Maureen Murdock joins Let’s Talk Memoir for a conversation about how myths help excavate our stories, memoir as a way to reclaim the past, invisible primary patterns in the psyche, letting ourselves meander and reflect, using process journals to excavate fears about being vulnerable, allowing structure to emerge, a favorite prompt of hers, and her latest book Mythmaking: Self-Discovery and the Timeless Art of Memoir

Books mentioned in this episode:

• Safekeeping by Abigail Thomas
• The Year of Magical Thinking by Joan Didion
• The Color of Water by James McBride
• Smile by Sarah Ruhl
• Know My Name by Chanel Miller
• Why Be Happy When You Can Be Normal by Jeanette Winterson
• The Tender Bar by J.R. Moehringer

Maureen Murdock, Ph.D. is the author of her new book Mythmaking: Self-Discovery and the Timeless Art of Memoir and the author of the best-selling book, The Heroine’s Journey, which explores the rich territory of the feminine psyche and has been translated into twenty languages. Maureen is also author of Unreliable Truth: On Memoir and Memory; Fathers’ Daughters: Breaking the Ties that Bind; Spinning Inward: Using Guided Imagery with Children; and The Heroine’s Journey Workbook. She is the editor of an anthology entitled Monday Morning Memoirs: Women in the Second Half of Life and teaches memoir for the International Women’s Writing Guild and in Pacifica Graduate Institute’s program, Writing Down the Soul. Maureen was Chair and Core Faculty of the M.A. Counseling Program at Pacifica Graduate Institute. She has written pieces for the Huffington Post on criminal justice and volunteers for the Alternatives to Violence Project (AVP) with inmates at Lompoc Federal Prison.

Connect with Maureen:

Website: www.maureenmurdock.com

Instagram: https://www.instagram.com/murdockmaureen

Facebook: www.facebook.com/maureen.murdock/author

Get Maureen’s Book: https://www.shambhala.com/mythmaking.html

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Ronit’s writing has appeared in The Atlantic, The Rumpus, The New York Times, The Iowa Review, Hippocampus, The Washington Post, Writer’s Digest, American Literary Review, and elsewhere. Her memoir WHEN SHE COMES BACK about the loss of her mother to the guru Bhagwan Shree Rajneesh and their eventual reconciliation was named Finalist in the 2021 Housatonic Awards Awards, the 2021 Indie Excellence Awards, and was a 2021 Book Riot Best True Crime Book. Her short story collection HOME IS A MADE-UP PLACE won Hidden River Arts’ 2020 Eludia Award and the 2023 Page Turner Awards for Short Stories. She earned an MFA in Nonfiction Writing at Pacific University, is Creative Nonfiction Editor at The Citron Review, and lives in Seattle with her family where she teaches memoir workshops and is working on her next book.

More about Ronit: https://ronitplank.com

Sign up for monthly podcast and writing updates: https://bit.ly/33nyTKd

Follow Ronit:

https://www.instagram.com/ronitplank/

https://twitter.com/RonitPlank

https://www.facebook.com/RonitPlank

Background photo credit: Photo by Patrick Tomasso on Unsplash

Headshot photo credit: Sarah Anne Photography

Theme music: Isaac Joel, Dead Moll’s Fingers

Steve Almond joins Let’s Talk Memoir for a conversation about the ambivalence memoirists often experience when writing about others, the story underneath the story we are telling, disrupting the negative feedback loop of writer’s block, dialing the ego down, questions of inner life, his contribution to Dear Sugars podcast, generosity and mercy in our work, performing versus storytelling, how our failures are actually are teachers, and his new book on writing, Truth Is the Arrow, Mercy Is the Bow.

Also in this episode:

-the contract we make with the reader

-the surrender involved in writing

-holding other people in our stories

Books mentioned in this episode:

Wild by Cheryl Strayed

Memorial Drive by Natasha Tretheway

Easy Beauty by Chloe Cooper Jones

The Glass Castle by Jeannette Walls

Truth and Beauty by Anne Patchett

We Learn Nothing by Tim Kreider

Between the World and Me by Ta-Nehisi Coates

Notes of a Native Son by James Baldwin

A Long Way Home by Saroo Brierley

Duke of Deception by Geoffrey Wolff

Pieces of My Mother by Melissa Cistero

Work by Nora Ephron and Joan Didion

Steve Almond is the author of a dozen books, including the NYT Bestsellers “Candyfreak” and “Against Football.” His novel, “All the Secrets of the World” has been optioned for TV by 20th Century Fox. His new book, “Truth Is the Arrow, Mercy Is the Bow” and his stories and essays have appeared in venues ranging from the New York Times Magazine to Best American Short Stories, Best American Mysteries, and Best American Erotica. He teaches at the Nieman Foundation for Journalism and lives outside Boston with his family.

