• The Brother's Čapek: The Insect Play, Act III & Epilogue

  • May 8 2024
  • Length: 29 mins
  • Podcast

The Brother's Čapek: The Insect Play, Act III & Epilogue  By  cover art

The Brother's Čapek: The Insect Play, Act III & Epilogue

  • Summary

  • Come and listen to one of the most famous collaborations of early twentieth century Czech literature, "The Insect Play, or Ad Infinitum."

    Come and see how many similarities The Brothers Čapek draw between our problems, our beliefs, and our struggles with the lives of the very critters that walk beneath our feet. Join our inebriated narrator as he witnesses the world of the insects become larger than life--how the butterflies attempt to woo the other sex, how dung beetles work and work to get their nest egg ready for... someday, and how the ants make it their mission to conquer all of the land between one blade of grass and another--all in the name of democracy. A truly surreal and remarkable experience that you won't want to miss, this three act play will stick with you long after its initial runtime.


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    *This Season's Album Art by Brian Fisher*


    Karrel Čapek (1890-1938) was a Czech writer, playwright, critic and journalist. He has become best known for his science fiction, including his novel War with the Newts (1936) and play R.U.R. (Rossum's Universal Robots, 1920), which introduced the word robot. He also wrote many politically charged works dealing with the social turmoil of his time.


    Josef Čapek (1887 – 1945) was a Czech artist who was best known as a painter, but who was also noted as a writer and a poet. He invented the word "robot", which was introduced into literature by his brother, Karel Čapek.


    *Any views/ideas expressed in these plays are not my own, and I do not believe in the censoring of anything controversial or problematic that the playwright/poet/author has written which will impact the way in which the story is told. The integrity of these works is much more important to me than any triggering content, and therefore I would ask that you have the same maturity and mental framework to listen to these pieces of art and appreciate them in their proper historical context.*



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