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When a man is found dead in a quaint English village, Inspector Hannasyde must unravel the secrets of the eccentric family involved. In DEATH IN THE STOCKS (1935), a beloved classic, Georgette Heyer infuses the traditional mystery with her signature style of historical romance (and its Regency romance sub-genre).

Reflect: Check out the conversation starters below.

Weigh In: Speak up, and you might get an on-air shout out and a fabulous sticker!

Jennifer Kloester is the bestselling author of Georgette Heyer’s Regency World, Georgette Heyer: Biography of a Bestseller, and Society The Novels of Georgette Heyer: A Celebration.

Jennifer is a Patroness of the International Heyer, and a producer of the forthcoming documentary Who the Hell is Georgette Heyer?

She is also a popular presenter and public speaker and, in 2015, with Stephen Fry, she was delighted to speak at the unveiling of Georgette Heyer’s English Heritage Blue Plaque in Wimbledon.

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And check out our Amazon store where we've compiled all things Georgette Heyer and Jennifer Kloester!
For a peek at some of the Show & Tell Jen was sharing, check out our YouTube channel.

Finding the Romance

Kenneth and Antonia both start the book engaged, and spend most of the book engaged, to people they don’t like and no one else likes. Took a bit to find where the romance would be emerging from in the story. Carolyn particularly enjoyed Tony’s “sorry not sorry” breakup with Rudolph (336).

Kenneth and Antonia Vereker

Death in the Stocks by Georgette Heyer includes interesting and unique characterizations of people who say exactly what they’re thinking, without malice. The siblings in particular seem to have a hard time relating to social niceties or expectations. They are both wholly lacking in tact and, at times, human feeling and good sense. They have zero interest in their half-brother’s murder (other than the 250,000€ inheritance coming Kenneth’s way) and couldn’t care less who killed him .

Hannasyde, the voice of reason, says that Tony “doesn’t appear to conceal a thing. It’s the same with her brother: you don’t know whether they’re very clever, or completely innocent, or a pair of lunatics” (170). At one point, Hannasyde wishes he could convict both siblings for murder. Charles Carrington refers to the siblings as “those Vereker brats” (177).

Hannasyde to Kenneth in reference to Roger’s death: “You have reminded me yourself that I am not a Vereker. I don’t joke on such matters.”

Kenneth: ‘These hands … are worth more than all Arnold’s filthy money, and when he’s been forgotten for centuries people will still be talking about me!” (103)

Kenneth and Antonia live in a home “decorated in a modernist style, with curtains and a carpet of cubist design.” Giles refers to the upper-crust bohemian Kenneth as “looking like a third-rate artist from Chelsea” (95) and says he hates his “effeminate tie.” It’s the Great Depression (1929-1939), but they seem to be doing just fine. Are these siblings modern? Are they rebels who reject traditional moral principles?

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Send us a Text Message.

When a man is found dead in a quaint English village, Inspector Hannasyde must unravel the secrets of the eccentric family involved. In DEATH IN THE STOCKS (1935), a beloved classic, Georgette Heyer infuses the traditional mystery with her signature style of historical romance (and its Regency romance sub-genre).

Reflect: Check out the conversation starters below.

Weigh In: Speak up, and you might get an on-air shout out and a fabulous sticker!

Jennifer Kloester is the bestselling author of Georgette Heyer’s Regency World, Georgette Heyer: Biography of a Bestseller, and Society The Novels of Georgette Heyer: A Celebration.

Jennifer is a Patroness of the International Heyer, and a producer of the forthcoming documentary Who the Hell is Georgette Heyer?

She is also a popular presenter and public speaker and, in 2015, with Stephen Fry, she was delighted to speak at the unveiling of Georgette Heyer’s English Heritage Blue Plaque in Wimbledon.

Jen's Facebook
Instagram
Check out Jen's website here
And check out our Amazon store where we've compiled all things Georgette Heyer and Jennifer Kloester!

Several of our books, though not many, have had elements of humor. There’s The Thin Man, with the witty Nick and Nora. And there’s this one, with humorous banter throughout. How successful did you feel the humor was?

