Episodios

  • The Secret Behind Think and Grow Rich by Napoleon Hill
    Oct 10 2025
    It’s time to dive back into the history of self-help and consider its impact on our understanding of how and who we are. In this episode of The Gentle Rebel Podcast, we are looking at the 1937 book, Think and Grow Rich by Napoleon Hill. Think and Grow Rich sits on millions of bookshelves worldwide. It has remained one of the most enduring self-help books since its publication during the Great Depression. Despite documented controversies and allegations concerning the author, Napoleon Hill is still regarded by many contemporary self-help influencers as an important figure. For this special episode, Napoleon Hill invited me to meet with him, where he promised to reveal the secret to becoming a successful self-help guru. He tasked me with turning this into a formula, which I could then share with the world. If you are ready to hear this secret, you will. But not all are. Which is why, despite it being mentioned in every part of the episode, I have not spelt it out in the starkest terms. For to do so would diminish its potency. https://youtu.be/Cn6H17AFwPU 12 Steps To Thinking and Growing Rich as a Self-Help Influencer We will explore these twelve keys to becoming a successful self-help grifter—sorry, I mean self-help guru—that we can learn from Napoleon Hill’s Think and Grow Rich. Step 1: Lay Out Your Recipe for Success Your recipe should promise clarity, control, and a sense of certainty in an uncertain world. Step 2: Parade Yourself As Living Proof Don’t be shy about telling people how your life changed from implementing your now tried and tested formula. Step 3: Build Fail-Safe Principles Be flexible with your words so that in the face of pushback and criticism, you can use them as reinforcement rather than undermining your idea. Step 4: Establish Your Inner Circle Join (or build) a fortifed circle of mutual back-scratching allies to grow authority by association and encourage aspirational sycophancy in your readers who dream of one day belonging to it. Step 5: Drip Your Secret Sauce Create and nurture a mystical secret, which sustains in your reader the sense that there is still something graspable they haven’t quite embodied - reinforce this with testimonials from those who appear to get it Step 6: Nail Your Origin Story Your appeal hinges on your origin story, which should follow a hero’s journey arc that starts with you in the reader’s current position (facing a challenge, wishing for change, etc). Describe the moment when everything changed for you and how this epiphany led your life to transform into what it is now. Firmly suggest that reading your book might be that wake-up call for the reader’s own heroic journey towards the life they’ve dreamed of but never yet dared follow. Step 7: Use Confidence as Currency Speak with confidence even if you are full of doubt and fear. The human mind is suggestible; the projection of confidence creates the perception of confidence. If you believe in your idea, it doesn’t matter if it’s true or not; you know that it’s for the ultimate good of your reader to trust and follow you. Confidence is also what you are selling - people want to feel more of it, so if they see you wearing it, they will follow you. Step 8: Turn Your Beliefs into Facts Reinforce a picture of the world your readers want to believe in. Pick stories, metaphors, and research that move the frame of reality to one where your idea can be universally applied, and would be if all people were receptive to its power. Step 9: Present The Pen of Destiny Empower your readers to see reality primarily created by them as individuals. Emphasise the power of mindset, desire, and hard work, reinforcing the idea that taking personal responsibility for the quality of their life is what will bring the change they desire. Step 10: Expose The Inner Enemy Help your readers focus attention inwards to expose the biggest enemies of personal progress: fear,
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    1 h y 49 m
  • A Book For Sensitive Children (with Judith Orloff)
    Oct 7 2025
    In this episode of The Gentle Rebel Podcast , I speak with psychiatrist and author Dr Judith Orloff about her new book, The Highly Sensitive Rabbit . She wrote it to help sensitive children, their parents, and educators see sensitivity as a natural trait rather than a problem to be solved. She describes it as an invitation to reconnect with the sensitive inner child within each of us; the part that remembers how to play, imagine, and wonder. https://youtu.be/0Q7AJGKBbIg Rediscovering the Magic of Life Life can easily become overly serious, mundane, and disconnected from its natural magic. Judith’s story sets out to remind us to stay in touch with the loving, curious, and deep parts of ourselves. Creativity, she says, begins when we release our expectations and allow things to unfold. Writing a children’s book challenged her to express complex ideas in short sentences, paired with illustrations (by Katy Tanis) that speak directly to the heart. It’s a lovely example of trying