Wherein Justice and Andy burn down the final season and really the entire series Star Trek: Discovery. What once sounded promising turned into a catastrophe. From initially placing it just before the original series time and then spore-driving it nearly a millenium into the future where the Federation no longer existed, this show has made an unprecedented series of mistakes in the franchise: focusing too heavily on inner turmoil and questions of trauma, foreclosing on any other possible additions to the intervening time , and basically making pointless the contributions of TOS, TNG, DS9, VOY, and ENT. Needless to say, we're glad it's finally over. And we're dreading Star Trek: Academy.

Wherein Andy and Justice run the guantlet of Supergiant's Hades franchise of games. While this episode mostly looks at The Hugo Award winning first game, we also talk about Hades 2 which is currently in early access. What makes these games so compelling, even for newcomers to the rougelike genre? For starters, its engagement with Greek mythology makes it attractive to those who encountered those stories early in life. Secondly, this isn't a traditional rougelike, but one that unfolds its story even through failure. Have a listen and get ready to die a thousand horrible deaths.

Wherein Justice and Andy dust themselves off after a trip through the wasteland in the new Amazon Prime series Fallout. How does the franchise adapt itself to this new medium? What is familiar from the games and what is original to the show? Where do we see this series going? And who keeps hiring Kyle MacLachlan?

Wherein Andy and Justice welcome Tony Hoffmann, the man responsible for forcing us to watch Zack Snyder's Rebel Moon (2023) from beginning to end. Together we complain about Snyder's professional cannibalization of Star Wars, Dune, The Lord of the Rings, and so many more superior texts into the cinematic casserole that is Rebel Moon. By way of comparison, we also look at Dan Simmons' novel Hyperion (1989), which pays proper homage to literary texts of the past in a way that results in a science fiction masterpiece. What constitutes copyright violation? We get it, we've all seen 300. How does Snyder keep getting work?

Wherein Justice and Andy lament the news of Larian Studios decision to not pursue a sequel to Baldur's Gate 3. And futher, that they have decided to leave the Dungeons & Dragons setting entirely. Is this a good business decision for the studio? Why leave when you've perfected the formula for a D&D rpg? We're sure their next project will meet the same standard of quality, but why don't they love us anymore?

Wherein Andy and Justice memorialize Akira Toriyama, best known as the creator of the Dragonball franchise. One of his other masterworks is the video game Chrono Trigger, the SNES RPG from 1995. We also mention the recently deceased musical genius Neil Peart, drummer and lyricist from Rush and accomplished author. We look back with some nostalgia on their works and what their deaths mean for their art.

Wherein Justice and Andy draft a roster of monsters to pit against one another. The rules: Only two titans and the human-sized-ish monsters must have a semi-Earth origin. Crystal clear. We each pick five and debate their battles. Come and see who wins!

Wherein Andy and Justice bite into the drama surrounding the cancellation of the Dark Universe franchise and the monstrous success of the Monsterverse franchise. What makes Godzilla and King Kong compelling both individually and together? At the same time, what makes Dracula compelling by himself but not when paired with the wolf man, Frankenstein's monster, or other Victorian/Romantic horrors? Why was the Dark Universe unable to replicate the success of the early MCU when they had at least as many bankable stars already signed? How is it that Tom Cruise signed on to The Mummy and turned down the role of Tony Stark?