At times, the banter reminded Carolyn a bit of Oscar Wilde’s The Importance of Being Earnest. These lines made Carolyn smile – Roger says to Hannasyde: “if I know just how much you know, it’ll save a great deal of bother. I mean, it’s no use my telling you I went to the Zoo if you’re going to prove I spent the day in the British Museum. At the same time, I don’t want to tell you anything I needn’t. You see my difficulty?” (224)

Of the characters in the novel, Dorothy L. Sayers said: ‘Miss Heyer’s characters and dialogue are an abiding delight to me…I have seldom met people to whom I took so violent a fancy from the word “Go”.’

“Death in the Stocks is not only a very neat and mystifying detective story, it is also an excellent example of what can be achieved when the commonplace material of detective fiction is worked up by an experienced novelist. Miss Heyer’s characters act and speak with ease and conviction that is as refreshing as it is rare in a mystery story.” ~ Jennifer Kloester

Regency Romance

From Goodreads: Georgette Heyer “was an intensely private person who remained a best selling author all her life without the aid of publicity. She made no appearances, never gave an interview and only answered fan letters herself if they made an interesting historical point.”

It’s fascinating that she seems to have invented the genre. Georgette Heyer wrote in two genres — regency romance and detec

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Thriller writer David Ignatius joins Sarah and Carolyn to discuss his latest book Phantom Orbit.

Check out more of his work and get the book here.
Website: www.davidignatius.com

David Ignatius is a prize-winning columnist for The Washington Post and has been covering the Middle East and the CIA for nearly four decades. He has written several New York Times bestsellers. He lives in Washington, DC.

David Ignatius is known for his uncanny ability, in novel after novel, to predict the next great national security headline.

In Phantom Orbit, he presents a story both searing and topical, with stakes as far-reaching as outer space. It follows Ivan Volkov, a Russian student in Beijing, who discovers an unsolved puzzle in the writings of the seventeenth-century astronomer Johannes Kepler. He takes the puzzle to a senior scientist in the Chinese space program and declares his intention to solve it. Volkov returns to Moscow and continues his secret work. The puzzle holds untold consequences for space warfare.

The years pass, and they are not kind to Volkov. After the loss of his son, a prosecutor who’d been too tough on corruption, and Russia’s invasion of Ukraine, Volkov makes the fraught decision to contact the CIA. He writes: Satellites are your enemies, especially your own. … Hidden codes can make time stop and turn north into south. … If you are smart, you will find me.

With this timely novel, David Ignatius addresses our moment of renewed interest in space exploration amid geopolitical tumult. Phantom Orbit brims with the author’s vital insights and casts Volkov as the man who, at the risk of his life, may be able to stop the Doomsday clock.

David Ignatius writes a twice-a-week foreign affairs column for The Washington Post. Ignatius has written 11 spy novels: “The Paladin” (2020), “The Quantum Spy,” (2017), “The Director,” (2014), “Bloodmoney” (2011), “The Increment” (2009), “Body of Lies” (2007), “The Sun King” (1999), “A Firing Offense” (1997), “The Bank of Fear” (1994), “SIRO” (1991), and “Agents of Innocence” (1987). “Body of Lies” was made into a 2008 film starring Leonardo DiCaprio and Russell Crowe.

Ignatius joined The Post in 1986 as editor of its Sunday Outlook section. In 1990 he became foreign editor, and in 1993, assistant managing editor for business news. He began writing his column in 1998 and continued even during a three-year stint as executive editor of the International Herald Tribune in Paris. Earlier in his career, Ignatius was a reporter for The Wall Street Journal, covering at various times the steel industry, the Departments of State and Justice, the CIA, the Senate and the Middle East.

Honors and Awards: 2018 Finalist team, Pulitzer Prize for Public Service; 2018 George Polk Award; 2010 Urbino International Press Award; 2013 Overseas Press Club Award for Foreign Affairs Commentary; Lifetime Achievement Award, International Committee for Foreign Journalists; Legion D’Honneur awarded by the French government; 2004 Edward Weintal Prize; 2000 Gerald Loeb Award for Commentary; As The Post’s f

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