Please take a second to support The Quarantine Players with a donation to help us keep putting on great new plays like this one: https://fundraising.fracturedatlas.org/quarantine-players-a-virtual-theater-company/general_support

A group of people gathers for a songwriters' retreat in the Rocky Mountains in the mid-2000s. Their "mentor" is an abrasive, charismatic country singer/songwriter named Kyle Samperson. He humiliates some for their songwriting, personally offends some and clashes about politics with others. By the time Kyle turns up dead in Act Two, everyone has a motive for killing him. Snowed in, without internet or phone, the other characters size each other up and wonder whodunit.

Judy Klass, Playwright, A. J. Campbell
Producer Katy Blake, Director
Clint Aphin as Brice, Laurie Canaan as Roberta, Lane Wright as Charlie, Jack E. Chambers as Kyle, Kathy Kerns as Martha, Sophia Sutton as Tiffany, Judy Jackson as Denise, Alyssa Borg as Li, Robert Beard as Ed

This play has an Iguana for a Protagonist by Liz Dooley
In the aftermath of a massive miscommunication about biology, iguana Arthur comes to the conclusion that his best friend, a human named Mari, must be dying. He makes up his mind to take the most “noble” course of action—whether Mari likes it or not. Part madcap comedy, part menstrual health PSA.

The play with an Iguana has a Sequel by Liz Dooley
Since the last… adventure, Arthur the iguana has done everything in his power to research human biology so he doesn’t make any more big mistakes. Armed with his newfound information, he sets out to protect Mari from a new threat: himself. But was she ever really in danger? And is she actually any safer now? Part madcap comedy, part menstrual health PSA—part two.

Followed by a talkback with the cast and writer
Directed by Monica Cross Produced by A. J. Campbell, Quarantine Players

Cast
Voice of Iguana: Scott Sickles
The puppeteer is Clayton Bauldree
Elizabeth Rossen as Mari
Draper Harris as Jeff
Stage Direction: Gayle Grimes

About Liz Dooley
Liz Dooley is an asexual- and female-identifying theatre artist based in Atlanta. Her Young Adult Play, FIDGET AND TILDY, has been featured at Synchronicity Theatre through Working Title Playwright’s First Light Series, and her work (WHEREVER) has been featured at Actor’s Express as part of the One-Minute Play Festival. In addition, her short play THIS PLAY HAS AN IGUANA FOR A PROTAGONIST has been produced across the country, including through Quarantine Players and as part of Iowa State University’s Undergrad Director Showcase. She is an active member of Working Title Playwrights and a founding member of the Cultivators, an Atlanta-based new-work development organization for theatre and film. Liz graduated from the University of Pittsburgh in 2014 with a dual major BA in Theatre Arts and Psychology. She studied as a playwriting apprentice at Horizon Theatre during the 2014-2015 season, under Addae Moon. https://newplayexchange.org/users/28626/liz-dooley

About the Quarantine Players
Website https://quarantineplayers.org/
Podcast: https://anchor.fm/qplayers
Facebook: https://www.facebook.com/QuarantinePl...
Twitter: https://twitter.com/q_players
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Amazon Fire TV APP: https://www.amazon.com/dp/B08VJHBT8W/

We can all sit around and list off the problems with modern theater so I won’t bore you with a recitation of facts we all largely agree upon. The Quarantine Players are a scrappy theater start-up that is in a position to break all the rules. We were told we can’t put out new work all the time. Yes, we can you just have to treat playwrights like they matter, make them part of the process, and value our input. We are your source for new plays from amazing playwrights. Each week we choose a new play to read for you. We are different because we involve the playwright in every step of the process. Most of our writers will attend all the rehearsals and provide feedback along the way. We don't just honor playwrights by waiting till their work goes into the Public domain so we don't have to pay them. We prefer our playwrights to still have their pulse.

To support the new play development work of the Quaratinte Players please give generously at: https://fundraising.fracturedatlas.org/quarantine-players-a-virtual-theater-company/general_support

Also available on our youtube channel: https://youtu.be/ft0GxqO2zOc

Two brothers competing for the love of the same woman never goes well. A wife’s betrayal has consequences. Treachery, however, benign sometimes ends in tragedy. And the truth… well who really knows what good can come of it? Brandon is having an affair with Annie, Arthurs wife. Arthur comes home from work one day to find his younger brother and wife alone again in the apartment. Has he always had his suspicions? Later that week, Arthur escorts his young wife to an on-stage production of his new work about a younger brother having an affair with the older brother’s wife…and someone gets murdered. A play within a play, but who gets played?

written by Tom David Barna & Christine Barna

directed by Scott Olson

produced by A. J. Campbell, Quarantine Players

Starring
Ricardo Padilla
Lisette Gabrielle
Tyler Brown

About the Quarantine Players
Website https://quarantineplayers.org/
Youtube: https://www.youtube.com/channel/UCCwEmvmRQlru6D8JyVxCb7w
Podcast: https://anchor.fm/qplayers
Facebook: https://www.facebook.com/QuarantinePlayers
Twitter: https://twitter.com/q_players
Instagram: https://www.instagram.com/quarantineplayers
Amazon Fire TV APP: https://www.amazon.com/dp/B08VJHBT8W/

We can all sit around and list off the problems with modern theater so I won’t bore you with a recitation of facts we all largely agree upon. The Quarantine Players are a scrappy theater start-up that is in a position to break all the rules. We were told we can’t put out new work all the time. Yes, we can you just have to treat playwrights like they matter, make them part of the process, and value our input. We are your source for new plays from amazing playwrights. Each week we choose a new play to read for you. We are different because we involve the playwright in every step of the process. Most of our writers will attend all the rehearsals and provide feedback along the way. We don't just honor playwrights by waiting till their work goes into the Public domain so we don't have to pay them. We prefer our playwrights to still have their pulse.