Episodios

  • Laura Moretti and Satō Yukiko, "Graphic Narratives from Early Modern Japan: The World of Kusazōshi" (Brill, 2024)

    Laura Moretti and Satō Yukiko, "Graphic Narratives from Early Modern Japan: The World of Kusazōshi" (Brill, 2024)
    Jul 19 2024
    Part of a formidable publishing industry, cheap yet eye-catching graphic narratives consistently charmed early modern Japanese readers for around two hundred years. These booklets were called kusazōshi (“grass books”). Graphic Narratives from Early Modern Japan: The World of Kusazōshi (Brill, 2024) is the first English-language publication of its kind. It enables anyone new to kusazōshi to gain comprehensive knowledge of the field. For the specialist, our edited volume marks a turning point in scholarship, uncovering fresh research avenues. While exploring the powerful effects of the visual-verbal imagination, this collection opens up bold new vistas on the act of reading and advances provocations around comics and manga. Contributors are: Jaqueline Berndt, Joseph Bills, Michael Emmerich, Adam L. Kern, Fumiko Kobayashi, Frederick Feilden, Laura Moretti, Matsubara Noriko, Satō Satoru, Satō Yukiko, Satoko Shimazaki, Takagi Gen, Tanahashi Masahiro, Ellis Tinios, Tsuda Mayumi and, Glynne Walley. Discount code 72435 for 35%. Valid till 31 Dec, 2024. Learn more about your ad choices. Visit megaphone.fm/adchoices
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    1 h y 4 m
  • Sultan vs Dracula

    Sultan vs Dracula
    Jul 17 2024
    An interview with renowned calligrapher and author Razwan ul-Haq talking about his graphic novel Sultan vs. Dracula (al-Oblong Books, 2012). Learn more about your ad choices. Visit megaphone.fm/adchoices
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    20 m
  • Ricardo Quintana-Vallejo, "Growing Up in the Gutter: Diaspora and Comics" (U Arizona Press, 2024)

    Ricardo Quintana-Vallejo, "Growing Up in the Gutter: Diaspora and Comics" (U Arizona Press, 2024)
    Jun 25 2024
    Growing Up in the Gutter: Diaspora and Comics (U Arizona Press, 2024) by Dr. Ricardo Quintana-Vallejo offers new understandings of contemporary graphic coming-of-age narratives by looking at the genre’s growth in stories by and for young BIPOC, LGBTQ+, and diasporic readers. Through a careful examination of the genre, Dr. Quintana-Vallejo analyses the complex identity formation of first- and subsequent-generation migrant protagonists in globalised rural and urban environments and dissects the implications that these diasporic formative processes have for a growing and popular genre. While the most traditional iteration of the bildungsroman—the coming-of-age story—follows middle-class male heroes who forge their identities in a process of complex introspection, contemporary graphic coming-of-age narratives represent formative processes that fit into, resist, or even disregard narratives of socialisation under capitalism, of citizenship, and of nationhood. Dr. Quintana-Vallejo delves into several important themes: how the coming-of-age genre can be used to study adulthood, how displacement and international or global heritage are fundamental experiences, how multi-diasporic approaches foreground lived experiences, and how queerness opens narratives of development to the study of adulthood as fundamentally diverse and nonconforming to social norms. Dr. Quintana-Vallejo shows how openness enables belonging among chosen families and, perhaps most importantly, freedom to disidentify. And, finally, how contemporary authors writing for the instruction of BIPOC children (and children otherwise affected by diaspora and displacement) use the didactic power of the coming-of-age genre, combined with the hybrid language of graphic narratives, to teach difficult topics in accessible ways. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices
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    53 m
  • Jan Baetens, "Rebuilding Story Worlds: The Obscure Cities by Schuiten and Peeters" (Rutgers UP, 2020)

