Feminist Theater of the Oppressed: What is it? How can its philosophies and methods transform our approaches to critical pedagogy? How does Feminist Theater of the Oppressed help us reflect on improvisation, experimentation, and power in our teaching and organizing contexts?

Our June 2024 guest, Bárbara Santos, takes up these questions as a portal into discussion of how power shapes (and can be transformed in) our pedagogies. Barbára is an actress, performer, writer, and organizer. She is the artistic director and co-founder of KURINGA - Space for Theater of the Oppressed in Berlin, Germany. She is Founder of the Ma(g)dalena International Network, a collaborative of practitioners of Feminist Theater of the Oppressed based in Europe, Latin America, and Africa.

Bárbara’s work as a director, performer, organizer, and writer has been instrumental in disseminating Theater of the Oppressed globally, and elevating feminist critiques and methods within its praxis. Her books include Roots and Wings of Theater of the Oppressed (Portuguese 2016, Spanish 2017, Italian 2018, English 2019); Aesthetic Paths: Original Approaches on Theater of the Oppressed (Portuguese, 2018; English and Spanish forthcoming); and Theater of the Oppressed: Feminist Aesthetics for Political Poetics (Portuguese, 2019; English, 2023).

The tree of Theater of the Oppressed—images, movement, sounds, words, play—comes to life throughout Barbára’s work and, in the process, honors women’s lives through dialogue and political action.

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CREDITS:

Co-hosts: Lucia Hulsether and Tina Pippin

Audio Production and Music: Aliyah Harris

Intro Music: Lance Haugen and Aviva and the Flying Penguins

What is anarchist pedagogy? What does it have to do with so-called “alternative” schools, where mainstream educational systems often send students they have expelled, suspended, or otherwise excluded? How can working at the intersection of anarchist pedagogical philosophy and marginalized educational spaces open up new layers for how we rearrange power and accountability in learning spaces?

This episode—which features teacher, educational reform leader, and principal Rodney Powell—dives into all of these questions and more.

The term “anarchist pedagogies” is not the first thing that comes to mind when we hear that someone is a high school principal. And yet this is exactly the combination at the center of this episode. Rodney Powell exposes preconceptions not only about this administrative role, but also about what “anarchy” can mean in theory and practice. Powell is the founder of EdArchy.org, described as “a youth development program committed to providing young people with the resources to imagine and create their own community-focused, authentic learning experiences.” He has his feet in two worlds: the traditional school where he pushes, when possible, for more democratic relations with his teaching staff through resistance and revolution (not reform), and the EdArchy program. Given the strictures of traditional educational systems, Powell has imagined this other space to subvert the dominant educational paradigms, where students can practice the student-centered and consented, co-designed, mutually-empowering, dream-incubating, and community-connected learning possibilities of education.

Over his twenty-four years in education, Rodney Powell has led school systems in Baltimore, Hartford, and in his current role as a principal in Danbury Public Schools in Connecticut. A 2023-24 member of the Nelle Mae Foundation Speakers Bureau on racial equity in public education, he is also pursuing his doctorate at Northeastern University. There, as in all his other work, his research focuses on partnering with youth toward greater agency, consent, and justice in learning.

What does critical pedagogy offer when it comes to texts entangled with histories of oppression and disenfranchisement? How might we approach these texts so as to ask new questions and bring out different stories?

In this episode, we discuss these questions with three scholars from the Institute for Signifying Scriptures. These scholars discuss how the normative ways of studying "sacred texts" -- from "religious" texts like the Bible to "secular" texts like the US Constitution -- as historical artifacts with defined origins tends to reproduce colonial logics and exclude the voices of those on the margins of class and social power. They also share methods for engaging sacred texts in ways that challenge those power dynamics and foster critical imagination.

Dr. Vincent Wimbush is Director of the ISS and past president of of the Society for Biblical Literature. He is a prolific writer, whose works include White Men's Magic: Scripturalization as Slavery (2012) and Black Flesh Matters: Essays on Ranagate Interpretation (2022). He was on the filmmaking team that produced the award-winning documentary Finding God in the City of Angels (2021).

Dr. Jacqueline Hidalgo is a Professor of Theology and Religious Studies at the University of San Diego. She is the author of Revelation in Aztlán: Scriptures, Utopias, and the Chicano Movement (2016).

Dr. Richard Newton is Associate Professor in the Department of Religion at the University of Alabama. He is the author of Identifying Roots: Alex Haley and the Anthropology of Scriptures (2020).

The next meeting of the Institute for Sacred Scriptures will be held in Atlanta, GA, April 11-13, 2024. The theme for the 2024 Meeting is Marronage: A Special Meeting in Celebration of the 20th Anniversary of the ISS and the 25th Anniversary of African Americans and the Bible.