The ladies from PLUSH are bringing their show to the Token Lounge on Saturday, August 3rd. I was lucky enough to catch up with the band, for the first time since their appearance at last year's RIFF Fest.

We discussed a lot of topics with Moriah, Bella, Ashley, and Faith, including Moriah's addiction to fishing. "It's really peaceful and relaxing to me," she said. It's the opposite of the 'band life'.

We talked about the tour they did earlier this year with Disturbed. Moriah spoke up first "That was absolutely incredible." Bella chimed in "Everyone in the Disturbed camp was incredible" Moriah also got to sing the song 'Don't Tell Me' each night with the band, in place of Anne Wilson who sang it on the album. She described it as a super surreal moment.

Speaking of Heart, the ladies covered the classic 'Barracuda' from them, but haven't heard from the legendary rockers yet. "They have not, but that would be super cool if they did!"

What do they think of the term "all-female rock band'? Moriah said, "I think at the end of the day, we are just a rock band out there doing our thing." Bella added, "We've seen such a drastic change, seeing so many women dominating the rock scene." She said they're proud to be part of the female movement in rock. By the way, Bella spoke about the crazy way she joined the band after seeing a Facebook post. Faith spoke to her about joining the band too.

Moriah is such a great singer! So good, she's been touring with TSO for the last couple of winters. "It's just amazing. It's a way different experience, and I'm just proud to be a part of it."

Thanks for listening!

Lots to talk about with Josh and Alex of Badflower, although Josh does most of the talking. LOL

They have a new single out called "Teacher Has A Gun" off their upcoming album, but they also told me about a song called "Detroit". The song isn't about the Motor City but was written here. They told me about that and how some Detroit voices will end up on the song.

We talk about Josh's fear of preforming live, his farmhouse outside of Nashville, a possible name for the upcoming record, and lots more.

Up next, it's P-Nut from 311. They also have a new album dropping later this year. He spoke to that and the process of making it. We talked about the 311 cruises, their recent Red Rocks gig that was simulcast, and tons more.

Their tour stops in the Detroit area at the Michigan Lottery Amphitheater on July 27th.

Lots to get into with Myles and Sonny on this episode of Talkin' Rock.

First up, Myles Kennedy talks about his upcoming solo album. He tells me what the name, The Art Of Letting Go refers to, the musical mission of the record, and more. That album drops on October 11th.

He talks about jamming with the Led Zeppelin guys, the first time he met Slash, as well as Eddie Van Halen.

People think he looks like Kevin Bacon all the time. He tells a funny story of going to see his band play live....that's just for starters.

Then it's Sonny Sandoval from P.O.D. Their new album Veritas is out, as Sonny talks about it and the collaborations on the album. He also explained the record's cover artwork.

San Diago recently gave him his own day, which he said he was very humbled by.

Enjoy!

Everyone knows Chris Jericho from the world of wrestling, which he's still in, but he's also the frontman of Fozzy, and his KISS cover band Kuarantine. You'll be able to see the band on July 5th at the Diesel Concert Lounge in Chesterfield. Chris talks about how the band came about and what they play.

Chris Jericho On A Classic Wrestling Moment

Of course, we had to talk wrestling. Jericho and Detroit's own, Rhino go way back. I asked him about being gored through the Titan Tron. "Yeah, it's a classic moment, it was on Smackdown." He said they were changing the set, so they decided to destroy the old one. "In classic wrestling fashion let's destroy the old set. How can we do that? Have Rhino gore me through that. Yeah, that was a great moment."

Chris Jericho On The Stanley Cup Finals.

"I'm thinking reverse sweep, man. They've done a great job of awakening the giant." He praised Connor McDavid as he's taken the Oilers on his back and has come alive in this series. He went on talking about McDavid "He's like Gretzy, he thinks ahead of the play. When a player like that gets hot, you've got to watch him. 8 points in the last two games, these guys know how to win."

Check out the interview and we'll see you on July 5th at Diesel Concert Lounge!

