This is part 2 of my chat with Visual Effects Supervisor and founder of Leonid Studios, Ari Levinson, about visual effects and much more on the Lord of the Rings movie Trilogy.

Enjoy!

Connect with Ari: leonidstudios.com

Connect with Media Revue Pod: FB and X @MediaRevuePod, Instagram @Richardst30, email MediaRevuePod@gmail.com

It is an understatement to say that the Lord of the Rings movie trilogy has very impressive Visual Effects. It really changed the way some in the industry make movies. From using forced perspective, miniatures, scaled composites, background replacements, performance capture, and crowd-generating software, this trilogy was able to exploit every trick in the book. In this episode, I chat with Visual Effects Supervisor and founder of Leonid Studios, Ari Levinson, about all of this and much more. Enjoy!

Connect with Ari: leonidstudios.com

Connect with Media Revue Pod: FB and X @MediaRevuePod, Instagram @Richardst30, email MediaRevuePod@gmail.com

Back in 1989, The Little Mermaid dazzled its audiences with a colorful, joyful, adventurous, and musical world both above and under the sea and it reinvigorated Disney Animation's brand. In this "live-action" remake, Disney attempts to recapture that magic and rekindle it within a new generation of spectators. Did they succeed? Why is Flounder a flounder? Why can't we see Ursula? What is the meaning of that statue?... And, what the hell is a Scuttlebutt? Those are just some of the questions that Adolfis & Giovanosky (from the podcast Chitchando) and I attempt to answer in this episode of Media Revue Pod.

Contact Chitchando: FB, Instagram, and YouTube @Chitchando.

Contact Media Revue Pod: MediaRevuePod@gmail.com, IG @richardst30, FB Media Revue Pod, richsantiago.com