new ways to communicate familiar truths. How would you explain your favourite ideas if you were talking to a five-year-old? Reading the Book to People Judith often read The Highly Sensitive Rabbit aloud in different settings to see how people responded. This wasn’t a formal research process, but a natural extension of her curiosity. It was a way to sense how the story landed with children and adults alike. What Do You Love to Do? At the heart of the book lies a simple question: What do you love to do? Through the character of Aurora, a gentle rabbit who prefers quiet and reflection to the boisterous games of her siblings, Judith highlights the importance of honouring individual needs. Aurora shows what it looks like to follow her own rhythm, even when others don’t understand. This is an invitation for sensitive children (and the adults guiding them) to trust intuition and stay close to what feels true, even when it seems different from the norm. Opening Up Conversation Instead of Judgement In one scene, Aurora’s mother worries about her spending too much time alone. Her siblings complain, “She cries all the time.” Their reactions mirror common misunderstandings about sensitivity. It’s easy to assume that solitude means loneliness, or that tears signal weakness. However, without genuine communication, we cannot determine whether someone’s withdrawal is a healthy choice, meeting a need, or responding through fear. Judith’s story reminds us to stay curious rather than judgmental; to ask, listen, and support instead of prescribing what “should” be. Supporting a sensitive child means helping them identify their needs, manage their emotions, and develop simple strategies to cope with overwhelm. Learning to Care for Yourself Judith offers suggestions for children (and adults) to manage big feelings and model healthy boundaries: Take a slow breath when you feel stressed. Step away before speaking when you’re upset. Try a short three-minute meditation: close your eyes, focus on something beautiful, and take a few deep breaths. These practices cultivate self-awareness early in life, enabling children to grow up knowing how to take care of themselves. The Bigger Vision The Highly Sensitive Rabbit expresses Judith’s wider mission to equip highly sensitive people with tools for thriving in an overstimulating world. When children learn early that their sensitivity is natural, they no longer need to define themselves by it later. It simply becomes part of who they are. Knowing You’re Highly Sensitive Is the First Step I asked Judith if there are plans for a sequel. It would be interesting to see Aurora explore her sensitivity through different experiences, applying it through friendships, challenging current events, and creativity. Many adults who discover their sensitivity have that same question: now what?
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    44 m
  • Do You Truly Accept and Understand Your Underlying Personality Traits?
    Jun 22 2018
    Many people wish they were different. They compare themselves with others and think that life would be better if only they had their traits, gifts, and confidence. They struggle to accept their nature, and in so doing fail to enjoy everything their uniqueness brings. “Don’t ask what the world needs. Ask what makes you come alive, and go do it. Because what the world needs is people who have come alive.” - Howard Thurman Think about it for a second. What the world needs is for you to conform to its own needs. It needs you to buy the stuff it says you need. It needs you to be predictable. What the world needs is for you to fit in and be like everyone else. In other words, it needs you to rely on the stuff it paints as important, and neglect the stuff that actually matters to you. Perhaps this is better described as what the world "wants". Because as Thurman says, what the world actually "needs" is people who have come alive. A world of people who have come alive is a world of love, creativity, and acceptance. It's a world where people live at peace with themselves, and in full acceptance of the aliveness of everyone else. Stop asking what the world wants from you. Forget trying to change in order to fit in better. Look at what brings you joy, and accept those parts of yourself. What brings you to a place of flow? Do those things and the wants, comparisons, envy, and unhealthy competitiveness will naturally drain away. In this episode of the podcast we look at these ideas in more depth. We examine the first of three disciplines that come from Stoic Philosophy, which is a great help to us as we think about how to thrive as introverts and sensitive types in the modern world. How can you accept who you are? We consider the Big 5 Personality Traits, and what they can teach us about how who we are is both fixed and flexible. By accepting what is fixed, we are able to develop our temperamental flexibility. I share why personality is like a bead on a rubber band. It's my hope that by the end of the episode you will see that you have more control over your personality than you might otherwise think.
