Sharon Patricia Holland

an other

In an other, Sharon Patricia Holland offers a new theorization of the human animal/divide by shifting focus from distinction toward relation in ways that acknowledge that humans are also animals. Holland centers ethical commitments over ontological concerns to spotlight those moments when Black people ethically relate with animals. Drawing on writers and thinkers ranging from Hortense Spillers, Sara Ahmed, Toni Morrison, and C. E. Morgan to Jane Bennett, Jacques Derrida, and Donna Haraway, Holland decenters the human in Black feminist thought to interrogate blackness, insurgence, flesh, and femaleness. She examines MOVE’s incarnation as an animal liberation group; uses sovereignty in Morrison’s A Mercy to understand blackness, indigeneity, and the animal; analyzes Charles Burnett’s films as commentaries on the place of animals in Black life; and shows how equestrian novels address Black and animal life in ways that rehearse the practices of the slavocracy. By focusing on doing rather than being, Holland demonstrates that Black life is not solely likened to animal life; it is relational and world-forming with animal lives.

“With her characteristic brilliance and speculative flair, Sharon Patricia Holland breaks new ground in an other, a book that will prove to be her most philosophical and speculative text yet. Holland pulls at the ways that blackness as ontology and epistemology undoes and ethically remakes the bio/zoopolitical distinction between animals and humans. She remakes the very ideas that underline life itself as a human project that both denies and relies on animality: love, death, knowing, being, and ultimately revolution as it happens on the scale of the ordinary and the everyday. An essential volume.” — Kyla Wazana Tompkins, author of Racial Indigestion: Eating Bodies in the Nineteenth Century

“Sharon Patricia Holland’s an other is a beautiful, expansive, rich, and genius gift to a world that could not have anticipated it. Her work at the level of the animal and cohabitation and about relationality and comportment is assuredly a necessary and brilliant offering. Holland’s enormous intervention cannot be overstated. Black studies will not be the same after this book.” — Sarah Jane Cervenak, author of Black Gathering: Art, Ecology, Ungiven Life

Sharon Patricia Holland is Townsend Ludington Distinguished Professor of American Studies at the University of North Carolina at Chapel Hill, and author of The Erotic Life of Racism and Raising the Dead: Readings of Death and (Black) Subjectivity, both also published by Duke University Press

Stephanie Li

Ugly White People: Writing Whiteness in Contemporary America

White Americans are confronting their whiteness more than ever before, with political and social shifts ushering in a newfound racial awareness. And with white people increasingly seeing themselves as distinctly racialized (not simply as American or human), white writers are exposing a self-awareness of white racialized behavior—from staunch antiracism to virulent forms of xenophobic nationalism. Ugly White People explores representations of whiteness from twenty-first-century white American authors, revealing white recognition of the ugly forms whiteness can take.

Stephanie Li argues that much of the twenty-first century has been defined by this rising consciousness of whiteness because of the imminent shift to a “majority minority” population and the growing diversification of America’s political, social, and cultural institutions. The result is literature that more directly grapples with whiteness as its own construct rather than a wrongly assumed norm. Li contextualizes a series of literary novels as collectively influenced by changes in racial and political attitudes. Turning to works by Dave Eggers, Sarah Smarsh, J. D. Vance, Claire Messud, Ben Lerner, and others, she traces the responses to white consciousness that breed shared manifestations of ugliness. The tension between acknowledging whiteness as an identity built on domination and the failure to remedy inequalities that have proliferated from this founding injustice is often the source of the ugly whiteness portrayed through these narratives.

The questions posed in Ugly White People about the nature and future of whiteness are vital to understanding contemporary race relations in America. From the election of Trump and the rise of white nationalism to Karen memes and the war against critical race theory to the pervasive pattern of behavior among largely liberal-leaning whites, Li elucidates truths about whiteness that challenge any hope of national unity and, most devastatingly, the basic humanity of others.

Ugly White People is not about the 'racists' but about the way whiteness shapes the subjectivity of all white people. Relying on an elegant and parsimonious textual analysis of the work of contemporary authors, Stephanie Li shows how whites manage to evade while they acknowledge their whiteness, how they consume people of color through racist love, and how they accept whiteness in a way that neglects addressing racism. I highly recommend this book to readers interested in understanding contemporary whiteness.

