France is reviving its industrial farming of hemp – 'green gold' – in the search for more sustainable, energy-saving building materials. French publishers are flocking to romance, as a new generation of authors are writing for a new and growing audience of young women readers. And when Paris hosted the 1924 Olympics 100 years ago.

Hemp farming nearly died out in France in the 1970s but is making a comeback in textiles and the construction industry. Fast-growing, pesticide-free, and a good absorber of CO2, the plant is proving to be an ally in the fight against climate change. Franck Barbier, head of Interchanvre, talks about cannabis sativus's bright future on a tour of the Planète Chanvre mill in Aulnoy. And Jean-Michel Morer, mayor of Trilport, shows us how his town is using hemp in buildings as part of its commitment to sustainability and the circular economy. (Listen @3'10'')

Romance literature has long been looked down on for its undemanding language, basic story tropes and steamy sex scenes. But French publishers are taking note as a new generation of authors, inspired by English-language best-sellers, are writing for a growing audience of young women, many of whom are newcomers to books. Publisher Benita Rolland, of Hugo publishing, talks about developing the genre for the French market, and CS Quill, who started out as a reader before becoming a popular romance author, talks about connecting with her fans. (Listen @21'50'')

As Paris prepares to host the 2024 Summer Olympics, a look back on the last time the city held the Games in 1924. Those Olympics were a smaller, more eclectic and more masculine event, which nonetheless marked a turning point and brought the Games closer to what they are today. (Listen @14'30'')

Episode mixed by Cecile Pompéani.

Spotlight on France is a podcast from Radio France International. Find us on rfienglish.com, Apple podcasts (link here), Spotify (link here) or your favourite podcast app (pod.link/1573769878).

As France heads into snap parliamentary elections with the prospect of the far-right National Rally winning a majority, what powers would its prime minister have, and what would change in France? Also, a look at previous presidents who dissolved parliament and risked getting a result they didn't like. And the story of Jenny Sacerdote – France's Roaring Twenties haute couture designer, whose mould-breaking designs are finally being revived.

France’s far-right National Rally (RN) could well win a majority in the upcoming snap legislative elections, which would mean the party’s leader, Jordan Bardella, would become prime minister. How would a far-right government rule France? Economic journalist Romaric Godin lays out the RN’s economic policy based on national preference, while political scientist Nicolas Tenzer worries about shifts in France’s foreign policy and its relationship with the outside world. And Arnaud Schwartz of the France Nature environment NGO questions the party’s commitment to withdraw from solar and wind power in favour of nuclear. (Listen @0')

Jenny Sacerdote built up a huge fashion empire in the early part of the 20th century, clothing the likes of the Empress of Japan and silent movie star Mary Pickford with her elegant but comfortable silk garments. "Jenny's grey suit" was as famous in the US as Chanel's "little black dress". She was also a pioneer in her approach to entrepreneurship and defending workers' rights. And yet she fell into oblivion after World War II. Designer Anne Vogt, author of a biography of Sacerdote, talks about breathing new life into this forgotten icon through her label La Suite Jenny Sacerdote. (Listen @20'10'')

France’s snap elections are the sixth in the country’s post-war history. The most recent examples suggest that President Emmanuel Macron may not get the outcome he wants. (Listen @14'24'')

Episode mixed by Cecile Pompéani.

Spotlight on France is a podcast from Radio France International. Find us on rfienglish.com, Apple podcasts (link here), Spotify (link here) or your favourite podcast app (pod.link/1573769878).

The United States played a key role in the Allied effort to liberate Western Europe from the Nazis, but not everyone sees it in the same light. As France marks the 80th anniversary of D-Day, an American veteran reflects on the differing ways the US and France remember the war. Meanwhile, historians recall the large number of civilians killed during the Allied invasion and explain why US soldiers were not always welcomed as heroes.

As French President Emmanuel Macron welcomes world leaders, the real stars of the commemorations are the surviving veterans themselves – the men who landed on the Normandy beaches on 6 June 1944 and started liberating France from Nazi occupation. The youngest of the remaining D-Day veterans are now in their late 90s. Alan Shapiro, 99, was too young to take part in the landings, but joined the European Allied forces in the autumn of 1944 and flew transport carriers in the US air corps. He's struck by the love and recognition he's received in France, where war was a lived experience rather than a distant newsreel. He came to France through the association Retour des veterans en Normandie (Veterans Back to Normandy), based in the village of Créances. Its founder, Valerie Gautier, talks about the lasting need to show gratitude for D-Day and WWII veterans. (Listen @4'20)

The story of D-Day and its aftermath is told differently depending on which side of the Atlantic you're on. American historian Mary Louise Roberts discusses how France has been erased from the US perspective on the landings. Meanwhile French historian Emmanuel Thiébot, who directs a museum in Normandy dedicated to civilians during WWII, explains why Allied soldiers didn't always get a hero's welcome in towns that had been bombed in preparation for the invasion. And local survivor Henri, whose fiancée and uncle were killed by Allied bombs, recalls the mixed feelings he had about the troops sent to liberate France. (Listen @15'55)

Episode mixed by Cecile Pompéani.

