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Lord Byron's satirical take on the legend of Don Juan is a moving and witty poem that sees the young hero in a reversal of roles. Juan sheds his image as a womanizer and instead becomes the victim of circumstance as he is relentlessly pursued by every woman he meets. Comprising 17 cantos of rhyming iambic pentameter, the poem is a crisp and accessible meditation on the madness of the world.

Este audiolibro está basado en el texto fijado a partir del examen de todas las ediciones significativas, antiguas y modernas, y con la aplicación de los métodos filológicos más rigurosos. Es una versión dramatizada de la obra, de forma que cada personaje tiene su voz. Han intervenido 27 actores entre los que están Israel Elejalde en el papel de Narrador, Pedro Casablanc, como Don Quijote, Pepe Viyuela como Sancho Panza y Víctor Clavijo con el Cura.

Conoce las historias que los padres contaban a sus hijos en el siglo XIV en España. El conde Lucanor es un libro de cuentos escrito por don Juan Manuel, sobrino del rey Alfonso X. Todos los cuentos tienen la misma estructura: el joven Lucanor le pide consejo a Patronio, su consejero, sobre algo que le preocupa. Para ayudarlo, Patronio le cuenta un cuento como ejemplo. Estos cuentos están basados en relatos populares, ya conocidos en muchos países, que los padres contaban a sus hijos porque, en aquella época, casi nadie sabía leer ni escribir.

El conde Lucanor is a collection of stories written by Don Juan Manuel, the nephew of King Alfonso X. All the stories have the same structure: young Lucanor asks Patronio, his advisor, for advice about something that worries him and to help him, Patronio tells him a story as an example. These works are based on popular stories, already known in many countries, that parents have verbally told their children, because at that time, almost no one knew how to read or write.

Conoce las historias que los padres contaban a sus hijos en el siglo XIV en España. El conde Lucanor es un libro de cuentos escrito por don Juan Manuel, sobrino del rey Alfonso X. Todos los cuentos tienen la misma estructura: el joven Lucanor le pide consejo a Patronio, su consejero, sobre algo que le preocupa. Para ayudarlo, Patronio le cuenta un cuento como ejemplo. Estos cuentos están basados en relatos populares, ya conocidos en muchos países, que los padres contaban a sus hijos porque, en aquella época, casi nadie sabía leer ni escribir.

Byron's Don Juan is a comic masterpiece written in a satirical, mock heroic style. Based on the legend of Don Juan, (which is here pronounced JOO-AN), Byron completely reverses the portrayal of Juan, instead showing him as someone easily seduced by women instead of seducing them. He called this form of poetry "epic satire". It is generally considered to be Byron's masterpiece.

Byron's exuberant masterpiece tells of the adventures of Don Juan, a handsome and charming young man naturally gifted with the ladies. After his first illicit love affair at the age of 16 in his native Spain, he is exiled to Italy. Following a dramatic shipwreck, his exploits take him to Greece, where he is sold as a slave, and to Russia, where he becomes a favorite of the Empress Catherine, who sends him on to England.

El conde Lucanor is a collection of stories written by Don Juan Manuel, the nephew of King Alfonso X. All the stories have the same structure: young Lucanor asks Patronio, his advisor, for advice about something that worries him and to help him, Patronio tells him a story as an example. These works are based on popular stories, already known in many countries, that parents have verbally told their children, because at that time, almost no one knew how to read or write.

Es opinión general que Pérez Galdós es el mayor novelista español después de Cervantes.

Sonia Wist was just a young girl when the lecherous Peddler promised to marry her. He left town and took all of her life’s dreams with him; leaving her with child. Her enraged parents buy her a husband who is an abusive drunk and his father is even worse. Two years later, Sonia is a widow with a son. She has nowhere to go and she’s broke. She happens upon Juan Settler’s cabin and upon finding it empty, she hides there for a few days. Juan Settler is a one of the best horse wranglers around. He has a gift for training wild horses.

La temporada 2020 del podcast de Don Limon. Hosted on Acast. See acast.com/privacy for more information.

Was Don Juan an unconquerable womanizer and a philanderer whose life choices were driven by his loins, not his mind? A rich man of noble blood, indeed. But also, a scoundrel of the highest order. Still, not every story sees him as such. Some say he is more victim than culprit, others that there is nothing wrong with enjoying life, provided doing so harms no one and nobody is induced to do something they would rather not. Our challenge is to find out exactly what kind of man Don Juan really was. The answer might surprise us. 

Don Juan In Hell is Act 3, Scene 2 from Bernard Shaw's 'Man and Superman' which was written in 1903. This classic staged performance features Cedric Hardwicke, Charles Boyer, Charles Laughton and Agnes Moorehead.

Es la intención de este audiolibro mostrar que en la relatividad general esas dos caras de la cultura muestran el mismo aire de familia que cualquiera puede apreciar entre el rostro delirante que la tradición nos ha legado de don Quijote y ese icono de la modernidad que es el rostro de un Einstein desmelenado.

Creado desde el Caribe Mexicano para el mundo, cada episodio es simplemente sensacional. Tus oídos pueden escucharlo cada semana sin necesidad de receta médica y además puedes compartirlo con quien tú gustes.

Don Giovanni is a passionate lover of life and women. One night, the Commendatore of Calatrava catches him kissing his daughter, and challenges him to a duel. Don Giovanni wins the duel, which of course means that the Commendatore is slain and so begins the end for Don Giovanni.

"Don Juan in Hell" (1903) is Act 3, Scene 2 in "Man and Superman", a four-act drama written by George Bernard Shaw. The long third act of the play, which shows Don Juan himself having a conversation with several characters in Hell, is often cut. It consists of a philosophical debate between Don Juan and the Devil, with Doña Ana (Ann) and the Statue of Don Gonzalo, Ana's father looking on. This third act is often performed separately as a play in its own right.