Episodios

  • Extra Credit: Pianos in 1800s Phillippines
    Jun 28 2025

    In the last decades of Spanish rule in the Philippines, pianos—both foreign and local—provided the tinkling music of the colony’s rising middle class. (Listen to S7E1 before this one.)

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    4 m
  • S7E1: Foreign Piano Devils
    Jun 20 2025
    It’s the late 1800s, and all across the Pacific seaboard, in places like Singapore and Yokohama, Medan and Sengalor, the music of town bands drifts across the esplanades. Many of these groups proudly hail from one port of call: Manila. This is their story.Follow us on IG: @thecolonialdeptFollow us on TikTok: @thecolonialdeptEmail us: thecolonialdept@gmail.comAudio of “Wiener Schwalben Marsch” is from the Discography of American Historical Recordings.References: Affan, Muhammad (2023). “From Riverside Hub to Urban Center: Understanding The Metamorphosis of The Sultanate of Deli's Capital Landscape.” Al-Tsaqafa: Jurnal Ilmiah Peradaban Islam, 20(2), pp. 194-203.“The history of Medan” (26 December 2020). Stories from Deli—Chinese coolies life in Deli. https://storiesfromdeli.com/2020/12/26/the-history-of-medan/Columbia matrix 87055. Wiener Schwalben Marsch / Kapelle Militär. (2025). In Discography of American Historical Recordings. Retrieved May 15, 2025, from https://adp.library.ucsb.edu/index.php/matrix/detail/2000112570/87055-Wiener_Schwalben_Marsch.Birgit Krohn Albums, Vol. 2 (n.d.) “Porpourri Populaire, George Renaud (1835-1913).” Furman University Scholar Exchange. https://scholarexchange.furman.edu/krohn-album2/8/Yamomo, Mele (2015). “Brokering Sonic Modernities: migrant Manila musicians in the Asia Pacific, 1881-1948.” Popular Entertainment Studies, 6(2), pp. 22-37.Castro, Christi-anne (2018). “Colonized by Rote: Music Education at the Outset of the US Colonial Era in the Philippines.” In Tan, Arwin Q. (ed.), Saysay Himig: A Sourcebook on Philippine Music History, University of the Philippines Press, pp. 39-44.Chua, Maria Alexandra Iñigo. (2018). “The Appropriated Villancico Filipino in the Rituals of Philippine Christmas.” In Tan, Arwin Q. (ed.), Saysay Himig: A Sourcebook on Philippine Music History, University of the Philippines Press, pp. 91-99.Chua, Maria Alexandra Iñigo. (2018). “Music Printing and Publishing in Urban Colonial Manila, 1858-1942.” In Tan, Arwin Q. (ed.), Saysay Himig: A Sourcebook on Philippine Music History, University of the Philippines Press, pp. 215-223.Buenconsejo, Jose S. (2018). “Keyboards in the Nineteenth-Century Philippines.” In Tan, Arwin Q. (ed.), Saysay Himig: A Sourcebook on Philippine Music History, University of the Philippines Press, pp. 234-242.Tan, Arwin Q. (2018). “Social Networking in Musicians’ Unions and Musical Associations.” In Tan, Arwin Q. (ed.), Saysay Himig: A Sourcebook on Philippine Music History, University of the Philippines Press, pp. 365-371.Jando, Dominique (n.d.) “Giuseppe Chiarini: Equestrian, Circus Entrepreneur.” Circopedia. https://www.circopedia.org/Giuseppe_Chiarini“The Overseas Market for Filipino Entertainers (March 2004).” TESDA. https://www.tesda.gov.ph/About/TESDA/60Ng, Stephanie Sook-Lynn (n.d.) “Overseas Filipino Musicians and the Geographies of Migrant Creative Labor.” Dissertation Reviews. Yu Jose, Lydia N. (2007). “Why are Most Filipino Workers in Japan Entertainers?: Perspectives from History and Law.” Kasarinlan: Philippine Journal of Third World Studies, 22(1), pp. 61-84.Piquero-Ballescas, Ma. Rosario (1993). “The Various Contexts of Filipino Labor Migration to Japan.” Kasarinlan: Philippine Journal of Third World Studies, 8(4), pp.125-145.
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    16 m
  • Extra Credit: The shipwrecks of the Galleon Trade, by the numbers
    Mar 29 2025

    Lousy pilots? Fierce storms? Rampaging currents? Some of these galleons never stood a chance. (Listen to S6E13 before this one.)

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    6 m
  • S6E13: If Not Shipwrecks, Scurvy
    Mar 21 2025

    The route of a Spanish galleon from Manila to Acapulco was littered with the wrecks of ships that sailed before—hit by storms, hammered by tides, preyed on by pirates. Meanwhile, on the filthy decks, hunger and disease stalked the ranks of the sailors, slaves, and passengers. Spanning thousands of kilometers, every voyage of the Galleon Trade was grueling and lethal… but for the investors who bet fortunes on the trade ships, the payoff was worth every dead body.

    In this episode, let’s sail aboard a galleon as it makes its way from Manila to Mexico. Will we make it to the end alive?


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    References:

    Casabán, José Luis (2014). “The Reconstruction of a Seventeenth-Century Spanish Galleon.” 2014 Underwater Archaeology Proceedings.

    Legarda, Benito J. (1999). After the Galleons: Foreign Trade, Economic Change and Entrepreneurship in the Nineteenth-Century Philippines. Ateneo de Manila Press.

