]

Editor's note: The person Jessica refers to as "H.M." in the episode is "M.W." in the article.

Read the article here: https://doi.org/10.1093/jahist/jaae267

Music: King Oliver's Creole Jazz Band's Mabel's Dream, 1923

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In this episode of the Journal of American History Podcast, Andrew Cooper speaks with Natasha Zaretsky about her article, "The War on Fatigue: Women, Work, and Energy in the 1980s," which appeared in the December 2024 issue of the Journal of American History. Natasha shows how, during the 1980s, the United States transitioned to a dual-earner economy in which most mothers of young children worked for wages outside the home. Faced with the challenge of balancing wage labor and family responsibilities, working mothers were told that they needed to conserve, manage, and invest their physical and psychic energies wisely. Throughout the decade, employers, advertisers, physicians, psychologists, and fitness and diet gurus waged war on women’s fatigue. Natasha examines this campaign and explains how it updated American ideals of self-improvement and repurposed them to portray individual energy management as the solution to the challenges posed by working motherhood in 1980s America. In this episode, Andrew and Natasha discuss energy, gender, race, and the broader social implications of energy and feminism in the 1980s United States.

Read the article here: https://doi.org/10.1093/jahist/jaae183

Music: King Oliver's Creole Jazz Band's Mabel's Dream, 1923

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In this episode of the Journal of American History Podcast Andrew Cooper speaks with Tracey Deutsch about her article, "The Vigorous Approach to Cooking: Julia Child, Domesticity, and Gendered Labor at Midcentury," which appeared in the December 2024 issue of the Journal of American History. Tracey shows how Julia Child reframed laborious, elaborate cooking as a middle- and even upper-class activity. Rather than inward-focused family dinners overseen by thoughtful wives and mothers, these meals were outward facing—ways to welcome other couples, and new ideas, into one’s home. For Child and growing numbers of home chefs, cooking came to be understood as so important that it lay outside women’s realm, and hence outside the realm of work at all. Andrew and Tracey discuss archives, Julia Child, race, and the broader social implications of changing perceptions of food and cooking.

Read the article here: https://doi.org/10.1093jahist/jaae182

Music: King Oliver's Creole Jazz Band's Mabel's Dream, 1923

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How do you submit an article? What does peer review look like? Why might the JAH accept or reject a piece? What happens after your article has been submitted? In this episode of the Journal of American History Podcast Marina Mecham speaks with Executive Editor Stephen Andrews and Production Editor Andrew Cooper to take you behind the scenes of the submission process at the journal. They walk through the entire process from submission to publication. Marina also asks Steve and Andrew questions about article publication sent to us from graduate students. Whether you're considering submitting an article to the JAH or just curious about the publication process, then this episode is for you!

Music: King Oliver's Creole Jazz Band's Mabel's Dream, 1923

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In this episode of the Journal of American History Podcast Andrew Cooper speaks with Lara Vapnek about her article, "The Labor of Infant Feeding: Wet-Nursing at the Nursery and Child's Hospital, 1854–1910," which appeared in the June 2022 issue of the Journal of American History. Lara explains how the labor of infant feeding shaped the meaning of motherhood by examining the practice of wet-nursing at the Nursery and Child’s Hospital (1854–1910) in New York City. Elite women who volunteered as hospital managers positioned themselves as moral mothers, detached from the bodily labor of breast feeding and responsible for the welfare of poor white mothers and children. The impoverished immigrant women served by the institution had little choice but to work as wet nurses. Institutional records reveal the dependence of elite women on wet nurses, the precarity of poor women’s motherhood, and the vulnerability of their infants. Andrew and Lara discuss wet nursing as an issue of labor, race, and class in the northeastern United States, and the affective implications of violent work.

Read the article here: https://doi.org/10.1093/jahist/jaac119

Music: King Oliver's Creole Jazz Band's Mabel's Dream, 1923

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Over the past two decades, scholars have begun to document the centrality of sexual assault in the U.S. political landscape. There has been significant research on how sexual assault (and anti-rape activism) shaped the long civil rights movement, military occupations, and the dynamics of modern feminism. However, scholars are only recently considering how the politics surrounding sexual assault have defined major state institutions, i.e., the military and the prison system. Likewise, stories of anti-rape activism and community organizing are often overshadowed by narratives that emphasize courtroom dramas and legal proceedings. In this episode, , Ruth Lawlor, R.M. Douglas, Catherine Jacquet, and Jana Lipman demonstrate the necessity of incorporating sexual assault, and activists’ resistance to it, in our understanding of 20th century institutions.

Read more about the session here: https://www.oah.org/conferences/oah24/sessions__trashed/session/?id=5218

Music: King Oliver's Creole Jazz Band's Mabel's Dream, 1923

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This special panel debrief edition of the Journal of American History Podcast features a conversation on "Neither the One nor the Other: The Native South in a Black and White World after 1900," held at the 2024 OAH Conference on American History.

In this episode, Angela P. Hudson, Denise E. Bates, Dixie Ray Haggard, Robert Caldwell, and Daniel Usner unpack their panel session, which examined how, after 1900, numerous state- or federally-acknowledged, unrecognized, or transplanted Native American groups remained the South despite the efforts of the federal and state governments to remove them in the past. Most non-Natives chose to disregard these indigenous people. Non-Natives justified their position by claiming “true” southern Natives were extinct or removed. Panelists explore the the persistence of Native communities in the South and their resistance to the marginalization and injustice imposed on them by Jim Crow segregation in this conversation.

This panel was endorsed by the OAH Committee on the Status of ALANA Historians, ALANA Histories, and the Agricultural History Society.

Read more about the session here: https://www.oah.org/conferences/oah24/sessions__trashed/session/?id=5273

Music: King Oliver's Creole Jazz Band's Mabel's Dream, 1923

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This special panel debrief edition of the Journal of American History Podcast features a conversation on "Getting the Story Straight: Queering Regional Identities," held at the 2024 OAH Conference on American History.

In this episode, La Shonda Mims and Wesley Phelps have a conversation with Marina about the importance of regionality in histories of queerness and HIV/AIDS, and how the dearth of attention to areas of the United States beyond east coast cities incorrectly homogenizes and erases queer experiences. This conversation came from Mims's and Phelps's panel session, which locates queerness in regions typically depicted as bastions of straightness. Together, they argue that queerness not only occurs everywhere, but has lasting implications that emanate outward to the national scale. Phelps’s paper interrogates the depiction of AIDS activist Ron Woodroof in the film Dallas Buyers Club and argues that the movie’s historical inaccuracies reveal an attempt to straight-wash what should be a queer narrative of regional identity. Katie Batza was unable to join the conversation, but their work is still present in this conversation. Batza’s paper queers the heartland region by examining the radical potential of religious institutions, which are often associated with the region’s straightness and political conservatism.

Read more about the session here: https://www.oah.org/conferences/oah24/sessions/session/?id=5395

Music: King Oliver's Creole Jazz Band's Mabel's Dream, 1923

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