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    34 m
  • Sustaining Your Creative Practice (with Steve Lawson)
    Sep 26 2025
    Is the audience more than a gaggle of consumers? What role do they play in the creative process of an artist? Should they, as Rick Rubin says, "come last"? Are they always right? Or is there a more nuanced and sustaining way to approach this question? In this episode of The Gentle Rebel, I explore this question with Steve Lawson. I bumped into Steve towards the end of the summer at Greenbelt Festival. We rapidly got deep in conversation about his recently completed PhD, A Study Towards a New Model for Subscriber Audience Involvement in Improvised Music. Steve’s approach to music-making and creative practice has always resonated with me. Over the past twenty-five years, he has carved out a living as a solo improvisational bass player, developing a thoughtful and sustainable model for art that resists the common assumptions that drive an obsession with numbers and scale. His thesis turns that lived experience into a lens for questioning many of the assumptions baked into how we think about creativity today. https://youtu.be/BB362bVySiI Notes from our conversation... The Audience Comes With What happens if we treat the audience as part of the story that shapes and sustains our practice? A way of looking at the influential relationship between artist and audience is to create spaces where the rationale (the philosophical approach) can be presented, and work can emerge as part of a conversation with the audience. For Steve, listening to how people (who respect your work) engage with it, whether “that reminds me of…” or “my Dad just died and all I can listen to is you,” becomes so much more meaningful than having a reviewer who doesn’t know what you are doing or why, and place it in a pile of other CDs. What matters is how people relate it to their lives, and what it means to them. Creating spaces for this dialogue became central: a mailing list, website forum, Twitter, and eventually a subscription model through Bandcamp. Non-Algorithmically Defined Community Spaces This meant integrating community with the economic rationale for making music. The audience emotionally sustains the music and financially supports its creation, along with the maintenance of the space where both artist and audience belong as equals. When the audience has already paid for the music before it is made, there is no need to rationalise it with hype or spectacle. Instead, it connects with people who already share the philosophical approach. This is a form of patronage, supporting the artist because of how they create, not only what they make. Scenius (Brian Eno) Genius is not an individual trait but the manifestation of the collective intelligence of a scene. Famous names are simply the visible tip of a larger iceberg, as with Russian painters in the early twentieth century. Reception Theory (Stuart Hall) Audiences actively interpret media texts by encoding and decoding. They may align with the intended meaning (dominant reading), reject it (oppositional reading), or negotiate it. Instrumental music does not encode meaning in a concrete way. Its sense of meaning emerges cumulatively, with artist and audience encoding together. Decoding and recoding become a collective process, shaped by new work and ongoing observations. The Space of the Talkaboutable (David Darke) Great works expand the “space of the talkaboutable,” an invitation to discuss ideas and broaden horizons. While Darke sees this as arriving around the work, Steve sees the space as built first (through mailing lists, forums, Twitter, Bandcamp), with the work then released into it. Meaning is collectively encoded, decoded, and recoded in this shared space. “The Audience Comes Last” The PhD began with the desire to make better music. What became clear was how much the audience contributes to the process, and what happens when that is denied. Rubin’s statement that the audience should be ignored overlooks the wisdom, care,
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    1 h y 24 m
  • Hypervigilance and High Sensitivity (The HSP Owner’s Guide)
    Sep 20 2025
    In this week’s episode of The Gentle Rebel Podcast, we look at the relationship between sensory processing sensitivity and hypervigilance. As we finish our journey through the first HSP Owner’s Guide , we turn our attention to hypervigilance. that feeling of being permanently “switched on,” unable to stop scanning for danger, even when we’re safe. For highly sensitive people, vigilance is a natural part of sensory processing sensitivity. It helps us read the room, pick up subtle cues, and stay attuned to what is happening beneath the surface. But when vigilance tips into hypervigilance, it can leave us in a state of chronic over-arousal, disconnection, and exhaustion. In the episode, we explore why hypervigilance is such a common experience for HSPs, how it shows up in everyday life, and ways