Connect with Steve:

Website: www.stevealmondjoy.org

Instagram: https://www.instagram.com/stevealmondjoy

Facebook: https://www.facebook.com/steve.almond.33

Steve’s Book: https://www.amazon.com/Truth-Arrow-Mercy-Bow-Construction/dp/1638931305

—

Ronit’s writing has appeared in The Atlantic, The Rumpus, The New York Times, The Iowa Review, Hippocampus, The Washington Post, Writer’s Digest, American Literary Review, and elsewhere. Her memoir WHEN SHE COMES BACK about the loss of her mother to the guru Bhagwan Shree Rajneesh and their eventual reconciliation was named Finalist in the 2021 Housatonic Awards Awards, the 2021 Indie Excellence Awards, and was a 2021 Book Riot Best True Crime Book. Her short story collection HOME IS A MADE-UP PLACE won Hidden River Arts’ 2020 Eludia Award and the 2023 Page Turner Awards for Short Stories. She earned an MFA in Nonfiction Writing at Pacific University, is Creative Nonfiction Editor at The Citron Review, and lives in Seattle with her family where she teaches memoir workshops and is working on her next book.

More about Ronit: https://ronitplank.com

Subscribe to Ronit’s Substack: https://substack.com/@ronitplank

Sign up for monthly podcast and writing updates: https://bit.ly/33nyTKd

Follow Ronit:

https://www.instagram.com/ronitplank/

https://twitter.com/RonitPlank

https://www.facebook.com/RonitPlank

Background photo credit: Photo by Patrick Tomasso on Unsplash

Headshot photo credit: Sarah Anne Photography

Theme music: Isaac Joel, Dead Moll’s Fingers

Acclaimed memoirist and teacher Vivian Gornick joins Let’s Talk Memoir for a conversation about the origins of her approach to memoir, the crucial difference between situations and stories, why implicating ourselves in our work makes us trustworthy to our reader, clarifying our narratives, how she discovered what her story was truly about, why some writing questions are unanswerable, and her well-loved and oft-repeated advice: “In order for the drama to deepen we must see the loneliness of the monster and the cunning of the innocent.”

Also in this episode:

-Autofiction

-the importance of trusted readers and editors

-seeing ourselves clearly

Books mentioned in this episode:

-Autofiction by Annie Ernaux

-The Situation and the Story by Vivian Gornick

-Fierce Attachments by Vivian Gornick

-The Odd Woman and the City by Vivian Gornick

Vivian Gornick is a feminist critic, journalist, essayist, and memoirist who was born in the Bronx and grew up in a family of working-class immigrants. Meghan O’Rourke of The Yale Review describes her as having written some of the most remarkable journalism of our time. “Her career got its start in the heady days of second-wave feminism, which she wrote about for the alternative weekly The Village Voice. In her work, she cultivated a fierce and unapologetic intellectual voice that could also be intensely personal. Another way to put it: she made powerful, no-holds-barred arguments, but she was also a gifted storyteller.”

She is the recipient of a Ford Foundation grant and a Guggenheim Fellowship and her essays and articles have appeared in Bookforum, the Los Angeles Times, the Nation, the New York Times Book Review, the New Yorker, Threepenny Review, and the Women's Review of Books. She taught for many years in MFA programs all over the country, including those at the University of Houston, the University of Arizona, Sarah Lawrence College, and the New School in New York City, and in 2015 she served as the Bedell Distinguished Visiting Professor in the University of Iowa's Nonfiction Writing Program.

Some of her books include The Men In My Life, The End of the Novel of Love, Approaching Eye Level, Essays in Feminism, The Odd Woman and the City, Fierce Attachments, and The Situation and the Story.

—

Ronit’s writing has appeared in The Atlantic, The Rumpus, The New York Times, The Iowa Review, Hippocampus, The Washington Post, Writer’s Digest, American Literary Review, and elsewhere. Her memoir WHEN SHE COMES BACK about the loss of her mother to the guru Bhagwan Shree Rajneesh and their eventual reconciliation was named Finalist in the 2021 Housatonic Awards Awards, the 2021 Indie Excellence Awards, and was a 2021 Book Riot Best True Crime Book. Her short story collection HOME IS A MADE-UP PLACE won Hidden River Arts’ 2020 Eludia Award and the 2023 Page Turner Awards for Short Stories. She earned an MFA in Nonfiction Writing at Pacific University, is Creative Nonfiction Editor at The Citron Review, and lives in Seattle with her family where she teaches memoir workshops and is working on her next book.

