In the 1960s and 1970s, the Memphis sound was everywhere: Sam and Dave, Otis Redding, Carla Thomas, Isaac Hayes — the list goes on. Not only did the Memphis sound (a.k.a. Memphis soul) bring an amazing range of musical talent to the world, it also shined a light on the unsung city of Memphis, Tennessee and on a remarkable record company called Stax Records. In her expansive HBO docuseries “STAX: Soulsville, U.S.A.”, director Jamila Wignot (“Ailey”) goes inside the recording studio and widens her lens to look at the deep cultural impact that the musicians and executives of Stax had on American culture.

Joining Ken on the pod, Jamila discusses what drew her into this epic, constantly surprising story of a small record label that grew to be one of the centers of the music world — only to see the entire enterprise come to a tragic end. How did Stax records become a magnet for Black musicians and producers and a beacon for experimentation and improvisation in popular music? In what ways did Stax, with its interracial musical acts, break down racial barriers, while, at the same time, fall short in confronting the issue of race in the South? And what made the 1972 Wattstax concert in Los Angeles, with over 100,000 mostly Black fans, the “most badass thing” you can imagine? This docuseries is stacked with one fascinating, enlightening story after another.

“STAX: Soulsville, U.S.A.” is streaming on max.

Follow:

@jamilaw on Instagram

@topdocspod on Instagram and twitter/X

Hidden Gem:

“Pumping Iron”

The Presenting Sponsor of "Top Docs" is Netflix.

In the early 1990s, a serial killer stalked his victims not by slipping into houses under cover of darkness or by abducting victims from isolated highway rest stops, but rather by haunting crowded, lively gay bars in Manhattan–he even interacted with others in these bars, sometimes the very friends of his victims.

What makes “Last Call: When a Serial Killer Stalked Queer New York” so compelling is the way director Anthony Caronna and executive producer Howard Gertler bring to bear a chronicling of gay life in the city at that time–with both its joys and its terrors during an era of widespread crime against queer New Yorkers–to explain how the killer managed to get away with his crimes for so long. And on the way they pay both great respect to the full, complicated lives of those who were lost, as well as those they left behind.

You can watch “Last Call: When a Serial Killer Stalked Queer New York” on Max.

Follow:

@hgertler on Instagram and

@auntyanthony on Instagram and @AnthonyCaronna on twitter/X

@topdocspod on Instagram and twitter/X

Hidden Gems:

Licensed to Kill

Split Screen

Sir David Attenborough’s still got it. As he proves in Netflix’s extraordinary nature series “Our Planet II”, the 98-year-old legendary British biologist, natural historian, narrator, and writer remains one of the documentary world’s great talents.

Joining Mike and Ken on the pod, “Our Planet II" Series Producer Huw Cordey discusses the ins-and-outs of collaborating with narrator Sir David and the tremendous challenges of this mind-blowing nature series. Picking up where Our Planet left off, the sequel explores how and why a vast array of species embark on their annual migratory journeys. Along the way, Huw describes how all the key creative elements, from the extraordinary cinematography to the finely-honed scripts, come together to make stars of these remarkable creatures, great and small. They are the real legends of this story.

“Our Planet II” is streaming on Netflix.

Follow:

@huwcordey on Instagram

@topdocspod on Instagram and twitter/X

Hidden Gem:

“Big Oil v the World”