we might support our nervous systems in returning to a sense of safety and connection. I examine hypervigilance within a social and cultural context for HSPs, rather than from a clinical or individual psychological perspective. https://youtu.be/RCvrgSJH73I Vigilance vs. Hypervigilance Vigilance is an intrinsic feature of sensory intelligence. It anchors us in the awareness to notice and predict useful information to help us survive and thrive together. Hypervigilance is what happens when vigilance overspills, and we get stuck in a state of alertness with limited capability to move our nervous system into a state of connection. This can have roots in early life (especially for HSPs who are more impacted by their formative environments). But it can also develop over time because of the pressures and rhythms of the modern world, with constant notifications, cultural glorification of busyness, and a never-ending expectation to perform and prove our worth. Possible Signs of Hypervigilance Hypervigilance is not always dramatic. Often it shows up quietly and gradually, for example you might notice: Feeling flat or detached, as if life is happening behind glass Difficulty taking action, even on small plans Unusual tearfulness Brain fog and trouble focusing Ruminating thoughts on repeat Disrupted sleep cycles Anxiety or panic attacks seemingly “out of nowhere” Harsh self-criticism or low self-esteem If these feel familiar, they may be signs that your nervous system has been in “stay safe” mode for a long time. Why Hypervigilance Happens Hypervigilance is the nervous system’s over-lean into the message, “stay safe by staying alert.” This is obviously appropriate in certain contexts, but when we carry this story everywhere, it takes its toll and can be a difficult pattern to get out of. Some common contributing factors include: Early Environments: Growing up in conflict or unpredictability can train the nervous system to always be on guard, especially in volatile environments where safety could be torn away at a moment's notice. Past Experiences: The nervous system may overlearn from painful experiences, remaining alert to avoid “ever letting that happen again.” Cultural Pressures: Hustle culture, social media outrage cycles, and global crises all create a background hum of threat. Worldview and Meaning-Making: Certain belief systems (political, religious, ideological) can divide the world into “us vs. them,” keeping us in a state of perpetual alertness to nefarious outside actors. Physiological Factors: Poor sleep, hormone shifts, or nutritional deficiencies can lower our threshold for perceiving danger. These are rarely isolated and often overlap in ways that reinforce one another. Meeting Hypervigilance with Creative Gentleness A helpful (though, not easy) way to meet everyday hypervigilance is to slow things down. Not necessarily by stopping altogether, but by letting engagement become gentler and more deliberate. Rather than rushing to solve, fix, or control,
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    32 m
  • As a Man Thinketh (A History of Self-Help)
    Sep 6 2025
    I had not heard of James Allen before I started exploring this history of self-help. I saw references to his book, “ As a Man Thinketh ”, which was frequently cited as an influential text around the power of thought on manifesting circumstances. With our “It’s the thought that counts” theme in The Haven this month, my curiosity took me into a James Allen rabbit hole. I read three of his books: From Poverty to Power (his first), The Divine Companion (his last), and As a Man Thinketh (his most famous). I wanted to try getting a sense of where he was coming from in his philosophical worldview. He published around twenty books, all written within an eleven-year period, before he died in 1912 at just 47 years old. I do wonder how his ideas would have evolved if he had lived longer. In this episode of The Gentle Rebel Podcast , I share my response to As a Man Thinketh. I reflect on Allen’s ideas and their implications for the way we think about ourselves, one another, and the nature of reality. https://youtu.be/tVtG-Ahrkgw Why Am I Doing This Project? You may be wondering why I'm exploring self-help...Good question. I'm not completely sure. But I think it's because I’ve felt an intuitive nudge to explore this world and its function in culture. I don't know where it will take me (I have no overriding purpose or vision with it - sorry James!), or what I will find, but I have a sense that there are interesting things to discover by examining, not just the content that is common in the self-help genre, but the role the field plays in how we understand and judge ourselves, others, and the horizons of possibility for the world. As I find in this book, there are some interesting insights and invitations to explore. But it also carries the potential to be understood, embodied, and applied in dangerous and harmful ways, especially when Allen’s metaphors are mistaken