Episodios

  • 9: Ep 009 - Where We Are Today : Lessons from 'Judgement at Nuremberg'

    9: Ep 009 - Where We Are Today : Lessons from 'Judgement at Nuremberg'
    Jul 26 2024
    Relentless wars, famine, extreme weather events, falling bridges and surprising election results in major democracies.

    Are we seeing the emergence of a new world order?
    Is there any difference in the way we were and the way we are?
    Do we truly learn from the past?

    The 1961 Academy Award-winning film, 'Judgment at Nuremberg' is not just about the aftermath of the Holocaust but the reasons for a total loss of empathy; a cautionary tale for all democracies. And the harm propaganda can unleash upon millions of lives.
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    9 m
  • 8: Ep 008 - From Benegal to Payal Kapadia: India's Big Cannes Moment

    8: Ep 008 - From Benegal to Payal Kapadia: India's Big Cannes Moment
    Jun 21 2024
    This year history was made when filmmaker Payal Kapadia became the first person from India to clinch the prestigious Grand Prix at the 77th Cannes Film Festival. In 1946, Neecha Nagar by Chetan Anand, had also shared top honours at the first Cannes Film Festival and pioneered social realism in Indian cinema.

    From what we know, Payal's film also furthers this engagement with lived realities of the unseen and the unheard. Cannes this year also screened a gloriously restored 1976 Shyam Benegal classic 'Manthan', reminding us once again just how intentional and socially responsible our cinema used to be.
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    10 m
  • 7: Ep 007 - How Kiran Rao rewrote women in Hindi cinema

    7: Ep 007 - How Kiran Rao rewrote women in Hindi cinema
    May 24 2024
    Laapataa Ladies' title is perhaps indicative of the absence of women in male-centric mainstream entertainment. Of women who are not just decorative, pliant, seductive or suffering endlessly to justify their prominence in a narrative. If you want to see how differently men and women portray female characters , watch Imtiaz Ali's 'She' and Maria Schrader's 'She Said.' The woman in 'She' is a manipulated, sexualised, brutalised being who finds her power in seduction and 'She Said' is the real story of two mothers/journalists who together ended Harvey Weinstein's reign of horror and abuse.

    'Laapataa Ladies' is also path breaking in its intention to portray 'ordinary' women as heroic. They don't have to go through great degradation, oppression and pain in order to qualify for greatness. They are not sacrificial mothers, avenging angels, preoccupied with men or children. Feminism here is articulated by women as the freedom to be who they truly are. Unlike Bhansali's cinema where feminine suffering is endlessly glorified.
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    11 m
  • 6: Ep 006 - The Child Stars Who Forgot to Twinkle

    6: Ep 006 - The Child Stars Who Forgot to Twinkle
    Jan 5 2024
    Deepa Bhatia's insightful Amazon Prime series 'First Act' is not an easy watch, especially if you are a parent. But it lays bare before you just how twisted the pursuit of fame can be and how cruel it is to children who are denied the simple luxury of childhood and the joy of playing with blocks without being interrupted.
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    11 m
  • 5: Ep 005 - How SRK Conquered More Than the Box Office in 2023

    5: Ep 005 - How SRK Conquered More Than the Box Office in 2023
    Dec 14 2023
    2023 was the year of SRK. He started it with 'Pathaan', and followed it up in September with 'Jawaan', both members of the 1000 crore club. With his third film 'Dunki', set for release on December 21st, he may just put a massive bow on what promises to be his most successful year in show business. 

    At the age of 58, he has reinvented himself as an action hero who, unlike 'Animal's' heedless killing machine, has a larger purpose. To save the idea of India perhaps? Or remind us that we are more than our differences? 

    On this episode of 'The Way We Were', host Reema Moudgil explores King Khan's real superpower - bringing people together like no one else can.
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    20 m
  • 4: Ep 004 - Is Bollywood dead?

    4: Ep 004 - Is Bollywood dead?
    Dec 12 2022
    Is Bollywood dead? 
    Those asking this question should also ask if India as we knew it, is alive? 
    As a film-loving audience, are we willing to sit in the same space, together, and laugh at and cry for the same things? 
    Are our villains and heroes the same?
    Is our idea of good and evil composite or fragmented? 

    Cinema is primarily about reflecting who we are and the times we live in and if it no longer brings us joy, let's also ask ourselves why India ranks 136th in the World Happiness Report 2022.
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    19 m
  • 3: Ep 003 - The Futility of #MeToo

    3: Ep 003 - The Futility of #MeToo
    Nov 1 2022
    As  Sajid Khan's participation in Bigg Boss kicks up some dust , writer Reema Moudgil argues that the rehabilitation of men who were called out during the short-lived #MeToo movement began a long time ago.  

    Because really, when has male privilege not been protected in the industry?
    We can't really pretend to be shocked that what Sajid Khan allegedly did to nine women is slowly but surely being erased from our memories on Big Boss. 
    What Sajid Khan and even we have displayed  is learnt behaviour.

    We have learnt that  God men, politicians and their sons and anyone with even a smidgen of power can treat women like commodities and get away with it.
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    16 m
  • 2: Ep 002 - Amitabh Bachchan turns 80

    2: Ep 002 - Amitabh Bachchan turns 80
    Oct 21 2022
    As Amitabh Bachchan turns 80, writer Reema Moudgil looks back at the reasons that made him more than just an actor.  He was our rage and conflict and angst and sublimation, our pride and joy. On the shoulders of characters primarily created by Salim-Javed and Kadar Khan, Amitabh Bachchan stood tall to become the “lambu,” the country came to look up to and love unreasonably, selflessly. 
    But did he ever realize what he meant to us? 
    Was he ever anything more than just a really good actor who always obeys the director? And never goes against the script?
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    20 m