Spotlight on France is a podcast from Radio France International. Find us on rfienglish.com, Apple podcasts (link here), Spotify (link here) or your favourite podcast app (pod.link/1573769878).

How student protests in support of Palestinians at Paris's political science institute are different from those in the US, a look at France's growing disaffection with Europe, and the long birth of the Channel Tunnel linking France to Britain – 30 years old this week.

Student protests against Israel's war in Gaza came to a head in the past week, when the president of the prestigious Sciences Po university called the police to forcibly clear out an occupation of the Paris campus' main building. Some have called the protests an imitation of what is happening in the United States, but the scale, scope and politics are a bit different. Students talk about why they have joined the protest movement, their shock over reactions by government and police, and compare today's mobilisation with student protests of the past. (Listen @0'00)

On Europe Day, and with only a month to go before EU elections, surveys are showing France is an increasingly eurosceptic nation – only a quarter of the population place their trust in Europe and its institutions, and even fewer are optimistic about the EU's future. The disaffection with Europe comes as polls also show the far-right, populist National Rally is tipped to oustrip President Macron's ruling party in the elections. Laetitia Langlois from Angers University examines what's behind growing eurosceptism in France and what it means for President Emmanuel Macron. (Listen @16'30)

The Channel Tunnel turns 30 years old this week. Officially opened on 6 May 1994, it was the culmination of two centuries of dreaming about a land link between France and the UK. (Listen @9'30)

Episode mixed by Cecile Pompéani.

Spotlight on France is a podcast from Radio France International. Find us on rfienglish.com, Apple podcasts (link here), Spotify (link here) or your favourite podcast app (pod.link/1573769878).

Why French youth are once again under fire as the government vows to crack down on violent crime. The staying power of Ionesco's The Bald Soprano in one of Paris's smallest theatres. And why French women won the right to vote so much later than many of their European neighbours.

In recent weeks President Emmanuel Macron and Prime Minister Gabriel Attal have been looking for ways to tackle what Macron has called a wave of ultraviolence sweeping the country. They've put the focus on young people, but not everyone agrees with the assessment. Critics have denounced the government proposals as reactionary, fuelling yet another "war" on youth. Sociologist Laurent Mucchielli, who says statistics do not show any rise in violent crime committed by youngsters, talks about why France regularly targets young people, and how it is often linked to electoral politics. (Listen @2'15'')

The Bald Soprano and The Lesson, by Romanian-French avant-garde playwright Eugène Ionesco, have been running at the tiny Théatre de la Huchette in Paris five times a week non-stop since 1957. Two million people have flocked to watch the plays, which are performed in their original staging and set. But what's it like for the 45-member company, some of whom have been acting in Ionesco's absurdist universe for more than 30 years? We went along to the 20,024th performance to find out. (Listen @18'50'')

French women obtained the right to vote on 21 April 1944, later than most other countries in Europe. Historian Anne-Sarah Moalic talks about the long road to equal suffrage, which required patient activism along with a bit of geopolitical chaos. And a woman who voted in France's very first elections open to all adults, in April 1945, recalls the excitement and pressure of her maiden trip to the ballot box. (Listen @11'05'')

Episode mixed by Cecile Pompéani.

Spotlight on France is a podcast from Radio France International. Find us on rfienglish.com, Apple podcasts (link here), Spotify (link here) or your favourite podcast app (pod.link/1573769878).

How France's new hardline position on Russia marks a major shift away from decades of pro-Russia policies. The fight to make hair discrimination illegal. And why VAT – a tax introduced 70 years ago – is so important to French finances, despite being deeply unequal.