for literal truths. This is where his philosophy, which initially sounds positive and empowering, becomes reductive and destructive when we examine its logical implications. It demonstrates rhetorical tricks that are echoed in modern-day personal development literature, such as metaphorical literalism. This is where poetic imagery and aphorisms are employed to support and prove otherwise baseless philosophies. How James Allen Described As a Man Thinketh As a Man Thinketh is intentionally short. Allen described it as a pocket book with teaching that all can easily grasp and follow. He said it shows how, in their own thought-world, each human holds the key to every condition, good or bad, that enters into our life. By working patiently and intelligently upon our thoughts, we may remake our life and transform our circumstances. The question I keep coming back to throughout this exploration is, does he mean this as a description or a prescription? And what difference does this make to our reading, interpretation, and application of these ideas? As a Man Thinketh - Notes Thought and Character “A man is literally what he thinks, his character being the complete sum of all his thoughts." A person is the product of thought alone. The mantra “change your thoughts, change your life” is still repeated as if it were a scientific law rather than a metaphor. The Effect of Thought on Circumstances “Every man is where he is by the law of his being. The thoughts which he has built into his character have brought him there, and in the arrangement of his life there is no element of chance.” Prosperity and poverty, joy and suffering, always mirror the state of an individual’s mind. The Effect of Thought on Health and Body "The body is the servant of the mind. It obeys the operations of the mind, whether they be deliberately chosen or automatically expressed." Thought is the source of health and sickness. Thought and Purpose
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    1 h y 4 m
  • Overstimulation and High Sensitivity (The HSP Owner’s Guide)
    Aug 22 2025
    This post elaborates on the ‘overstimulation’ section of The HSP Owner’s Guide. In this week's episode of The Gentle Rebel Podcast, we look at the relationship between sensory processing sensitivity and overstimulation. Overstimulation is a term we often hear when people talk about high sensitivity. It's the second word in the DOES acronym after Deep Processing and before Emotional Responsiveness or Empathy, and Sensing Subtleties as a description of core characteristics of the trait. But what do we actually mean by overstimulated? What does it look like? And is there anything we can do about it other than avoiding stimulating environments and situations? At the get-go, I want to answer that question with a resounding yes. We don’t have to write ourselves out of the situations, environments, and experiences that really matter to us. We have the capacity to build sustainable approaches to this stuff. https://youtu.be/qy8XxQe7_iU Responsiveness and Stimulation Because highly sensitive people are all different, it’s important to remember that sensitivity isn’t who we are. It’s more like the rails our nervous system runs on. It is often described as a spectrum of sensory responsiveness. Those on the high end take in a huge amount of sensory data and process it deeply. Those on the low end take in less, and most people are somewhere in the middle. As a species, we have evolved and benefit from individuals existing along this continuum. Environmental Sensitivity researchers describe this variation through the concept of differential susceptibility. Some individuals are more profoundly influenced by their environment, for better or worse. It’s not about weakness or fragility. It’s about responsiveness and depth of processing. Studies show that highly sensitive individuals flourish in supportive settings but face greater challenges in chaotic ones. I like to visualise this difference using microphones. A sensitive condenser mic is uniquely effective in quiet, controlled spaces. It picks up every subtle detail. But in a loud environment, it can get overwhelmed by noise. A dynamic mic has a narrower field of responsiveness and can work in almost any environment because it picks up less background noise. Both are useful, but for different purposes. This helps us remember that high sensitivity isn’t a flaw or superpower, it’s just a variation in human temperament, useful in some contexts and less so in others. What Overstimulation Looks Like Overstimulation can look different from individual to individual. It is caused by an overload of the nervous system with environmental, emotional, social, or cognitive information. It's not always evident to others when a highly sensitive person is overstimulated. Despite appearing calm or composed, HSPs may be grappling with intense physical discomfort or emotional distress due to nervous system overload. Rising levels of stress hormones such as