As the hosts of One Song, Diallo Riddle and Luxxury know a thing or two about being a duo. This week, One Song’s most dependable pairing uses their knowledge to analyze “I Can’t Go For That” from the hitmaking duo of Daryl Hall and John Oates. Join the guys as they break down the tenuous balance of creative partnerships, the effects of the blue-eyed soul phenomenon, and uncover the secret third person who co-wrote many of Hall & Oates’ biggest hits.

This week on One Song, we’re sharing another music podcast that LUXXURY and Diallo both love. It’s called Switched On Pop, and it’s about the making and meaning of popular music, hosted by musicologist Nate Sloan and songwriter Charlie Harding.

The episode we’re sharing focuses on the fact that the first half of 2024 has been for the “pop girlie.” It seems like every major artist who’s dominated the discourse this year has been a woman, ostensibly making music about what it means to be a woman. There’s Camila Cabello's "Chanel no.5,” Lorde and Charli XCX working out the labyrinth of emotions that come with female friendship on the “Girl, so confusing” remix, and Sabrina Carpenter’s ode to the female ego, “Please Please Please." On this episode, Charlie, Nate, and Reanna – with some insight from journalist Ilana Kaplan – unpack these tracks at length, exploring what these artists are saying about femininity, and by extension, themselves.

Is creeping ever okay? If you ask Rachel Lindsay (co-host of the "Higher Learning" podcast)…it is when TLC does it. This time on One Song, Diallo is joined by Rachel (who fills in as guest host) to break down why “Creep” is sneakily an empowerment anthem, the impact of the song's unforgettable music video, and how TLC’s look and sound evolved on their second album, "CrazySexyCool."

On this special re-run, Diallo and LUXXURY are joined this week by comedian and friend of the pod, Punkie Johnson. Together, they go on a quest to flip it and reverse it and unpack the many layers of samples and interpolations that went into Missy Elliott’s 2002 banger, Work It. Come for the badonkadonk, stay for the obscure Paul Simon sample.

The song Work it is the first single from Missy Elliot's 2002 album Under Construction. Stems, interpolations and sampled songs from Peter Pipe by Run-D.M.C, The Request Line by Rock Master Scott and more. Music genres: Hip hop, R&B, progressive rap, Female Rappers.

What good is a format if you can’t break it every now and then? On this special episode of One Song, Diallo & LUXXURY break out the listener mailbag, answer some DMs, and bring an entirely new angle to the "Buffalo Soldier"/"The Banana Splits" theme song connection. Finally, they react to the early contenders for the Song of the Summer from Tommy Richman, Sabrina Carpenter, and more.

This week on One Song, Diallo and LUXXURY frolic through "Flowers" -- Miley Cyrus' smash hit from 2023. Along the way, they discuss the track's importance as an self-love and empowerment anthem, its connection to Bruno Mars' "When I Was Your Man," and pose a very important question: Can Diallo say “I can love me better than you can” without sounding narcissistic?

On this special rerun, Diallo Riddle and LUXXURY get Toxic! Join for LUXXURY’s thesis on why the song is a pop masterpiece that weds high art and obscure sonic references with Britney Spears’ bubblegum vocals. There’s also all of the usual deep dives, rabbit holes, and interpolations — Including a James Bond connection.

The importance of Blondie’s “Call Me” can’t be quantified in sales alone. Sure, it was a global hit. But it’s also a part of cinematic history: It’s played during the iconic opening sequence of the movie American Gigolo, starring Richard Gere. It is one of the signature compositions of the man they call the “godfather of disco”, Giorgio Moroder. And let’s not forget the vocal and lyrical contributions of the legendary singer, Debbie Harry. Join hosts Diallo Riddle and LUXXURY as the break down this classic track.