More about Ronit: https://ronitplank.com

Subscribe to Ronit’s Substack: https://substack.com/@ronitplank

Sign up for monthly podcast and writing updates: https://bit.ly/33nyTKd

Follow Ronit:

https://www.instagram.com/ronitplank/

https://twitter.com/RonitPlank

https://www.facebook.com/RonitPlank

Background photo credit: Photo by Patrick Tomasso on Unsplash

Headshot photo credit: Sarah Anne Photography

Theme music: Isaac Joel, Dead Moll’s Fingers

Cait West joins Let’s Talk Memoir for a conversation about growing up in and leaving Christian patriarchy, indoctrination, identifying and writing about the rifts she felt in herself and her family, gender oppression, using geology as a metaphor, moving from memoir in essays to a more linear form, ethical and legal concerns when writing about others, coming to grips with abuse, purity culture, and her memoir Rift: A Memoir of Breaking Away from Christian Patriarchy.

Also in this episode:

-protecting anonymity in those we write about

-trauma therapy

-protecting ourselves by taking breaks when writing

Books mentioned in this episode:

-Mothers of Sparta by Dawn Davies

-Flesh and Blood by N. West Moss

-Wiving by Caityln Myer

Cait West is a writer and editor based in Grand Rapids, Michigan. Her work has been published in The Revealer, Religion Dispatches, Fourth Genre, and Hawai`i Pacific Review, among others. As an advocate and a survivor of the Christian patriarchy movement, she serves on the editorial board for Tears of Eden, a nonprofit providing resources for survivors of spiritual abuse, and cohosts the podcast Survivors Discuss. Her debut memoir, Rift: A Memoir of Breaking Away from Christian Patriarchy, releases on April 30, 2024.

Connect with Cait:

Website: https://www.caitwest.com/

Instagram: https://www.instagram.com/caitwestwrites

TikTok: https://www.tiktok.com/@caitwestwrites

Substack: https://caitwest.substack.com/

Get Cait’s Book: https://www.caitwest.com/book

—

Ronit’s writing has appeared in The Atlantic, The Rumpus, The New York Times, The Iowa Review, Hippocampus, The Washington Post, Writer’s Digest, American Literary Review, and elsewhere. Her memoir WHEN SHE COMES BACK about the loss of her mother to the guru Bhagwan Shree Rajneesh and their eventual reconciliation was named Finalist in the 2021 Housatonic Awards Awards, the 2021 Indie Excellence Awards, and was a 2021 Book Riot Best True Crime Book. Her short story collection HOME IS A MADE-UP PLACE won Hidden River Arts’ 2020 Eludia Award and the 2023 Page Turner Awards for Short Stories. She earned an MFA in Nonfiction Writing at Pacific University, is Creative Nonfiction Editor at The Citron Review, and lives in Seattle with her family where she teaches memoir workshops and is working on her next book.

More about Ronit: https://ronitplank.com

Subscribe to Ronit’s Substack: https://substack.com/@ronitplank

Sign up for monthly podcast and writing updates: https://bit.ly/33nyTKd

Follow Ronit:

https://www.instagram.com/ronitplank/

https://twitter.com/RonitPlank

https://www.facebook.com/RonitPlank

Background photo credit: Photo by Patrick Tomasso on Unsplash

Headshot photo credit: Sarah Anne Photography

Theme music: Isaac Joel, Dead Moll’s Fingers

Sue William Silverman joins Let’s Talk Memoir for a conversation about claiming our stories, creative nonfiction as an act of affirmation and courage, tapping into artistic masks, discovering answers along the way, the aware and the unaware voice, writing metaphorically and sensorily, the arc of reflection and the arc of action, her decades of teaching at the Vermont College of Fine Arts MFA program and her newest book Acetylene Torch Songs: Writing True Stories to Ignite the Soul.

Also mentioned in this episode:

-the revision long-haul

-our many writerly voices

-Sue’s complete reading list

Books mentioned in this episode:

-I wore the Ocean in the Shape of a Girl by Kelle Groom

-Sue's Reading List: https://www.suewilliamsilverman.com/click_here_to_see_sue_william_silverman_s_contemporary_creative_nonfiction_readin_71566.htm

Sue William Silverman is an award-winning author of eight works of nonfiction and poetry. Her most recent book is "Acetylene Torch Songs: Writing True Stories to Ignite the Soul." Her previous book, "How to Survive Death and Other Inconveniences," won the gold star in Foreword Reviews Indie Book of the Year Award and the Clara Johnson Award for Women’s Literature. Other works include "Love Sick: One Woman’s Journey through Sexual Addiction," made into a Lifetime TV movie; "Because I Remember Terror, Father, I Remember You," which won the AWP Award; and "The Pat Boone Fan Club: My Life as a White Anglo-Saxon Jew." She is faculty co-chair in the MFA in Writing Program at Vermont College of Fine Arts.