Eduardo Bonilla-Silva, Duke University

The best writing critically studying whiteness today intensely engages imbrications of race with other identities, especially class, gender, nationality, and disability. No one does all of that better than Stephanie Li. Addressing literary moments with a sure grasp of history and an adventuresome readings of texts, Ugly White People speaks compellingly to the persisting strength of Trump and white nationalism and to the desire for social media celebrity as something authors both explore and share.

David Roediger, author of The Sinking Middle Class: A Political History of Debt, Misery, and the Drift to the Right

Stephanie Li is Lynne Cooper Harvey Distinguished Professor of English at Washington University in St. Louis. She is author of Pan-African American Literature, Playing in the White, and Signifying without Specifying.

Merav Roth

A Psychoanalytic Perspective on Reading Literature: Reading the Reader

(Art, Creativity, and Psychoanalysis Book Series) 1st Edition
What are the unconscious processes involved in reading literature? How does literature influence our psychological development and existential challenges? A Psychoanalytic Perspective on Reading Literature offers a unique glimpse into the unconscious psychic processes and development involved in reading. The author listens to the 'free associations' of various literary characters, in numerous scenarios where the characters are themselves reading literature, thus revealing the mysterious ways in which reading literature helps us and contributes to our development.

The book offers an introduction both to classic literature (Poe, Proust, Sartre, Semprún, Pessoa, Agnon and more) and to the major psychoanalytic concepts that can be used in reading it – all described and widely explained before being used as tools for interpreting the literary illustrations. The book thus offers a rich lexical psychoanalytic source, alongside its main aim in analysing the reader’s psychological mechanisms and development. Psychoanalytic interpretation of those literary readers opens three main avenues to the reader’s experience:

the transference relations toward the literary characters;
the literary work as means to transcend beyond the reader’s self-identity and existential boundaries; and
mobilization of internal dialectic tensions towards new integration and psychic equilibrium.
An Epilogue concludes by emphasising the transformational power embedded in reading literature.

The fascinating dialogue between literature and psychoanalysis illuminates hitherto concealed aspects of each discipline and contributes to new insights in both fields. A Psychoanalytic Perspective on Reading Literature will be of great interest not only to psychoanalytic-psychotherapists and literature scholars, but also to a wider readership beyond these areas of study.

William Egginton

Alejandro Jodorowsky: Filmmaker and Philosopher

Description

Alejandro Jodorowsky is a force of nature. At 95 years old he is still making films and is a cultural phenomenon who has influenced other artists as disparate as John Waters and Yoko Ono. Although his body of work has long been considered disjointed and random, William Egginton claims that Jodorowsky's writings, theatre work and mime, and his films, along with the therapeutic practice he calls psychomagic, can all be tied together to form the philosophical programme that underpins his films.

Incorporating surrealism and thinkers including Lacan, Kant, Hegel, and Žižek into his interpretation of Jodorowsky's work, Egginton shows how his diverse films are connected by interpretive practices with a fundamental similarity to Lacanian psychoanalysis. Using case studies of Jodorowsky's cult films, El Topo, Fando y Lis and Holy Mountain and more, this book provides a unique perspective on a filmmaker whose work has been notoriously difficult to analyse.

Seduced by story: The use and abuse of narrative

Chosen by New York Magazine/Vulture as a Best Book of 2022

“There’s nothing in the world more powerful than a good story. Nothing can stop it. Nothing can defeat it.” So begins the scholar and literary critic Peter Brooks’s reckoning with today’s flourishing cult of story. Forty years after publishing his seminal work Reading for the Plot, his important contribution to what came to be known as the “narrative turn” in contemporary criticism and philosophy, Brooks returns to question the unquestioning fashion in which story is now embraced as an excuse or explanation and the fact that every brand or politician comes equipped with one. In a discussion that ranges from The Girl on the Train to legal argument, Brooks reminds us that among the powers of narrative is the power to deceive.

