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Minneapolis is once again facing violence and repression. From afar we watch in horror, and in this episode from our archive featuring Danez Smith we offer our solidarity with the people of Minnesota. Originally recorded in October 2024, Peter speaks with Danez about their remarkable collection Bluff (Chatto & Windus), much of which is rooted in life in the Twin Cities of Minneapolis and St. Paul. It’s tragic that one of our favourite interviews now sounds like a missive from a more hopeful time.

Planet Poetry will return with a brand-new episode in the spring.

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Never mind the baubles... Here's the magic from Niall Campbell, who shares spellbinding poems from his Bloodaxe collection The Island in the Sound, which blend unique elements from his South Uist upbringing into a meditative, sometimes joyful poetry that weaves history, literature, folklore with the lives of ordinary people.

Plus your podcast stocking is positively bulging with other goodies. Robin and Peter share a poem from Mat Riches, a dip into yellow noon-day a new collection by Kay Syrad from Cinnamon Press, the poem Argonauts, by George Seferis plus a spirited rendition of A Visit from St. Nicholas, by Clement Clarke Moore. Allegedly...

Happy holidays everyone!

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Surprise! We're back again and starting Season Six with a distinctive Black Country jewel from our trove of interviews. Liz Berry delighted us all in April 2023 when she spoke with Robin about her (then) new collection, The Home Child (Vintage). Hear her read from that and also from her Forward Prize-winning Black Country (2014, Chatto & Windus). Well worth hearing again. Stay tuned... There's more to come from Planet Poetry.

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Join your podcast pals at a table at the Beachy Head pub. Enjoying a view of sloping fields down to the Belle Tout Lighthouse and the sea beyond and take a moment to reflect on another season of Planet Poetry podcasts. Over spent packets of crisps and peanuts we revisit conversations with Danez Smith, Isabel Galleymore, Richard Scott and Isabelle Baafi chosen from among the panoply of marvellous guests we've had this season.

As ever, thank you for lending us your ears. Look for us in the Autumn and for the time being, we wish you a splendid and memorable summer.

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It's a tag team episode! With Robin and Peter meeting poet Charles G Lauder, Jr and publisher poet Jo Colley of Blueprint Poetry Press - who have published his 2025 pamphlet Year of the Rat, a profound collection informed by long engagement with Daoism. Also we speak to Jo Colley, who with Julie Hogg, runs Blueprint Poetry Press. Jo tells us what moved her about Charles's work, and shares insights into the selection and editing process and the sheer pleasure that publishing fine poets brings - as well as the balance between her own poetry practice and publishing.

Robin discovers spare and lovely work by Ritchie McCaffery, whose pamphlet Skail just published by New Walk Editions. And Peter is shocked to find himself enjoying Frank O'Hara's poem Why I Am Not a Painter.

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What was that? A bat or swallow? Something flitted past, but we can't agree on what we've just seen ... Erica McAlpine reads from Small Pointed Things (just published by Carcanet) that makes that uncertain territory her own, with meticulously crafted poems that harbour hard questions.

And talking of things that flit past your window, Peter gets an early look at White Teeth, Red Blood, selected Vampire Verses published shortly by Pushkin Press. We'll listen to John Keats's 'La Belle Dame Sans Merci', and hear why the knight is alone and palely loitering... Meanwhile Robin discovers Hope Mirrlees, and a long Modernist poem 'Paris' - which predated Old Possum's 'The Waste Land' by two years. Plus we read an affectionate poem by Tim Relf, for Father's Day.

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Still life? Not as we know it. Trembling with tension and beauty, and roses that cup darkness and secret trauma... Hear Richard Scott share from his extraordinary new collection That Broke into Shining Crystals, just published by Faber. This is brave and shining poetry, timeless and utterly contemporary.

Plus Robin and Peter dip into a verdant world, read the Imagist poem, Green, by D.H. Lawrence and, via Chroma by Derek Jarman, find ourselves on the shingle at Dungess by the nuclear power station. Robin talks breezily about Vanitas, the fleeting nature of life, and how she arranged the still life on the cover of her new book, The Mayday Diaries, skull and all...

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Chaos? We love it! Time to meet Isabelle Baafi and hear about her-hotly anticipated first full collection Chaotic Good just published by Faber. Among other things, it grapples with what it means to live a good and authentic life in a world full of challenges and unwanted expectations.

Plus Robin and Peter discuss the idea of délire - how language can at times deliriously overflow with meaning and burst the banks of logic. We'll glance again at Lewis Carroll, and reopen renowned UK poetry magazines Magma and The Rialto, and return with a gleaming pair of poems by Milena Williamson and Linda Ford. Chaos? Let's embrace it.

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