At the intersection of Carl Barks and Akira Kurosawa, you’ll find Usagi Yojimbo, a longrunning indie comic about a rabbit ronin in 17th-century Japan. Creator Stan Sakai deftly balances somber meditations on honor and often surprising violence with funny animals and gentle humor, drawing on influences ranging from extensive historical research into traditional swordmaking techniques to Audrey Hepburn movies caught on afternoon TV. We dive into a big chunk of this series (already in progress, as it turns out) and discuss how despite its very specific cultural milieu, the universal themes and plots found in the stories (and the appealing nature of the art) makes this comic instantly accessible.

In this episode, we get two epic storylines back to back. First, in “Dead Heat,” the Lightning Brigade faces the evil Savitar, who treats superspeed like a religion and has an army of ninjas to back him up. Next, “Race Against Time” finds Wally West lost in the future while a new Flash protects Keystone City (and makes time with Linda Park). But we’re less enthused about these stories than earlier highlights like “The Return of Barry Allen” and “Terminal Velocity.” Was writer Mark Waid starting to be stretched a little too thin as he ascended to the ranks of industry superstar, or are your humble hosts just running out of gas? Or maybe there’s just something funny about this Savitar guy…

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What if every superhero and pulp fiction universe was condensed down into one universe, which was also the Wildstorm Universe? The Planetary team uncovers the secret history of their world and, in the process, performs a metatextual analysis on genre comics. But to what end? With one fan of the series and one hater on board, we debate whether Planetary restores a sense of wonder to superheroes and has anything insightful to say about them, or whether it’s just more guys with powers vying for control of the universe while making snarky comments to each other. We’ll also gush over John Cassaday and Laura Martin’s art, discuss the difference between pastiche and archetypes, and consider how the comics industry evolved over the course of the series’ highly delayed run.

This episode was recorded before John Cassaday’s passing. A brief introduction at the top of the show, recorded more recently, contextualizes how we ultimately decided to release this episode.

This episode also discusses allegations about Warren Ellis and the question of whether to revisit his work at all surrounding those allegations. For more information, we recommend reading SoManyOfUs.com.