In light of the new Beetlejuice Beetlejuice, we discuss the films of director (and occasional writer) Tim Burton since his career was firmly established by his early work in the '80s including the original 1988 Beetlejuice.

Mark, Lawrence, Sarahlyn, and Al have very mixed reactions to the new film, but we agree that the animation style that characterizes his vision is very rich and has had a massive cultural impact. We discuss his stop-motion work, his Batman films, his Disney commissions, and more.

For more, visit prettymuchpop.com. Hear bonus content at patreon.com/prettymuchpop or by subscribing via Apple Podcasts to the Mark Lintertainment Channel.

In light of the new film Trap, we look at this writer/director's oeuvre. Was he a bright light (The Sixth Sense) that at one point went out (certainly by The Happening), and has that light gone back on as he's regained full control in his most recent films (Knock at the Cabin, The Visit, et al.)? Is he a genius, overrated, or somehow both?

Mark, Lawrence, Sarahlyn and Al disagree both about Trap and about the overall Shyamalan experience.

For more, visit prettymuchpop.com. Hear bonus content at patreon.com/prettymuchpop or by subscribing via Apple Podcasts to the Mark Lintertainment Channel.

Sponsors: Get 10% off your first month of online therapy at betterhelp.com/pretty. Try a new podcast: Today In History With the Retrospectors at podfollow.com/retrospectors.

As Pretty Much Pop ends its 5th year of podcasting, Mark, Lawrence, Sarahlyn and Al break from our usual format to talk in a more free-form way about the thin line between the "new" media we talk about on the show and the classics of yesteryear.

For more, visit prettymuchpop.com. Hear bonus content at patreon.com/prettymuchpop or by subscribing via Apple Podcasts to the Mark Lintertainment Channel.

We discuss the Deadpool films in light of the new Deadpool & Wolverine, which leaves the fourth wall thoroughly smashed. Is the new film just a meta-text about the existence of other Marvel films? Is this just a particularly irreverent phase in superhero films (contra Christopher Nolan Batman seriousness)? Featuring Mark, Sarah, Al, Lawrence, and Al.

For more, visit prettymuchpop.com. Hear bonus content at patreon.com/prettymuchpop or by subscribing via Apple Podcasts to the Mark Lintertainment Channel.

Sponsors: Save 10% on your first month of online therapy at betterhelp.com/pretty. Check out the Let Me Ask My Dad podcast.

We discuss Christopher Storer's culinary dramedy in light of the release of its strange third season. What made this a uniquely wonderful show in its first season? Is the unsatisfying character of this season just a matter of its being only the first half of what was originally planned? We talk about the flashbacks, the cameos, the comedy, "food porn," and more.

For more, visit prettymuchpop.com. Hear bonus content at patreon.com/prettymuchpop or by subscribing via Apple Podcasts to the Mark Lintertainment Channel.

If you enjoy our show, check out the Pop Pantheon podcast.

We discuss the 2015 and 2024 Pixar films by writer/director Pete Docter , featuring the usual crew of Mark, Lawrence, Sarahlyn, and Al.

These films show kids that it's OK to be sad and how to cope with anxiety. Is the films' emotional impact objectionably manipulative? Does the "mental landscape" depicted helpfully represent the various elements we juggle, or is it just a fun pile of metaphors?

Sponsors: Give online therapy a try at BetterHelp.com/pretty. Immerse in GoT/House of the Dragon at historyofwesteros.com.

For more, visit prettymuchpop.com. Hear bonus content at patreon.com/prettymuchpop or by subscribing via Apple Podcasts to the Mark Lintertainment Channel.

Mark, Lawrence, Sarahlyn, and Al discuss the five films in George Miller's Mad Max/Road Warrior franchise. What was the original appeal of the series, and has this changed? Are we still afraid of an "Apunkalypse," or is this just an aesthetic to be ripped off by Fallout and other properties? How can films 80% occupied by car chases be actually good? Is Mad Max an icon a la Indiana Jones, and is there actual world building in this series?

For more, visit prettymuchpop.com. Hear bonus content at patreon.com/prettymuchpop or by subscribing via Apple Podcasts to the Mark Lintertainment Channel.

We discuss the ten films that all started with the 1968 Charlton Heston vehicle (based on Pierre Boulle's 1963 novel) through the latest offering, Kingdom of the Planet of the Apes. What psychologically are these films about? Which parts of this sprawling franchise are worth your time?

For more, visit prettymuchpop.com. Hear bonus content at patreon.com/prettymuchpop or by subscribing via Apple Podcasts to the Mark Lintertainment Channel.