Praise

A potent defense of attentive reading and its real-world applications.
—Jennifer Szalai, The New York Times

Brooks spent most of his career trying to impress upon readers the particular power of narrative…In his most recent book, “Seduced by Story,” he describes the horrifying feeling of having succeeded all too well.
—Parul Sehgal, The New Yorker

A succinct account of narrative persuasion, offering a solid case for the ambivalent power that stories can have in shaping us as individuals and nations.
—Caterina Domeneghini, Los Angeles Review of Books

Brooks explores various fields – including psychoanalysis, legal practice and modern political discourse – in which the distinction between narrative and “reality” has been eroded, or even collapsed. . . . It is in this context that a critical faculty – the ability to understand and critique narrative – is of vital importance.
—Jonathan Taylor, TLS

Brooks built an influential career arguing that stories are key features of how we all experience ‘human temporality’ and strive to articulate ‘meaning in general.’ This new book is, therefore, a kind of personal as well as intellectual reckoning with narrative turns and what may be their less salubrious legacies.
—Killian Quigley, Australian Book Review

Society’s obsession with résumé, and its use to construct an aura of credibility, is such a pervasive element of contemporary life that it inevitably implicates even the author and his own field of “literary humanities.” But that dynamic is exactly what Brooks parses in his terrific critical survey: the essential differences between surface stories and the ways in which they’re constructed.
—J. Howard Rosier, New York Magazine/Vulture

A bracing and insightful look at the downsides of reducing everything to storytelling. . . A thoughtful and revelatory analysis of what’s lost when story trumps all.
—Publishers Weekly

For writers, readers, and citizens of the story-addled world.
—Emily Temple, Lit Hub

A rhapsody to the partial suspension of disbelief that allows us to immerse ourselves in novels, but simultaneously and most crucially, a brilliant intervention against the complete suspension of disbelief that allows a citizenry to succumb to conspiracy theories, false-flag narratives, authoritarian fictions. An eloquent and triumphant culmination of Peter Brooks’s lifelong inquiry into the aesthetic and ethical intersection of literature, psychoanalysis, law, and politics. Impossibly good.
—David Shields

Stories are everywhere—shaping us, shocking us, showing us what really happened (or making it up). Peter Brooks invites us to step to one side of our over-storied surroundings to think about all the ways they work. . . . In the process, he tells a gripping tale of his own.
—Rachel Bowlby

This is an amazing book, crossing back and forth between literature and politics, illuminating each side by the other. It is written without fuss, continually evocative and surprising.
—Richard Sennett

Daniel C. Dennett

I've been thinking

Description

Daniel C. Dennett, preeminent philosopher and cognitive scientist, has spent his career considering the thorniest, most fundamental mysteries of the mind. Do we have free will? What is consciousness and how did it come about? What distinguishes human minds from the minds of animals? Dennett’s answers have profoundly shaped our age of philosophical thought. In I’ve Been Thinking, he reflects on his amazing career and lifelong scientific fascinations.

Dennett’s relentless curiosity has taken him from a childhood in Beirut and the classrooms of Harvard, Oxford, and Tufts, to “Cognitive Cruises” on sailboats and the fields and orchards of Maine, and to laboratories and think tanks around the world. Along the way, I’ve Been Thinking provides a master class in the dominant themes of twentieth-century philosophy and cognitive science—including language, evolution, logic, religion, and AI—and reveals both the mistakes and breakthroughs that shaped Dennett’s theories.

Key to this journey are Dennett’s interlocutors—Douglas Hofstadter, Marvin Minsky, Willard Van Orman Quine, Gilbert Ryle, Richard Rorty, Thomas Nagel, John Searle, Gerald Edelman, Stephen Jay Gould, Jerry Fodor, Rodney Brooks, and more—whose ideas, even when he disagreed with them, helped to form his convictions about the mind and consciousness. Studded with photographs and told with characteristic warmth, I’ve Been Thinking also instills the value of life beyond the university, one enriched by sculpture, music, farming, and deep connection to family.

Dennett compels us to consider: What do I really think? And what if I’m wrong? This memoir by one of the greatest minds of our time will speak to anyone who seeks to balance a life of the mind with adventure and creativity.

Reviews and endorsements

A delightful memoir from one of our deepest thinkers. Kirkus (starred review)

About the author

Daniel C. Dennett is University Professor Emeritus at Tufts University and the author of numerous books, including Intuition Pumps and Other Tools for Thinking, Breaking the Spell, Darwin’s Dangerous Idea, and Consciousness Explained. He lives with his wife in Cape Elizabeth, Maine.