First held in 1864, the Dublin Horse Show is a celebration of Ireland's affinity with the horse. From the best show horses to the best international show jumpers, it is one of Ireland's largest events, welcoming tens of thousands of people each year from Ireland and across the globe.

In Straight from the Horse’s Mouth: A Short History of the Dublin Horse Show, join RDS Foundation Director Niamh De Loughry and RDS Head of Library & Archives as they explore the rich history of this unique Dublin institution.

Episode from the Library Speaker Series

Lieutenant General Seán Clancy, Chief of Staff of the Irish Defence Forces, presents a history of Óglaigh na hÉireann to commemorate and reflect on their one hundred years of service to the Irish State since the foundation of the National Army in 1922. He tells the fascinating story of their evolving role - from key safeguard of early Irish democracy following the Irish Civil War, to their renewed purpose as peacekeepers with the United Nations beginning in Lebanon in 1958, through the violent years of the Troubles in Northern Ireland and the shifting national and international dynamics of the late 20th century. Looking forward, he describes the challenges of a changing and uncertain geopolitical landscape: war in Europe, concerns over energy and food security as well as new threats from disinformation, cyber-crime, state-sponsored terrorism and the subversion of democracy. He concludes by introducing a new documentary on the Defence Forces: In the Service of the State, Óglaigh na hÉireann 1922-2022.

Episode from the Library Speaker Series

Recorded in the RDS Library as part of The Dublin Book Festival 2022, journalist, author, and broadcaster David McCullough interviews historian Michael B. Barry and photographer and colourist John O’Byrne, authors of The Irish Civil War in Colour. Barry and O’Byrne’s book brings one of the most defining events in Irish history to life for the first time in painstakingly hand-coloured photographs, many of which originated in private collections and archives and as such have never been available in the public sphere. McCullough investigates how Barry and O’Byrne conceived the book, with Barry explaining his criteria for selecting and captioning photographs so as to form a cohesive narrative of the conflict, while O’Byrne demonstrates his fascinating method for colourising black and white photographs, which he developed over a period of ten years, as well as arguing against criticisms that his work is a form of, as McCullough puts it, ‘historical vandalism’.