What an honor to talk to Geezer Butler, the legendary bass player from Black Sabbath. His book "Into The Void - From Birth To Black Sabbath And Beyond" is out now and it's fantastic. There are some great stories and tales that Geezer gets into. He told me why he wrote the book "I always wanted to write a memoir for my grandkids, to give them a better understanding of my life beyond what they read in the press."

Geezer Butler On Sabbath's Heavy Sound

Geezer talked about the heaviness of Black Sabbath and what caused it. "Tony had to create a new way of playing because he lost the tops of his fingers in an industrial accident. He tuned down the strings to make it easier to play with his plastic fingertips, which gave birth to our heavier sound."They didn't get their due until the early 2000s after bands started mentioning them as major influences. "It's great to finally get positive feedback from newer bands citing us as their main influence."

Working With Producer Rick Rubin

I have friends who've worked with Rick Rubin, and while reading the book, Geezer said everything I've heard before. Rick doesn't do much. "Rick Rubin would come in for ten minutes and say, 'Do another one.' He'd lie on the couch and do nothing. It drove us nuts." He said he wasn't a huge fan, but he did like the way he worked with Ozzy.

Geezer On His Relationship With Ozzy Osbourne

"I speak to Ozzy practically every other day. We had some communication issues, but now we're closer than ever." That's great to hear knowing everything they've gone through over their lifetime.

Lots of great stuff for any hard rock/heavy metal fan!

My latest Talkin' Rock with Meltdown guest is none other that Blackie Lawless of W.A.S.P.. It's always a treat when I get to talk with Blackie. He's a great interview, and also the force behind one of my favorite bands of the era.

Lots was discussed including his health. After undergoing surgery to ease his back last year, he's on the mean. "But, you know, we had surgery on it about ten months ago, and, you know, I'm on the mend and everything's cool, you know? So, you know, we should be ready for the fall tour coming in, in October."

Blackie Lawless On His Special Meet & Greets

Blackie's meet and greet is very unique, where the fans get pictures and stuff signed, then he'll do a Q &A session with them. "Well, we looked around at what other VIP packages were doing and quite honestly I didn't get excited about it. I thought, you know, if I'm going to meet somebody that I've always wanted to meet, wouldn't some sort of back and forth, you know, question and answer? I mean, wouldn't that be what you would want to have it be? And for me, that's what I would want. You know, and quite honestly, I didn't, because I've never done these before until we had done that the last time we were in the US a couple of years ago. And I'll be frank with you, I got as much, if not more than the people did out of it because like every other artist, you live in your own bubble and you don't really have a chance to talk to people on a one on one basis without it being in a chaotic situation." He later told me that some of the questions he received jarred some memories that might end up in a future autobiography.

Blackie On New W.A.S.P. Music

The last time I talked with Blackie, he told me he was working on new music. Where does it stand now? He said the surgery set him back a bit, but he got back into it. "I've had a long time to go through that. Those early demos of what we have been working on it, listening to it with fresh ears. Some of it's really good, but there's not enough of it yet where I would be comfortable in saying, okay, this is finished, and let's go with it. You know, I want to, I'd like to like to go back and visit the drawing board, so to speak, you know, and see what else is there, because even from a two year period of when we started working on that before to where we are right now, you're going to gain so much, you're going to grow so much, you know?"

He went on "So you really have to I've learned and you don't make records or I don't make records anymore that are spread out over a 2 or 3-year period. Because the guy you are when you first start making it is not the guy you are when you finish making it, get in, try to, you know, six months top to bottom, get that thing cranked up, you know, because like I said, if you don't, you end up running the risk of it kind of being a schizophrenic type of record. You know, where you've got one type of one thing and then some. The other half is something else, and it has no real cohesiveness"

You can see Blackie and the band perform their entire debut album at the Royal Oak Music Theater on November 10th. For tickets, click here.

Ed Roland is one of those guys that's just easy to talk to and we talked about a lot of things.

When the band broke in 1994, they broke big time! That year they played Woodstock, as they did in 1999 too. He told me they are one of only 5 acts to play both concerts.

