs streaming and why that matters.
• Big theme drop – They unpack how Dogma tackles religion, belief, women's issues (Bethany’s story) and cancel culture.
• Cultural translation fun – Amelie recounts her experience watching movies dubbed vs original language, accents and meaning lost/found.
• Why it still works – They push the idea that the film holds up today, and why introducing it to new audiences matters.

This week on Streamin’ Demons, Jo & Amelie dig into Borley Rectory: The Awakening and The Man in the White Van—both based on “true stories,” but only one delivers the psychological punch. From terrible ghost makeup and Botox in 1888 to heartfelt reflections on what fear really feels like for women, this ep pulls no punches. Plus, the wildest French kissing tutorial you never saw coming.
👻 Watch both if you dare.
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• Opening chaos – Jo teases a Halloween-heavy episode and calls out IMDB errors
• Main plot or twist – Borley Rectory is all exposition; White Van leans into true crime fear
• Character study – Strong performances wasted vs. rising young leads
• Jo’s big take – Botox and overdone makeup kill historical believability
• Amelie’s reflection – Emotional insight on feminine fear, sisterhood, and realism
• WTF moment – French kissing lessons… with socks?

Jo’s flying solo (Amelie’s off on a secret Tron mission in Prague!), but the demons don’t rest. In this episode of Streamin’ Demons, we dig deep into Strange Harvest—the freaky, found-footage folk horror that delivers a terrifying Mr. Potato Head–esque killer, cosmic dread, and some weirdly convincing documentary vibes. Jo unpacks how the film’s fake docu-style nails the true crime aesthetic, what works, what stumbles (that sus third act!), and why it shouldn’t be seen on the big screen. There’s lore, gore, and a possible sequel tease—all wrapped up in an hour and 34 minutes of haunting horror from director Stuart Ortiz.

🕵️‍♂️ Det. Joe Kirby, Alexis Taylor, and the cast crush the "bad acting on purpose" vibe
👹 Jesse Clarkson’s Mr. Shiny = nightmare fuel
🏆 Winner: Best Horror Feature, Atlantic Horror Film Festival 2024
📺 Pro tip: Watch it on a TV, not a theater screen

👉 Strange Harvest: Worth the freaky watch.

Key Moments:

• Opening chaos – Amelie’s in Prague, Jo’s alone and unfiltered
• Main plot – Mr. Shiny is not Mr. Potato Head... but he’s close
• Character study – Bad acting done well? It's a choice—and it works
• Jo’s big take – The third act’s a little sus, but it doesn’t kill the thrill
• WTF moment – A found footage horror flick that feels too real

We are Amazon Affiliates—if we use an Amazon link and you click or buy, we do earn money.

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In this episode of Streamin’ Demons, Jo and Amelie sink their perfectly painted claws into Queens of the Dead, the buzzy new horror-comedy from Tina Romero — yes, that Romero family. Set in a Brooklyn nightclub during a zombie outbreak, this film brings together drag queens, club kids, influencers, and more to fight back against the undead… all while navigating real friendships, fierce costuming, and a whole lot of high heels.

But don’t get it twisted — this isn’t your basic zombie flick. Jo draws the Romero lineage back to Night of the Living Dead, while Amelie hones in on the movie’s emotional core. Together, they rave about the color palette, makeup precision, queer representation, and yes — the power of found family. From disco-ball stilettos to heartfelt monologues, Queens of the Dead balances camp, satire, and sincerity with glitter-drenched flair.

Plus: memories of gay club culture, commentary on influencer excess, and the wild world of soup at strip clubs. (You had to be there.)

It’s horror, it’s heart, and it’s high camp — and Jo and Amelie are here for all of it. Check it out in theaters Oct 24.

Key Moments:

• Opening riff – Jo & Amelie kick off the show, fresh from watching the screener, talking lineage of zombie films and how this one ties in.
• Guest’s big insight or quote – Amelie: “There is moment of tenderness… I have your back, you have my back… friendship is trust.”
• Behind‑the‑scenes moment – Discussion about the poster and colour design: green zombies, purple partygirls, how the film uses colour so smartly.
• Personal story – Jo’s nightclub doorman anecdote and how club safety culture links into the film’s found‑family vibe.
• Why it matters – They emphasise how Queens of the Dead isn’t “just another zombie movie”: it reflects queer culture, friendship, identity, and the modern club scene with commentary on phones/influencers.

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Jo and Amélie go full cult-core in this episode of Streamin’ Demons, diving into Strange Journey: The Story of Rocky Horror and the tunnel-crawling, bug-infested thriller Scurry. From Amélie’s late-in-life first watch to Jo’s full tattoo dedication, they unpack the generational, cultural, and queer legacy of Rocky Horror — and why the doc Strange Journey hits hard. Then they tackle Scurry, a single-shot survival flick where the real terror isn’t monsters — it’s trust, confinement, and sloppy writing. Plus: ghost hauntings, musicals in France, and Susan Sarandon’s underwear.

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• Opening chaos – Jo forgets what show they’re on, Amélie has a chill day
• Rocky Horror flashbacks – Amélie watches it late in life, Jo hated it until Susan Sarandon’s underwear changed everything
• Doc love – Strange Journey reveals the real cult phenomenon
• Scurry’s one-shot flex – Amélie likes the bugs, Jo calls out the lazy writing
• Jo’s big take – “It’s not horror. It’s claustrophobia with bugs and trust issues”
• Amélie’s reflection – Musicals in France? Meh. But the vibe shift in settler countries hits different
• WTF moment – Jo gets stiffed for an interview with Richard O'Brien
• Why it matters – Culture clash, fan legacy, and why small films sometimes hit harder on VR than big screens

In this episode of Streamin’ Demons, Jo and Amelie dive deep into Dexter Resurrection Season 1, Episode 4—a wild ride filled with surprise cameos, dark codes, and emotional gut-punches. From Uma Thurman blending so well into her role it took dinner to recognize her, to Peter Dinklage playing a collector with Tyrion Lannister vibes, to Neil Patrick Harris and Eric Stonestreet turning up as twisted killers, the episode is packed with faces you didn’t expect.

But the real debate? Dexter’s dynamic with Mia (Kristen Ritter). Is she a soulmate in code, or should they remain just friends? Jo wants the spark, Amelie wants the depth—sparks fly between the hosts over what’s best for Dexter’s humanity.

We also get into Batista’s messy obsession with catching Dexter, Harrison’s PTSD spiral, and that final gut-drop when Dexter shows up at the worst possible time.

This episode hit 97–98% approval for a reason—it’s one of the most haunting, exhilarating entries yet.

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• Opening chaos – Jo & Amelie riff on VPNs, Joe Bob Briggs, and Prague.
• Killer cameos – Uma Thurman, Peter Dinklage, Neil Patrick Harris, Eric Stonestreet, David Dastmalchian, Kristen Ritter—Dexter’s deadly dinner party.
• Dexter & Mia’s connection – Friendship or romance? Heated host debate.
• Batista’s obsession – From cuddly teddy bear to dark, messy investigator.
• Harrison’s breakdown – PTSD, guilt, and a shocking fatherly hand on his shoulder.
• That ending – Daddy Dexter returns, and nothing will be the same.