The year is 1346 and we have, yes, another succession crisis. Without checking through my 1500 pages of transcripts, I have counted a total f 14 contested imperial elections in the 427 years we have covered so far. Henry the Fowler, Herny II, Henry IV, Henry V, Lothar III, Konrad III, Philip of Swabia, Otto IV, Frederick II, Konrad IV, Richard of Cornwall, Adolf of Nassau, Albrecht of Habsburg and Ludwig the Bavarians all had to contend with anti-kings or severe opposition to their ascension to the throne.

I guess you are bored with these and so were the citizens of the empire. But here is the good news. From Karl IV’s reign onwards these succession crises will become fewer and fewer. Why? One reason is of course the Golden Bull we will discuss in a few episodes time. But there is another one, which had to do with the way Karl IV overcome the opposition. He claimed it was divine providence, but modern historians point to a much more temporal force that tied the imperial title to the heirs of the house of Luxemburg…

The music for the show is Flute Sonata in E-flat major, H.545 by Carl Phillip Emmanuel Bach (or some claim it as BWV 1031 Johann Sebastian Bach) performed and arranged by Michel Rondeau under Common Creative Licence 3.0.

As always:

Homepage with maps, photos, transcripts and blog: www.historyofthegermans.com

Facebook: @HOTGPod

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To make it easier for you to share the podcast, I have created separate playlists for some of the seasons that are set up as individual podcasts. they have the exact same episodes as in the History of the Germans, but they may be a helpful device for those who want to concentrate on only one season.

So far I have:

The Ottonians

Salian Emperors and Investiture Controversy

Fredrick Barbarossa and Early Hohenstaufen

Frederick II Stupor Mundi

Saxony and Eastward Expansion

The Hanseatic League

The Teutonic Knights

The Holy Roman Empire 1250-1356

You have heard me complaining regularly over the last 154 episodes that what we report as political ambitions or strategic plans of the kings and emperors was pure conjecture derived from their actions and public statement. But we could never know what they were really thinking because none of them kept a diary, or if they did they did not survive to today. The subject of today’s episode however did write an autobiography, which is believed to have been written by the emperor himself, at least in large parts. So, for the first time we hear an emperor telling his own story. Do you want to hear it?

Well, here he describes what he called the most seminal moment of his youth:

That night, as sleep overcame us, a vision appeared to us: an angel of the Lord stood beside us on our left side, where we lay, and struck us on the side, saying, "Rise and come with me."

We responded in spirit, "Lord, I do not know where or how to go with you." And taking us by the hair of the front part of our head, he lifted us into the air over a great line of armed knights who were standing before a castle, ready for battle.

Holding us in the air above the line, he said to us, "Look and see." And behold, another angel ascending from the sky, holding a fiery sword in his hand, struck one in the middle of the line and cut off his genital member with the same sword, and he, as if mortally wounded, agonized while sitting on his horse.

Then the angel holding us by the hair said, "Do you recognize him who was struck by the angel and mortally wounded?" We said, "Lord, I do not know him, nor do I recognize the place."

He said, "You should know that this is the Dauphin of Vienne, who, because of the sin of lust, has been struck by God in this way; therefore, beware and tell your father to beware of similar sins, or worse things will happen to you." [..]”

There you go, the emperor Karl IV has divine visions. Not quite what you were expecting, but as it happened a good window into his way of thinking. But do not worry, Karl wasn’t just an excessively devout collector of relics, he was at the same time an astute and often ruthless politician who gave the Holy Roman empire its constitution and placed his heirs on the throne for the next centuries.

So let’s talk about Karl’s journey from his youth to becoming the King of the Romans.

The music for the show is Flute Sonata in E-flat major, H.545 by Carl Phillip Emmanuel Bach (or some claim it as BWV 1031 Johann Sebastian Bach) performed and arranged by Michel Rondeau under Common Creative Licence 3.0.

As always:

Homepage with maps, photos, transcripts and blog: www.historyofthegermans.com

Facebook: @HOTGPod

Twitter: @germanshistory

Instagram: history_of_the_germans

Reddit: u/historyofthegermans

Patreon: https://www.patreon.com/Historyofthegermans

To make it easier for you to share the podcast, I have created separate playlists for some of the seasons that are set up as individual podcasts. they have the exact same episodes as in the History of the Germans, but they may be a helpful device for those who

The noble and gallant King of Bohemia, also known as John of Luxemburg because he was the son of the Emperor Henry of Luxemburg, was told by his people that the battle had begun. Although he was in full armour and equipped for combat, he could see nothing because he was blind. He asked his knights what the situation was and they described the rout of the Genoese and the confusion which followed King Philip's order to kill them. Ha,' replied the King of Bohemia. 'That is a signal for us.' […] 'My lords, you are my men, my friends and my companions-in-arms. Today I have a special request to make of you. Take me far enough forward for me to strike a blow with my sword.

Because they cherished his honor and their own prowess, his knights consented. [..] In order to acquit themselves well and not lose the King in the press, they tied all their horses together by the bridles, set their king in front so that he might fulfil his wish, and rode towards the enemy.

There also was Lord Charles of Bohemia, who bore the title and arms of King of Germany, and who brought his men in good order to the battlefield. But when he saw that things were going badly for his side, he turned and left. I do not know which way he went.

Not so the good King his father, for he came so close to the enemy that he was able to use his sword several times and fought most bravely, as did the knights with him. They advanced so far forward that they all remained on the field, not one escaping alive. They were found the next day lying round their leader, with their horses still fastened together. "

Anyone with even a passing interest in late medieval history will remember this scene from Froissart’s description of the Battle of Crecy on August 26th, 1346. The Blind King of Bohemia, the epitome of chivalric culture riding into the midst of a battle striking at an enemy he cannot see, relying on his comrades to guide him.

This deed made such an impression on the Edward, the Prince of Wales, known as the Black Prince that he honored his foe by adding the Bohemian ostrich feathers and the dead king’s motto “Ich Dien”, to his own coat of arms. So to this day the Blind King’s heraldic symbols and German motto features on Prince William’s coat of arms, the Welsh Rugby Union Badge, some older 2p coins and various regiments in Britain, Australia, Canada and even Sri Lanka.

But this death, call it heroic or foolish, was only the end of an astounding life. John Of Bohemia, very much against his own intentions, played a crucial role in the establishment of the key counterweight to French hegemony in Europe. No, not England, but a power centered on Prague, Vienna, Buda and Pest.

Let’s dive into this story…

The music for the show is Flute Sonata in E-flat major, H.545 by Carl Phillip Emmanuel Bach (or some claim it as BWV 1031 Johann Sebastian Bach) performed and arranged by Michel Rondeau under Common Creative Licence 3.0.

As always:

Homepage with maps, photos, transcripts and blog: www.historyofthegermans.com

Facebook: @HOTGPod

Twitter: @germanshistory

Instagram: history_of_the_germans

Reddit: u/historyofthegermans

Patreon: