Welcome to Mysteries to Die For and this Toe Tag.

I am TG Wolff and am here with Jack, my piano player and producer. This is normally a podcast where we combine storytelling with original music to put you at the heart of mystery. Today is a bonus episode we call a Toe Tag. It is the first chapter from a fresh release in the mystery, crime, and thriller genre.

Today’s featured release is The Guest House by Bonnie Traymore

TG Wolff Review

The Guest House is psychological thriller. Allie Dawson is on the ride of a lifetime. Her brainchild for a voice-to-caption product has received preliminary funding. But moving from Milwaukee to Silicon Valley has brought more than the expected challenges of getting a new product to market. She’s moved into a guest house where the rent was too good to be true. That should have been the first clue.

Bottom line: The Guest House is for you if you like female-centric stories where thrill and mystery are mechanisms for character growth.

The strengths of the story are also the most unique aspects. Our hero, Allie Dawson is deaf. She uses a cochlear implant that enables her to hear. Without it, she hears nothing. Allie’s deafness is presented in a way that we live it as an ordinary part of her life-which it is-similar to if she had to put in contacts each morning. I especially liked this because it felt natural. It was an important thing for us to understand, especially as to how it affects how Allie communicates, but it isn’t the most important thing to know about Allie. The most important thing is that she is courageous, willing to walk away from her comfortable life to chase a dream.

That leads us into the second strength, navigating the high-stakes and complicated world of the entrepreneur. Allie comes to Silicon Valley with a good idea and a prototype in development. Her job is to find someone to finish the engineering, figure out who can manufacture it, and find a few someones interested in funding all the above. This is not a field that I have seen explored in many stories, giving The Guest House a fresh feel.

Traymore uses a staccato storytelling style that makes you feel as if the character is reporting on their day to you. Take this example from Chapter two: “I’m also hungry and hot. But I’m on a tight schedule, so although I’d like to chill for a while, I need to keep going. I locate the restroom and, thankfully, there’s no line. When I come out, I rush up to the counter to look for my drink order. I pick up a few cups that could be mine and examine them, but my latte’s not ready yet. I let out a long sigh and glance at my watch.”

The Guest House is shown as a psychological thriller on the cover and listed as a techno-thriller on Amazon. The book meets most of the standards for a psychological thriller with the tension coming from mental stressors rather than physical. Overall, I found the tension to be mild as it generated more of a creepy feeling than nail-biting. This can be positive or negative, depending on a reader’s thrill-scale preference.

I had to look up techno-thriller, which is a subgenre where a technology is a dominant part of the story. I do not find this to be a good description. While Allie is trying to bring a technology to market, by her own admission, she doesn’t understand that part. Her engineer brother is working on it away from the story, as is the grad student she hired. While the technology concept is what gets Allie to Silicon Valley, the tech itself is not central to the story.

Overall, I felt The Guest House did not fit well within one genre category but was a combination of women’s fiction, thriller, and mystery. Women’s fiction was most dominant genre to me as the story wove growth of the alternating narrators Allie Dawson and Laura Foster. Allie’s part of the story did carry the thriller element, as she becomes suspicious of her landlords and their other renter. Laura’s...