Is it time to redefine DJ success? Drugs, groupies, private jets, insomnia, amnesia, hearing loss, mental breakdown: Say you're a DJ without saying you're a DJ, right? Well, we say no! It's time for a grown-up definition of DJing success - and I had one to propose to start the three topics we covered in this month's Inside Track.

We moved on to "The strange world of DJ software". "Things fall apart; the centre cannot hold" said poet WB Yeats (over a far more important subject), but that's how it feels with DJ software nowadays, as the market matures, takeovers loom, and DJs get perhaps understandably more and more confused. We shared what we think the problem is and where it all might lead.

Finally, I talked about things I've learned returning to DJing (with 7" singles!). As a fun side hobby, I've been building a collection of 7" records to DJ with on cheap, portable, battery-powered record decks. What I'm learning has lessons for any DJ who feels trapped rather than freed by technology.

Here's a link to the equipment mentioned in the show:
https://www.stokyoworld.com/collections/stokyo-record-mate-set

As ever, this pod is supported 100% by the students of Digital DJ Tips, and it was recorded in a live webinar with lots of student feedback. If you enjoy it and you can, please do give us a five-star rating on Apple Podcasts. It really does make a difference.

TIMESTAMPS

0:00 Intro

0:15 Episode overview

1:38 Redefining DJ "success"

23:52 The strange world of DJ software

41:22 Key takeaways from DJing with 45s

Want to get your question answered on an episode of this podcast? Digital DJ Tips course owners get to ask questions in their student-only group. Your first step to getting involved is to buy a DJ course, so come and join our community at https://www.digitaldjtips.com.

We started with a question that a lot of people resonated with, which is the lack of exciting new DJ gear recently, and we looked into some of the reasons why new equipment might have slowed down. Also this week, we had lots of DJs working on their first gigs, but one in particular who's returning to DJing after 40 years wanting to know what might have changed.

And we had a reticent British guy who felt that not only was he too humble to ask people to listen to his work, but also that as an artist, somehow the work should find the audience, and it's below DJs to go hawking their mixes and mashups around to the world. We gave him some home truths - plus answered loads of other questions from our awesome community. Hope you enjoy this episode!

As ever, this pod is supported 100% by the students of Digital DJ Tips, and it was recorded in a live webinar with lots of student feedback. If you enjoy it and you can, please do give us a five-star rating on Apple Podcasts - it really does make a difference.

TIMESTAMPS

0:00 Intro

0:14 Episode overview

1:21 Why is there less DJ gear being released?

7:24 At more relaxed gigs, should I quick mix or play the full song?

14:37 How is the upcoming DJ Jazzy Jeff scratch course different from Scratching For Controller DJs?

18:22 What should I prioritise when returning to DJing after a break?

23:01 Should I use a music streaming service when DJing a house party?

25:37 How do I prepare to use a venue's DJ set-up?

29:09 What DJ apps do you recommend for Android users?

32:33 How can I gain a fan base when I don't like promoting myself?

38:33 As a new DJ, how can I impress everyone at my next gig?

Want to get your question answered on an episode of this podcast? Digital DJ Tips course owners get to ask questions in their student-only group. Your first step to getting involved is to buy a DJ course, so come and join our community at https://www.digitaldjtips.com.

Beatgridding your music has been a necessary evil for digital DJs who want to use features like sync, loop, beat-tied effects, accurate hotcues, and so on, for many years. However, while beatgridding 2.0 improved on beatgridding 1.0 by handling songs with slightly varying BPMs a little bit better, not much has changed over the years – until now, that is – because new software is now able to use AI to basically kill manual beatgridding entirely. People, beatgridding 3.0 is here – and we talked about it in this pod, and what it might mean for DJs.

We moved on to talk about audio engineering for DJs and why it’s important for DJs to have at least a basic grasp of what audio engineering is, and how they can use it in their hobby. Whether it’s simply tidying up individual songs or making DJ mixes sound better, or going further and extracting audio from bigger pieces of work for use as a DJ, knowing your way around audio editors, audio repair software, and even audio routing software is a surefire way to improve what you’re capable of doing… way before you get to your decks.

And finally, this month we looked at motorised platters, spinning jogwheels, and asked the question: Why? They haven’t gone away, which you might expect to have happened since turntables stopped appearing in DJ booths, and – lo and behold – now even turntables are on the way back. What is the enduring appeal of having something spinning on your DJ gear? We came up with some answers.

As ever, this pod is supported 100% by the students of Digital DJ Tips and it was recorded in a live webinar with lots of student feedback. If you enjoy it, and you can, please do give us a five star rating on Apple Podcasts. It really does make a difference.

TIMESTAMPS

0:00 Intro

0:15 Episode overview

1:43 The death of beatgridding

16:05 Audio engineering for DJs

28:24 Motorised jogwheels

Want to get your question answered on an episode of this podcast? Digital DJ Tips course owners get to ask questions in their student-only group. Your first step to getting involved is to buy a DJ course, so come and join our community at https://www.digitaldjtips.com.