His brother, Dean, has been in the band the entire time as well. I asked him about sharing this journey with him. "Well, I mean, it's it's family. It's been a blessing for me. And I'd like to think he thinks the same because it's family. You know, we all are family, to be honest, we all kind of grew up in the same community and, the same environment as parents and things like that. Same school, same church, all of the above. It's been wonderful for me. And I think he would say the same thing, you know." He went on to say that they don't fight much. "But I always say to my brother, I mean, I would never hit you with a guitar because I like my guitar, too much." LOL

As far as the new record, Here To Eternity is concerned, that's a great story! They recorded it in Elvis Presley's house in Palm Springs. He talked about how quickly they recorded the album, and why they made it a double album.

I had to ask him if he had any peanut butter and banana sandwiches. "You damn right I did, I'm a southern boy, I'm not afraid of that." They were actually in the house the day Lisa Marie Presley died. He said the ceiling caved in that night!

Now, onto the first big hit "Shine". He had told me the trick that they used on that song years ago, but I wasn't sure if he was pulling my leg or not. He sang the "Yeah" part through an empty toilet paper roll. "Yes, that's very true because I only had one amp, one guitar. And, you know, I just had to make up different sounds. It's crazy that I could. So I kept doing "Yeah", I was like, it just sounds like a Southern boy going yeah. Almost lazy. Like, you should be in a rocking chair. So I went to the bathroom in the basement and took the toilet paper off. Just put the the cardboard part off. And that's what I sang through. Oh, yeah."

What a fun conversation with Ed.

The new Dead Daisies album is dropping in September, so it's good to get Doug Aldrich from the band on Talkin' Rock with Meltdown to tell us about it. Plus, they'll be playing the Machine Shop on June 11th, in Flint, Michigan.

As far as song ideas for the new album, he said everyone chipped in. "We all, all we all were, brought different parts in different song ideas. And that's generally what we do with The Dead Daisies is we'll bring in ideas and then, you know, in this situation, Marty Fredrickson was producing and he's like an amazing songwriter in his own. So he had a couple ideas already. Him and John (singer Corabi) had a couple ideas. I had a few. Michael Devin had a few. David (Lowy) had a few. I kind of helped David, finish off a couple of his ideas, and then we, we played them off for Marty."

He told me that the first single's main riff for "Light Em Up" was actually written by Stevie D. from Buckcherry. "Yep. And Stevie had he had a whole song, but we just basically pinched the riff and Stevie gave his approval, and then we kind of wrote a little bit new around that riff and, and then we, you know, originally I don't remember, I can't remember his demo, how the riff was played. It might have been played down here or I'm not sure it might have been played in this position here, but this is how we ended up doing it. And it's got kind of a classic Daisy's. But yeah, it's obviously derivative of kind of the way we played it was derivative of kind of AC/ DC" He told me the new album covers a wide range of rock and was recorded in some historic studios. "There's there is a bunch of stuff that's in the vein of what we just talked about that's that fits together really well. But then we had a couple of songs that came in. Actually we we wrote one in Muscle Shoals, Alabama, in this studio called Fame Studio. That is a crazy, important studio for, you know, for early rock and for R&B. And like, Wilson Pickett and Aretha Franklin recorded their hits there. Duane Allman worked there with Wilson Pickett. And we were in the studio working on just playing through some blues stuff and kind of noodling around in a little bit for a week, and we wrote this tune that turned out to be way is really deep, it's like an album cut, it's not a single. It won't be a single, but it's probably one of the coolest songs on the record because it's like a cornerstone track that it makes the album so much better just because it's on it."

Past Rock Projects With Doug Aldrich

Doug told me about earlier stuff he'd done with other bands, including auditioning for KISS. "I got a call from Eric Carr, who came and saw me play, and I met him, and he invited me to come down to the studio and, and meet Paul and Gene and, and I played on a couple of tracks in the studio just to see. And then they had me come and play a couple times live with them. And it was it was, you know, I felt guilty because these guys, nobody had seen them without their makeup yet. So I really felt awkward about looking Gene Simmons in the eye and, and, and seeing his face, you know, it's like shouldn't, shouldn't be doing this. But the bottom line is, is that they wanted a little bit more of a technical guitar player."

That's just for starters on this wide-ranging conversation with Doug.

Get your tickets to see The Dead Daisies at the world-famous Machine Shop here.