New Books in East Asian Studies

By: Marshall Poe
  • Summary

  • Interviews with Scholars of East Asia about their New Books Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/east-asian-studies
    New Books Network
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Episodes
  • Tarryn Li-Min Chun, "Revolutionary Stagecraft: Theater, Technology, and Politics in Modern China" (U Michigan Press, 2024), "Revolutionary Stagecraft: Theater, Technology, and Politics in Modern China" (U Michigan Press, 2024)
    Aug 30 2024
    Revolutionary Stagecraft: Theater, Technology, and Politics in Modern China (University of Michigan Press, 2024) offers a fascinating approach to modern Chinese theater history by placing the stage at the center of the story. Combining vivid readings of plays with technical manuals and how-to guides, Tarryn Li-Min Chun charts how stage technology changed from the 1920s to the 1980s, showing how Chinese theater artists mobilized staging, lighting, and props to convey different meanings, including political revolution, nationalist nation-building, grassroots ingenuity, and the triumph of science. Throughout, Revolutionary Stagecraft demonstrates how theater, technology, and politics were deeply intertwined in modern China, and how Chinese theater artists manipulated the materiality of stagecraft for their own means. Revolutionary Stagecraft should be of interest to those who are familiar with Chinese history, but also those who are interested in global theater, material culture, and the history of technology, as well as anyone who wants to know just how difficult it is to make fog appear on the stage (for the answer, see Chapter 2). Written in a clear and accessible way, Revolutionary Stagecraft is available both in print and as an Open Access ebook. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/east-asian-studies
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    1 hr and 8 mins
  • Christopher Lovins, "King Chŏngjo: An Enlightened Despot in Early Modern Korea" (SUNY Press, 2019)
    Aug 27 2024
    Though traditionally regarded as a monarch who failed to arrest the gradual decline of his kingdom, the Korean king Chŏngjo has benefited in recent decades from a wave of new scholarship which has reassessed both his reign and his role in Korean history. The latest to do so is Christopher Lovins, who in his book King Chŏngjo: An Enlightened Despot in Early Modern Korea (State University of New York Press 2019) explains how as king Chŏngjo governed not as a weak ruler but as an absolute monarch. Lovins situates this within modern definitions of absolutism, showing how their conceptualizations apply to Chŏngjo just as effectively as they do to such period rulers as the Chinese emperor Qianlong and the French monarch Louis XIV. Motivated by the experiences with court factionalism that he blamed for the death of his father, Chŏngjo drew upon Confucian thinking to strengthen his position ideologically. These arguments he used to centralize power in his hands, most dramatically in his strengthening of the traditionally weak Korean army. Though many of Chŏngjo’s changes were undone after his death in 1800, Lovins makes the case that Chŏngjo’s legacy should be considered separate from the failings of his successors rather than as part of them. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/east-asian-studies
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    1 hr and 13 mins
  • Christopher Brown, "Mapping Taiwanese Cinema, 2008-2020: Environments, Poetics, Practice" (Edinburgh UP, 2024)
    Aug 27 2024
    Accounting for the unique characteristics of Taiwan’s cinema from 2008 to 2020, Mapping Taiwanese Cinema, 2008-2020: Environments, Poetics, Practice (Edinburgh UP, 2024) examines how filmmakers have depicted and imagined the island’s diverse environments. Drawing on cinema, cartography, and cultural studies, Christopher Brown argues that by refocusing attention on how films are shaped through a process of construction, the tradition of film poetics enables us to think about Taiwanese cinema differently: as a form of mapping. Wide-ranging in scope and drawing on original interviews with contemporary filmmakers, the analysis appraises case studies including works of popular entertainment, genre cinema such as comedies and horror, films about indigenous communities, LGBTQ+ cinema, and arthouse work. By asking what it means to map an environment onscreen, the book offers new insights into a critically neglected, yet creatively dynamic, period in Taiwan’s film history. Christopher Brown is Senior Lecturer (Associate Professor) in Filmmaking at the University of Sussex. He has written and directed several short films including “Remission” (2015), “Soap” (2015), and “Coccolith" (2018). As a researcher, Chris has written on contemporary Taiwanese film, practice-based research, and American cinema. His research has appeared in journals such as the Quarterly Review of Film & Video, Asian Cinema, Film Criticism, Film International, Performance Matters, Bright Lights Film Journal, Media Practice & Education, East Asian Journal of Popular Culture, and Senses of Cinema. Li-Ping Chen is a teaching fellow in the Department of East Asian Languages and Cultures at the University of Southern California. Her research interests include literary translingualism, diaspora, and nativism in Sinophone, inter-Asian, and transpacific contexts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/east-asian-studies
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    1 hr and 22 mins

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