Connect with Sue:

Website: www.SueWilliamSilverman.com

Facebook: https://www.facebook.com/SueWilliamSilverman

Instagram: https://www.instagram.com/suewilliamsilverman/

Get Sue’s Books: https://www.amazon.com/s?k=sue+william+silverman&crid=3L3XIG0XVQ21Z&sprefix=%2Caps%2C123&ref=nb_sb_ss_recent_1_0_recent

—

Ronit’s writing has appeared in The Atlantic, The Rumpus, The New York Times, The Iowa Review, Hippocampus, The Washington Post, Writer’s Digest, American Literary Review, and elsewhere. Her memoir WHEN SHE COMES BACK about the loss of her mother to the guru Bhagwan Shree Rajneesh and their eventual reconciliation was named Finalist in the 2021 Housatonic Awards Awards, the 2021 Indie Excellence Awards, and was a 2021 Book Riot Best True Crime Book. Her short story collection HOME IS A MADE-UP PLACE won Hidden River Arts’ 2020 Eludia Award and the 2023 Page Turner Awards for Short Stories. She earned an MFA in Nonfiction Writing at Pacific University, is Creative Nonfiction Editor at The Citron Review, and lives in Seattle with her family where she teaches memoir workshops and is working on her next book.

More about Ronit: https://ronitplank.com

Subscribe to Ronit’s Substack: https://substack.com/@ronitplank

Sign up for monthly podcast and writing updates: https://bit.ly/33nyTKd

Follow Ronit:

https://www.instagram.com/ronitplank/

https://twitter.com/RonitPlank

https://www.facebook.com/RonitPlank

Background photo credit: Photo by Patrick Tomasso on Unsplash

Headshot photo credit: Sarah Anne Photography

Theme music: Isaac Joel, Dead Moll’s Fingers

Kathleen Dorothy Blackburn joins Let’s Talk Memoir for a conversation about listening to and putting our younger selves on the page, recognizing family codes we can no longer adhere to, place as a character in memoir, writing like nobody will ever see our work, how shame and pain can manifest as silence, sharing with readers what we may not be able to reveal to loved ones, the contracts we enter as writers of memoir, creating intimacy on the page, and her new memoir Loose of Earth.

Also mentioned in this episode:

-the toll of forever chemicals on our bodies and homes

-incorporating environmental elements

-managing our grief

Books mentioned in this episode:

-Mill Town by Kerrie Arsenault

-Full Body Burden by Kristen Iverson

-The Yellow House by Sarah Broom

-Ground Glass by Karen Savage

Kathleen Dorothy Blackburn teaches in the University of Chicago Creative Writing Program. She is a Pushcart Prize nominee whose work has appeared in Colorado Review, Guernica, Gulf Coast, Pleiades, and swamp pink, and was listed as notable in Best American Essays.

Connect with Kathleen:

Website: https://www.kdblackburn.com/

Instagram: https://www.instagram.com/thequietwildlife/

Get her book: https://bookshop.org/p/books/loose-of-earth-a-memoir-kathleen-dorothy-blackburn/20690152

—

Ronit’s writing has appeared in The Atlantic, The Rumpus, The New York Times, The Iowa Review, Hippocampus, The Washington Post, Writer’s Digest, American Literary Review, and elsewhere. Her memoir WHEN SHE COMES BACK about the loss of her mother to the guru Bhagwan Shree Rajneesh and their eventual reconciliation was named Finalist in the 2021 Housatonic Awards Awards, the 2021 Indie Excellence Awards, and was a 2021 Book Riot Best True Crime Book. Her short story collection HOME IS A MADE-UP PLACE won Hidden River Arts’ 2020 Eludia Award and the 2023 Page Turner Awards for Short Stories. She earned an MFA in Nonfiction Writing at Pacific University, is Creative Nonfiction Editor at The Citron Review, and lives in Seattle with her family where she teaches memoir workshops and is working on her next book.

More about Ronit: https://ronitplank.com

Sign up for monthly podcast and writing updates: https://bit.ly/33nyTKd

Follow Ronit:

https://www.instagram.com/ronitplank/

https://twitter.com/RonitPlank

https://www.facebook.com/RonitPlank

Background photo credit: Photo by Patrick Tomasso on Unsplash

Headshot photo credit: Sarah Anne Photography

Theme music: Isaac Joel, Dead Moll’s Fingers