Shakespeare's Shadows

By: Emily Rome
  • Summary

  • Featuring interviews with both actors and academics, Shakespeare’s Shadows delves into a single Shakespeare character in each episode. Perspectives from the worlds of academia, theater, and film together shape explorations of the Bard’s shadows, his imitations of life — pretty good imitations, ones that reveal enough of ourselves that we’re still talking about them four centuries later.
    Emily Rome 2017
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Episodes
  • Duke Senior & Duke Frederick
    Sep 27 2024
    "As You Like It" is often remembered for being a rom-com, but it’s also a family drama. Duke Senior (Rosalind’s father) is usurped by his brother Duke Frederick. One brother rules at court while the exiled brother builds a new life in the Forest of Arden. In this episode — about not just one but two characters — we discuss why it is that Frederick banished his brother and then his niece, what makes As You Like It ripe for musical adaption, how to make sense of Duke Senior so eagerly returning to court after he was raving about life in the forest, and more. Guests on this episode are: • Jennifer Lines (she/her), who performed in multiple stagings (including at Shakespeare Theatre Company in Washington, D.C.) of an "As You Like It" featuring Beatles music. This version of the play originated at Bard on the Beach in Vancouver, and Jennifer plays characters known in that version as Dame Senior and Dame Frances. • Darius de Haas (he/him), who played Duke Senior in the 2017 Public Works world premiere of Shaina Taub’s "As You Like It" musical adaptation at the Delacorte Theater in New York’s Central Park • Dr. Alys Daroy (she/her), a professor of English and Theatre at Murdoch University. Alys is also an actor and is co-artistic director of Shakespeare South, recognized as Australia’s first eco-Shakespeare company. She is co-author of the forthcoming book "Shakespeare, Ecology and Adaptation: A Practical Guide." To view video footage from Jennifer's and Darius's productions, visit shakespearesshadows.com/duke-senior-frederick-video
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    1 hr and 4 mins
  • Horatio
    Jul 30 2024

    Hamlet’s best friend, Horatio, gets 7 percent of the lines in "Hamlet" next to the title character “who never shuts up” (as one guest on this episode puts it) with 37 percent. This episode gives Horatio his moment to be center stage, revealing how he doesn’t have to be a one-note or one-dimensional character, even as his role is in service of Hamlet’s story. We discuss Horatio’s journey being one of learned bravery, whether Hamlet and Horatio may be more than friends, and the significance of Horatio and other characters studying in Wittenberg.

    Guests on this episode are:

    Dr. Jonathan Gil Harris, a professor of English at Ashoka University in Sonipat, India. His publications include guest editing a 2011 special edition of Shakespeare Quarterly that was all about Horatio, titled “Surviving Hamlet”

    David Gow, who played Horatio in September 2023 staged reading at Shakespeare & Company in Lenox, Massachusetts opposite Finn Wittrock as Hamlet

    This episode contains discussion of grief, murder, and suicide.

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    1 hr and 6 mins
  • Portia
    Jun 20 2024

    In "The Merchant of Venice," Portia is remarkable for her cleverness and the power she holds, and she’s ostensibly a hero of this story. But her journey is entwined with that of Shylock, the Jewish moneylender whose mistreatment makes "Merchant of Venice" a deeply troubling play. In this episode, we discuss just how extremely wealthy Portia is, whether or not Portia is likable (and how her likability is often approached differently in scholarship versus in performance), and how an actress may grapple with Portia’s role in Shylock’s ultimate fate.

    Guests on this episode are:

    Lynn Collins, who played Portia in the 2004 Merchant of Venice film directed by Michael Radford, starring alongside Joseph Fiennes, Jeremy Irons, and Al Pacino

    Dr. Peter Holland, a professor of Shakespeare Studies at the University of Notre Dame teaching in both the English department and the Department of Film, Television, and Theatre

    This episode contains explicit language and discussion of racism and religious intolerance.

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    1 hr and 14 mins

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