    Jan Baetens, "Rebuilding Story Worlds: The Obscure Cities by Schuiten and Peeters" (Rutgers UP, 2020)
    May 26 2024
    Rebuilding Story Worlds: The Obscure Cities by Schuiten and Peeters (Rutgers UP, 2020) examines The Obscure Cities, one of the few comics series to achieve massive popularity while remaining highly experimental in form and content. Set in a parallel world, full of architecturally distinctive city-states, The Obscure Cities also represents one of the most impressive pieces of world-building in any form of literature. Rebuilding Story Worlds offers the first full-length study of this seminal series, exploring both the artistic traditions from which it emerges and the innovative ways it plays with genre, gender, and urban space. Comics scholar Jan Baetens examines how Schuiten’s work as an architectural designer informs the series’ concerns with the preservation of historic buildings. He also includes an original interview with Peeters, which reveals how poststructuralist critical theory influenced their construction of a rhizomatic fictional world, one which has made space for fan contributions through the Alta Plana website. Synthesizing cutting-edge approaches from both literary and visual studies, Rebuilding Story Worlds will give readers a new appreciation for both the aesthetic ingenuity of The Obscure Cities and its nuanced conception of politics. Jan Baetens is a Professor Emeritus at the Faculty of Arts of the KU Leuven. His main research interests and areas of expertise include: contemporary French poetry and popular culture (among many other topics). Learn more about your ad choices. Visit megaphone.fm/adchoices
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    59 m
  • Alan Jenkins and Gan Golan, "1/6, The Graphic Novel: What if the Attack on the U.S. Capitol had Succeeded?" (Sun Print Solutions, 2023)

    Alan Jenkins and Gan Golan, "1/6, The Graphic Novel: What if the Attack on the U.S. Capitol had Succeeded?" (Sun Print Solutions, 2023)
    May 26 2024
    What if the January 6, 2021 Insurrection had been successful? A tale of what was, what could have been, and what still could be? 1/6: The Graphic Novel (Sun Print Solutions, 2023) chillingly illustrates how close we came to authoritarian rule in America and the threats to our democracy that we still face. In the tradition of speculative fiction from George Orwell’s 1984 to Margaret Atwood’s Handmaid’s Tale to the Twilight Zone, it explores themes of autocracy, scapegoating, strategic disinformation, and more, all told through a compelling, character-driven story. Drawing on real-life events, 1/6 travels the road that led from back-room meetings, white supremacist rallies, and the Four Seasons Landscaping parking lot to a violent attack on the Capitol that left several Americans dead and shook our nation to its core. It then imagines a world in which the events of that day turned out very differently. 1/6 is for lovers of graphic novels, lovers of speculative fiction, lovers of politics, and lovers of our democracy. It’s a story that demands our attention and calls on us to take action…while we still can. Issue #1 of the 4-Issue Series is available on Amazon, Issuu, and in a print edition. Kishauna Soljour is an Assistant Professor of Public Humanities at San Diego State University. Her most recent writing appears in the edited collection: From Rights to Lives: The Evolution of the Black Freedom Struggle. Learn more about your ad choices. Visit megaphone.fm/adchoices
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    56 m
  • Alex Beringer, "Lost Literacies: Experiments in the Nineteenth-Century US Comic Strip" (Ohio State UP, 2024)

