This week is a little different, fellow listeners. Jake, Troy, Jan, and good ol’ Producer Paul are taking a look at the first unofficial Joker movie. A film so outrageous that a certain movie studio tried to have it erased from existence. A film that dares to redefine that Batman mythos as an absurdist queer coming-of-age film where Batman and Lorne Michaels are the most evil people on the planet. That’s right, the boys are sitting down to check out Vera Drew’s The People’s Joker.

Riddle me this, fellow listeners: why are Jake, Troy, Jan, and good ol’ Producer Paul talking about 2022’s The Batman, even though it’s a Riddler movie? Well, I guess the “Saltburn” guy shows up as a herpes-afflicted Joker at the end, so this technically counts. And boy, do our heroes have a lot to say about this modern classic (according to zoomers). Unlike Christopher Nolan, who set The Dark Knight Trilogy in a darker, heightened reality, Matt Reeves boldly reinvents the Batman mythos, by setting it in a darker, heightened reality…inspired by “Se7en.” And he really cranks up that darkness. You can barely see what’s happening! Strap into your Bat-squirrel suit folks, this going to be a crazy episode. The takes are coming in hot!

What do you get when you cross four mentally ill podcasters with a society that abandons them and treats them like trash? I’ll tell you what you get. You get a f-ing 2 hour episode about Todd Phillips' 2019 film, Joker. That’s right, fellow listeners. Jake, Troy, Jan, and good ol’ Producer Paul are talking about the cinematic con job - I mean, the masterpiece - that won the hearts and minds of the Venice Film Festival, The Academy, sweaty man children, and incels. Joaquin Phoenix gives an Oscar-winning performance as Arthur Fleck, a down and out “comedian” whose misfortunes turn him into the clown prince of crime we all know and love (?). This time, the Joker is plotting his greatest trick yet: crawling into a refrigerator. Is there anything to this film? Is it about the socio-economic forces that impact the mentally ill? Is it a call for compassion for those less fortunate? Is it a cynical cash grab using the iconography of Joker and early Martin Scorsese films to trick audiences into thinking they’re watching art because comedy is canceled? The boys are here to find out!