This week, we watch the new horror film that is taking critics by storm and audiences by mild breeze. The marketing for this film promised a terrifying new classic in horror, but what we end up with is a decently creepy arthouse offering with some very silly Nic Cage moments. Longlegs (2024), directed by Oz Perkins.

This week, we oldest/highest movie on the list. Celebrating its 70th anniversary this year, this film is a rare example of age, language, or length of a film not inhibiting its ability to feel modern, fast paced, funny, dramatic, action packed…it has it all. It is easy to see how all films have taken influence from this absolute classic. Seven Samurai (1954), directed by Akira Kurosawa.

This week, we watch a masterpiece of style. This slow-burn thriller bleeds cool from all sides, as each actor delivers a perfect performance and the soundtrack blares synths over LA at night. Drive (2011), directed by Nicholas Winding Refn.

This week, we watch a thriller that takes place in the 80s with a vagrant body builder and the daughter of a gun runner mob boss. Plus there are mullets and rat tails galore. Love Lies Bleeding (2024), directed by Rose Glass.

This week, we watch a brutally realistic film that depicts the actual events of a person growing up in a favala in Rio. Violence, drugs, and crime dominate life in the poorest parts of the city, and the movie energetically and relentlessly re-tells the story. City of God (2002), directed by Fernando Meirelles and Katia Lund.

This week, we watch the fifth Mad Max film. George Miller is nearly 80 years old, and has been developing this post-apocalyptic world for 45 years at this point. This film shifts focus from Max to Furiosa, and while the director is in his twilight years, he is not lacking imagination or energy. Furiosa: A Mad Max Saga (2024), directed by George Miller.

This week, we revisit an episode that seems more relevant today than back when we released it in 2019. This film about the Watergate investigations has aged finer still over the past 5 years.. All The President’s Men (1976), directed by Alan Pakula.

This week, we we find out whats in the box. David Fincher’s second film contains one of the most iconic endings in films. John Doe has the upper-hand. Seven (1995), directed by David Fincher.