Legends Only co-host T. Kyle makes his Pop Pantheon debut to discuss Hilary Duff’s brief ascension from Disney starlet to massive pop diva. Louie and T. Kyle discuss Hilary’s origins via the Disney assembly line with the early 2000s juggernaut The Lizzie McGuire Show and how it helped launch her pop career, from her debut album of holiday songs to 2003’s The Matrix-crafted Metamorphosis, which includes her most indelible hit, “Come Clean.” Then they unpack Hilary’s 2004 self-titled album, her hilariously early career greatest hits record, Most Wanted, and her 2007 dance pop breakup album Dignity. To conclude, they tackle Hilary’s final studio album, 2015’s Breathe In. Breathe Out. and rank Hilary Duff in the Official Pop Pantheon.

Listen to Pop Pantheon's Hilary Duff Essentials Playlist on Spotify

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In the past few years, we've seen a serious decline in the centrality of and views for music videos across the board, even for the biggest pop stars. Journalist Michael Cragg recently chronicled this phenomenon in his piece for The Guardian, "'This is an Art Form— and We're Losing it': Is the Music Video Dying?" and today, he joins DJ Louie to discuss the piece and the general state of the music video in 2024. Is the music video format still vital? Why has viewership declined? What do we lose if we allow music videos to slip away entirely and is there a way to save them?

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In a preview of this week's Pop Pantheon: All Access episode, last night in front of a live audience at The Bell House in Brooklyn, Pop Pantheon gathered Rolling Stone's Brittany Spanos, Every Single Album's Nora Princiotti and Hung Up's Hunter Harris to discuss Taylor Swift's 11th studio album(s?) The Tortured Poets Department: The Anthology. Louie and the crew dissect the new music from every angle: major themes, aesthetics, writing styles, the Jack Antonoff of it all and more. Next, they dig into Taylor's current Imperial Phase: how it happened, how long it can last and whether there's a backlash brewing before discussing Taylor's Pantheon ranking and sharing their updated Taylor album rankings.

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Bandsplain’s Yasi Salek joins DJ Louie to trace Nirvana's brief, iconoclastic trail through pop's mainstream in the early 1990s. Louie and Yasi unpack the group's origins in Aberdeen, Washington, their time on famed indie label Sub Pop, known for popularizing the "grunge" sound, and their bleak, sparse debut in 1989, Bleach, which garnered them a cult following. Next, they tackle Nirvana's breakthrough smash, the generational anthem “Smells Like Teen Spirit”, and 1991’s unexpected blockbuster Nevermind, which briefly remolded the pop charts in their image and became one of the biggest albums of all time. They then discuss Kurt’s infamous marriage to Hole front woman Courtney Love, prickly relationship to his own fame and success and how his heroin addiction spun out of control during the promo cycle for 1993’s darker and grittier In Utero. Finally, Louie and Yasi detail Kurt’s tragic death by suicide in 1994, encasing the group in amber and forever giving their legacy a grand tragic air, before ranking Nirvana in the official Pop Pantheon.

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It's listener mailbag time!

Louie and Russ are answering all your questions about their expectations for Taylor's The Tortured Poets Department, their personal pop pet peeves, the formula for following up a blockbuster album, why there are no more male pop stars and so much more. Plus, stay tuned until the end of the episode for a very special surprise guest appearance :-).

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Critic and writer Naomi Zeichner joins Pop Pantheon to explore the career of the “vocal bible,” Brandy. Louie and Naomi unpacked Brandy’s self-titled 1994 debut, released when she was just 15, her landmark acting roles as Moesha and Cinderella, and 1998’s Darkchild-assisted Never Say Never, which reimagined her at the vanguard of R&B futurism and became one of the signature blockbusters of the decade. They then discuss 2002 adventurous electropop-R&B fantasia Full Moon, 2004’s deeply personal Afrodisiac and her later period output, like 2012’s Two Eleven, which kicked off a cultural and critical reappraisal of her work. Finally, Louie and Naomi rank Brandy in the Official Pop Pantheon.

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In a preview of this week's Pop Pantheon: All Access episode, Beyoncé eighth studio album, Cowboy Carter, dropped last Friday. Once perceived as a foray into country music, this sprawling 80 (!!) minute epic turned out to be so much more than that and, as with any Bey project, begs for some serious unpacking. DJ Louie, Russ and Oxford American's Danielle Amir Jackson are here to do just that, breaking down the music, themes, references, history and breadth of the expansive second installment in Beyoncé's unfurling new trilogy.

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Tonight, Beyoncé will drop her eighth studio album, Cowboy Carter, her first explicit full-length foray into country music. As with every Bey project, there's a ton of meaning and history to unpack.

DePaul University professor and author of Black Country Music: Listening for Revolutions, Dr. Francesca Royster, and writer and editor Taylor Crumpton, author of TIME piece Beyoncé Has Always Been Country, join the show to explain the long and often under-sung history of Black women in country: from the birth of many of the genre's core aesthetics and tenants during slavery, to 20th century recording artists who have attempted to break Nashville's white and male mass co-option, to recent breakthroughs from stars like Mickey Guyton.

Dr. Royster, Taylor & DJ Louie attempt to position Cowboy Carter in this long and arduous lineage, unpack the details and gestures of singles "Texas Hold 'Em" and "16 Carriages", and parse how Beyoncé's country pivot is tapping into a much larger story than may appear at first blush.

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