    Seijas, Tatiana (2014). Asian Slaves in Colonial Mexico: From Chinos to Indians. Cambridge University Press.

    Isorena, Efren B. (2015). “Maritime Disasters in Spanish Philippines: The Manila-Acapulco Galleons, 1565-1815.” International Journal of Asia Pacific Studies, 11(1), pp. 53-83.

    Schurz, William Lyle (July 1918). “Acapulco and the Manila Galleon.” The Southwestern Historical Quarterly, 22(1), pp. 18-37.

    Hayes, Lieutenant John D. (December 1934). “The Manila Galleons.” Proceedings of the US Naval Institute, 60(12).

    Worrall, Simon (15 January 2017). “A Nightmare Disease Haunted Ships During Age of Discovery.” National Geographic. https://www.nationalgeographic.com/science/article/scurvy-disease-discovery-jonathan-lamb

    Morris, David Z. (17 May 2016). “Cruel ships of prosperity.” Aeon. https://aeon.co/essays/the-manila-galleons-that-oceaneered-for-plague-and-profit

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    15 m
  • Extra Credit: On Filipino studio photos from the 1900s
    Mar 16 2025

    Costumes, backdrops, dedications—in the 1900s, having your photo taken in a studio and sending prints to loved ones was the hot new thing in the Philippines! (Listen to S6E12 before this one.)

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    5 m
  • S6E12: The Skull Photographers
    Mar 7 2025

    When the Americans arrive to take over the Philippines, amateur photographers take pictures of every possible inch of their new possession. Snapshots soon emerge from inside the cemeteries of towns and cities, showcasing an eerie and macabre trend. It seems that not even the most private places of the dead would be spared from the camera’s roving, ravenous, pinhole eye.


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    Email us: thecolonialdept@gmail.com


    Additional audio from Marques Brownlee, Dave 2D, and The Verge.


    References:

    Capozzola, Christopher (2017). “Photography and Power in the Colonial Philippines - 1.” Visualizing Cultures at the Massachusets Institute of Technology.

    Lutz, Peter (1994-2024). “Beginners Guide To Understanding And Using A Brownie Box Camera.” Brownie-camera.com. https://www.brownie-camera.com/articles/petelutz/article.shtml

    Williams, Nigel (17 July 2021). “Early Cameras, a Timeline.” A Flash of Darkness. https://flashofdarkness.com/early-cameras-timeline/

    The Curious World (7 February 2024). “Taking pictures with a nearly-100 year old camera | Kodak No. 2 Brownie” [video]. YouTube. https://www.youtube.com/watch?v=TXoSRDVJ3B4

    Stricklin, Krystle Elaine (2022). “Grave Visions: Photography, Violence, and Death in the American Empire, 1898 – 1913” [dissertation]. Dietrich School of Arts and Sciences, Florida State University.

    Rafael, Vicente (2000). White Love and Other Events in Filipino History. Ateneo de Manila University Press.

    Barretto, Grace (2000). “A Survey of Literature on Indigenous Archaeological Practices and Their Archaeological Implications." Indigenous Peoples, 15(2).

    Dakudao, Michelangelo (1998). “The Development of Cemeteries in Manila Before 1941.” Philippine Quarterly of Culture and Society, 26(1-2), pp. 254-271.

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    16 m
  • Extra Credit: On William Dampier, privateer of the Pacific
    Mar 1 2025

    Scourge, scientist… and slave owner! Discover the ties of one of England’s most famous mariners to Philippine history. (Listen to S6E11 before listening to this one!)


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    5 m
  • S6E11: Robinson Crusoe Captures a Manila Galleon
    Feb 22 2025

    In 1719, a book appeared on London shelves—and became an instant bestseller. Its cover featured the now-iconic image of a man, trapped in a deserted island, dressed only in goat skins. Daniel Defoe, author of Robinson Crusoe, never confirmed nor denied that his massive hit was based on the life of Alexander Selkirk, a Scotsman marooned for years on a tropical island… but the parallels were undeniable.

    But before Selkirk made his way back to the Western world and became a celebrity, he was roped in by his rescuers for their deadly piratical mission: to hunt the greatest treasure ship of the high seas—the Manila galleon!


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    References:

    Kamen, Henry (2004). Empire: How Spain Became a World Power, 1492-1763. Harper Perennial.

    Rogers, Woodes (1928). A Cruising Voyage Round the World. The Seafarer's Library. (Original work published 1731).

    Severin, Tim (2002). “Marooned: The Metamorphosis of Alexander Selkirk.” The American Scholar, 71(3), pp. 73-82. https://www.jstor.org/stable/41213335

    Ball, Phillip (1 May 2019). “The many afterlives of Robinson Crusoe.” The New Statesman. https://www.newstatesman.com/culture/2019/05/the-many-afterlives-of-robinson-crusoe

    McInelly, Brett C. (2003) “Expanding Empires, Expanding Selves: Colonialism, the Novel, and ‘Robinson Crusoe’.” Studies in the Novel, 35(1), pp. 1-21. https://www.jstor.org/stable/29533546

    Peterson, Andrew. “What Really Made the World Go Around?: Indio Contributions to the Acapulco-Manila Galleon Trade.” Explorations: A Graduate Student Journal of Southeast Asian Studies, 11(1), pp. 1-18.

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    17 m