adrenaline, noradrenaline, and cortisol exacerbate this heightened sensitivity, leading to strong reactions to excitement, tension, temperature changes, or sensory stimuli in the environment. What looks like calmness in a person might be a kind of shutting down. This happens to me when I've had too much stimulation - I can look really chilled out, but in actual fact I'm unable to function properly. You might experience: Physical symptoms of overstimulation Lightheadedness or dizziness Internal tremors (feeling shaky inside without visible shaking) Heart palpitations or irregular heartbeat sensations Nausea or digestive discomfort Temperature sensitivity Cognitive effects of overstimulation Difficulty concentrating or focusing on tasks Short-term memory lapses Mental fog or feeling disconnected from surroundings Racing thoughts Emotional responses Irritability disproportionate to the situation Sudden emotional surges, such as tears or outbursts of frustration
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    42 m
  • Exploring the History of Self-Help and the Rise of a Global Industry
    Aug 15 2025
    I’m starting a project exploring the history of self-help; where the ideas came from, how they’ve changed over time, and what they mean for us today. This episode of The Gentle Rebel Podcast is my chance to set some intentions, explain why I feel drawn to do this, and share how you can get involved if you want to join me for the ride. I’m not starting this project with the end in mind. Sorry, Stephen Covey, but I’m rebelling against the second habit of highly effective people. I honestly don’t know how this will look or where it will take me. I’m just intrigued to dig into the backstory of personal development and positive thinking, and explore how it became an industry worth an estimated around $40 billion in 2024, projected to more than double by 2033. Self-help shapes how millions of us think about ourselves, our relationships, our struggles, and our potential. I want to look at where it came from, how it works, and what it’s doing to us now. https://youtu.be/GMowyoc4TeA This isn’t about belittling self-help I want to approach this with a curious and critical open mind, not a cynical one. I’ve personally gained insight, tools, and practices from authors in the personal development space. So, I have experienced the value of resources and authors under the broad self-help umbrella. But I do have some questions. One in particular that has long been on my mind...with the ideas in self-help are as widely adopted as they are, why haven’t they “worked” in the big-picture sense? Why now feels like a good moment to examine the rise of self-help We’re living in a strange mix of economic precarity, post-pandemic disorientation, the maturing of influencer culture, and now AI churning out self-help style advice at industrial speed. If self-help reflects and responds to the anxieties of its time, then this moment feels like a perfect point to ask whether it might be contributing to those same anxieties it claims to ease. The quote that caught my attention About 12 years ago, I read The Antidote: Happiness for People Who Can’t Stand Positive Thinking by Oliver Burkeman. One idea in it has stuck with me ever since: “Perhaps you don’t need telling that self-help books… rarely much help. This is why some self-help publishers refer to the ‘eighteen-month rule’, which states that the person most likely to purchase any given self-help book is someone who, within the previous eighteen months, purchased a self-help book—one that evidently didn’t solve all their problems.” I was a big reader of personal development books at the time, especially those that spoke to building online businesses around creativity. They gave me a sense of forward momentum and excitement about future possibilities, but I could also feel myself on a treadmill. Old dissatisfaction was replaced with new. That quote made me wonder if the self-help industry insists on not solving our problems. Which makes sense when you think about it...why would a market secure its own demise? It needs to keep inventing new problems to solve. Otherwise it collapses. The 18-month rule and endless repackaging Some people enjoy the sense of growth that comes from reading a new book, and there’s nothing wrong with that. But from my experience, a lot of them say the same thing in different clothing. Different anecdotes. Different metaphors. Same structure. So why do we keep reading? And why does the market keep producing more? The Mel Robbins example Earlier this year, I looked into whether Mel Robbins had plagiarised a poem by Cassie Phillips and made up the story that inspired her book The Let Them Theory. I bought and read the book as part of my research. It’s not my usual reading choice, and I hadn’t read a new personal development book in years. Two things struck me: The writing felt more like marketing copy than the wor...
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    20 m