New Books in Popular Culture By cover art

New Books in Popular Culture

By: Marshall Poe
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  • Summary

  • Interviews with Scholars of Popular Culture about their New Books Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture
    New Books Network
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Episodes
  • Julia Havas, "Woman Up: Invoking Feminism in Quality Television" (Wayne State UP, 2022)

    Julia Havas, "Woman Up: Invoking Feminism in Quality Television" (Wayne State UP, 2022)
    May 8 2024
    While American television has long relied on a strategic foregrounding of feminist politics to promote certain programming's cultural value, Woman Up: Invoking Feminism in Quality Television (Wayne State University Press, 2022) by Dr. Julia Havas is the first sustained critical analysis of the twenty-first-century resurgence of this tradition. In Woman Up, Dr. Havas’ central argument is that postmillennial "feminist quality television" springs from a rhetorical subversion of the (much-debated) masculine-coded "quality television" culture on the one hand and the dominance of postfeminist popular culture on the other. Postmillennial quality television culture promotes the idea of aesthetic-generic hierarchies among different types of scripted programming. Its development has facilitated evaluative academic analyses of television texts based on aesthetic merit, producing a corpus of scholarship devoted to pinpointing where value resides in shows considered worthy of discussion. Other strands of television scholarship have criticised this approach for sidestepping the gendered and classed processes of canonization informing the phenomenon. Woman Up intervenes in this debate by reevaluating such approaches and insisting that rather than further fostering or critiquing already prominent processes of canonization, there is a need to interrogate the cultural forces underlying them. Via detailed analyses of four TV programs emerging in the early period of the "feminist quality TV" trend—30 Rock (2006–13), Parks and Recreation (2009–15), The Good Wife (2009–16), and Orange Is the New Black (2013–19)—Woman Up demonstrates that such series mediate their cultural significance by combining formal aesthetic exceptionalism and a politicised rhetoric around a "problematic" postfeminism, thus linking ideals of political and aesthetic value. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture
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    1 hr and 13 mins
  • Marion R. Casey, "The Green Space: The Transformation of the Irish Image" (NYU Press, 2024)

    Marion R. Casey, "The Green Space: The Transformation of the Irish Image" (NYU Press, 2024)
    May 8 2024
    Marion Casey is a professor at Glucksman Ireland House at New York University where she also serves as Director of Undergraduate Studies. She has published widely on various aspects of Irish-American history and in 2006 she co-edited Making the Irish American: History and Heritage of the Irish in the United States with Joe Lee. In this interview, she discusses Her most recent book The Green Space: The Transformation of the Irish Image (NYU Press, 2024), which surveys the changing images of Ireland and Irishness in American popular culture. The Green Space examines the variety of factors that contributed to remaking the Irish image from downtrodden and despised to universally acclaimed. To understand the forces that molded how people understand “Irish” is to see the matrix—the green space—that facilitated their interaction between the 1890s and 1960s. Marion R. Casey argues that, as “Irish” evolved between the mid-nineteenth and mid-twentieth centuries, a visual and rhetorical expanse for representing ethnicity was opened up in the process. The evolution was also transnational; both Ireland and the United States were inextricably linked to how various iterations of “Irish” were deployed over time—whether as a straightforward noun about a specific people with a national identity or a loose, endlessly malleable adjective only tangentially connected to actual ethnic identity. Featuring a rich assortment of sources and images, The Green Space takes the history of the Irish image in America as a prime example of the ways in which culture and identity can be manufactured, repackaged, and ultimately revolutionized. Understanding the multifaceted influences that shaped perceptions of “Irishness” holds profound relevance for examining similar dynamics within studies of various immigrant and ethnic communities in the US. The Green Space: The Transformation of the Irish Image is published with NYU Press, as part of their Irish Diaspora series Aidan Beatty is a lecturer in the history department at Carnegie Mellon University Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture
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    30 mins
  • Patrick Humphries, "Cleopatra and the Undoing of Hollywood: How One Film Almost Sunk the Studios" (History Press, 2023)

    Patrick Humphries, "Cleopatra and the Undoing of Hollywood: How One Film Almost Sunk the Studios" (History Press, 2023)
    May 4 2024
    The astonishing behind-the-scenes story of the 1963 film Cleopatra and how it changed the face of Hollywood makes it one of the most fabled films of all time. Starring Elizabeth Taylor and Richard Burton, the film’s making soon became a cautionary tale, for the lavish extravagance of production on Cleopatra all but bankrupted 20th Century Fox and almost singlehandedly set in motion the decline of the major Hollywood movie studios. By the time the film was finally released, 20th Century Fox and the world watched as it died at the box office. Cleopatra and the Undoing of Hollywood: How One Film Almost Sunk the Studios (History Press, 2023) is an epic tale of love and lust, gossip, money, sex, movie-star madness, studio politics, and the birth of paparazzi journalism. Within the saga of Cleopatra lies the end of the era of Hollywood's studio system, the seeds of the Swinging Sixties, and the stuff of timeless movie legend. Patrick Humphries has been a writer and journalist for over forty years and has published numerous books on musical artists such as the Rolling Stones, Bob Dylan, Elton John, Pink Floyd, and Bruce Springsteen. Latoya Johnson is an editor, writer, and bibliophile with a master's in Humanities. Her research and writing delve into various aspects of popular culture. She is particularly interested in exploring the public history of women's fiction and the portrayal of femme characters in Greco-Roman mythology. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture
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    54 mins
World Social Sciences
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