    Alex Beringer, "Lost Literacies: Experiments in the Nineteenth-Century US Comic Strip" (Ohio State UP, 2024)
    May 22 2024
    Lost Literacies: Experiments in the Nineteenth-Century US Comic Strip (Ohio State UP, 2024) is the first full-length study of US comic strips from the period prior to the rise of Sunday newspaper comics. Where current histories assume that nineteenth-century US comics consisted solely of single-panel political cartoons or simple “proto-comics,” Lost Literacies introduces readers to an ambitious group of artists and editors who were intent on experimenting with the storytelling possibilities of the sequential strip, resulting in playful comics whose existence upends prevailing narratives about the evolution of comic strips. Over the course of the nineteenth century, figures such as artist Frank Bellew and editor T. W. Strong introduced sequential comic strips into humor magazines and precursors to graphic novels known as “graphic albums.” These early works reached audiences in the tens of thousands. Their influences ranged from Walt Whitman’s poetry to Mark Twain’s travel writings to the bawdy stage comedies of the Bowery Theatre. Most importantly, they featured new approaches to graphic storytelling that went far beyond the speech bubbles and panel grids familiar to us today. As readers of Lost Literacies will see, these little-known early US comic strips rival even the most innovative modern comics for their diversity and ambition. Alex Beringer is a professor of English at the University of Montevallo. His research and teaching focuses on nineteenth century American literature, visual culture, and comics. He received his Ph.D. in English in 2011 from the University of Michigan and has held fellowships with the American Antiquarian Society, University of Cambridge and the National Endowment for the Humanities. His work has appeared in American Literature, Arizona Quarterly, PopMatters.com, and elsewhere. Learn more about your ad choices. Visit megaphone.fm/adchoices
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    1 h y 1 m
  • Adam Kabat, "The River Imp and the Stinky Jewel and Other Tales: Monster Comics from Edo Japan" (Columbia UP, 2023)

    Adam Kabat, "The River Imp and the Stinky Jewel and Other Tales: Monster Comics from Edo Japan" (Columbia UP, 2023)
    Apr 14 2024
    Adam Kabat’s The River Imp and the Stinky Jewel and Other Tales: Monster Comics from Edo Japan (Columbia UP, 2023) is an in-depth introduction to the rich and ribald world of kibyōshi, a short-lived (1778-1807) subgenre of books combining text and illustration on the same page, much like comic books and manga today. This book presents a selection of five kibyōshi in which monsters play central roles. Each of these short books is reproduced in its entirety, accompanied by Kabat’s translations and commentary. Kabat’s selection of tales communicates the entertainment value and thematic variety of these stories, as well as their deep web of interconnections with contemporary culture and the urban economy. The book will be of interest not only to scholars of premodern history and literature, but also to a larger audience including the growing ranks of manga and anime fans. Learn more about your ad choices. Visit megaphone.fm/adchoices
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    1 h y 3 m
  • Stephen R. O'Sullivan, "The Comic Book as Research Tool: Creative Visual Research for the Social Sciences" (de Gruyter, 2023)

    Stephen R. O'Sullivan, "The Comic Book as Research Tool: Creative Visual Research for the Social Sciences" (de Gruyter, 2023)
    Apr 13 2024
    The Comic Book as Research Tool contributes to a growing body of work celebrating the visual methods and tools that aid knowledge transfer and welcome new audiences to social science research. Visual research methodological milestones highlight a trajectory towards the adoption of more creative and artistic media. As such, the book is dedicated to exploring the creative potential of the comic book medium, and how it can assist the production and communication of scientific knowledge. The cultural blueprint of the comic book is examined, and the unique structure and grammar of the form deconstructed and adapted for research support. Along with two illustrated research comics, Toxic Play and 10 Business Days, the book offers readers numerous comic-based illustration activities and creative visual exercises to support data generation, foster conversational knowledge exchanges, facilitate inference, analysis, and interpretation, while nurturing the necessary skills to illustrate and create research comics. The book engages a diverse audience and is an illuminating read for visual novices, experts, and all in-betweeners. Dr. Stephen O’Sullivan is lecturer in marketing and consumer culture at University College Cork, Cork University Business School. His research is primarily situated in the consumer culture theory dimensions of marketplace cultures and consumer identity projects. Current research involves an investigation of contemporary play, particularly that which is harmful in nature. Stephen is an advocate for the greater application of creative media in social science. His published works can be found in the Marketing Theory, Psychology & Marketing, Journal of Marketing Management, Consumption Markets & Culture, Advances in Consumer Research, and Journal of Customer Behavior. Contributes research films to the Indie Cork Film Festival. Learn more about your ad choices. Visit megaphone.fm/adchoices
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    30 m