French President Emmanuel Macron has recently done a U-turn on Russia: having argued against humiliating Russia following the invasion of Ukraine in February 2022, he has now become one of President Vladimir Putin’s biggest critics. Journalist Elsa Vidal, the head of RFI’s Russia service, author of La fascination russe (The fascination with Russia), talks about France’s long history of Russophile foreign policy and how it has been coloured by a certain anti-Americanism. It led to complacency – even blindness – over Putin’s increasingly autocratic rule. (Listen @0'30)

France's parliament has begun debating legislation against a form of discrimination that's often overlooked: prejudicial treatment on the basis of hair. The bill is inspired by laws in the United States, where anti-racism campaigners have long argued that black people face unfair pressure to change their natural hair. Artist and activist Guylaine Conquet, who first came up with the idea for the French bill, explains why France is taking a different approach from the US: her proposal would classify hair discrimination as discrimination on the basis of physical appearance, not race. That's in line with France's universalist, "colour-blind" approach to racial discrimination, but also broadens the application of the law to everyone. (Listen @21'10)

France was the first country to introduce a Value Added Tax (VAT), on 10 April 1954. 70 years later, the tax brings in more than half of France's revenue, and far more than income tax. Economist Julien Blasco explains that while VAT is regressive, it serves to fund crucial social welfare programmes. (Listen @16'30)

Episode mixed by Cecile Pompéani.

Spotlight on France is a podcast from Radio France International. Find us on rfienglish.com, Apple podcasts (link here), Spotify (link here) or your favourite podcast app (pod.link/1573769878).

Four years after the start of the first Covid lockdown in France, what has been the impact? What's stopping more men getting vasectomies in France. And why not everyone wants to accept that Rosa Bonheur, the most famous female painter of the 19th century, was a lesbian.

For 55 days, starting 17 March 2020, French citizens were confined to their homes as part of the government's approach to controlling the then little-understood virus sweeping the planet, which we now know as Covid-19. Historian Nicolas Mariot, co-author of a book about the lockdown, looks into the reasons behind why a majority of people in France accepted the harsh curbs on personal freedom, and asks why there has not been a broader reckoning about the impacts. (Listen @ 2'40)

Vasectomies are rare in France. The procedure that cuts the tubes in men's testicles that carry sperm, serving as a permanent form of birth control, was only legalised in 2001. Urologist Vincent Hupertan describes the reservations patients and doctors have about the vasectomies, which have to do with both French culture and how the health system works. And we hear from one man before and after his vasectomy, who was told by his doctor to rethink it in case he ever planned to remarry a younger woman. (Listen @ 17'00)

Rosa Bonheur, born 16 March 1822, was probably the best-known female painter of the 19th century. Writer Anna Polonyi talks about how Bonheur's paintings of animals are attracting fresh interest from people curious about her personal life, notably her decades-long relationship with a woman. Yet some of the people in charge of guarding her legacy refuse to say that she was lesbian. Polonyi's web documentary series, The Rosa Bonheur Case, explores Bonheur's life and how queer artists are represented. (Listen @ 10'15)

Episode mixed by Cecile Pompéani.

Spotlight on France is a podcast from Radio France International. Find us on rfienglish.com, Apple podcasts (link here), Spotify (link here) or your favourite podcast app (pod.link/1573769878).

How a wave of #MeToo allegations against French directors is shaking up the cinema industry; the Cinémobile movie theatre bringing culture to the countryside; and the satirical news rag that appears just once every four years, on 29 February.

Seven years after the #MeToo movement shook Hollywood, Judith Godrèche and other actresses in France have broken the omertà around sexual abuse within the French movie industry, accusing several prominent directors of assault. Investigations are underway. Bérénice Hamidi, a specialist in the performing arts at Lyon University, talks about the extent to which this marks a turning point in French cinema culture, which for decades has fostered the idea that artists have "a free pass" to transgress the rules, and that the artist cannot be separated from his art. (Listen @0')

With unrest still rumbling among farmers, France's new culture minister says she wants people in rural areas to have more access to culture. A third of the French population lives in rural communities and Culture Minister Rachida Dati has launched a national consultation on schemes to serve them – schemes like the Cinémobile, a lorry that transforms into a cinema and visits small towns across central France. It's been running for more than 40 years and despite entertainment being easier than ever to find online, something about the mobile movie theatre keeps audiences coming back. (Listen @18'08)

French administration has not always made it easy for people born on 29 February – a date that occurs just once every four years. But the satirical Bougie du sapeur newspaper has embraced and indeed lives for the date. Founded in 1980, its previous edition was on 29 February 2020. Editor Jean d'Indy talks about using humour to look at the news of the past four years in this year's edition. (Listen @12')

Episode mixed by Cecile Pompéani.

Spotlight on France is a podcast from Radio France International. Find us on rfienglish.com, Apple podcasts (link here), Spotify (link here) or your favourite podcast app (pod.link/1573769878).