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Katharine Smyth was a student at Oxford when she first read Virginia Woolf’s modernist masterpiece To the Lighthouse in the comfort of an English sitting room, and in the companionable silence she shared with her father. After his death - a calamity that claimed her favorite person - she returned to that beloved novel as a way of wrestling with his memory and understanding her own grief. Through her inventive, highly personal reading of To the Lighthouse, Smyth guides us toward a new vision of Woolf’s most demanding and rewarding novel.

When the beautiful and precocious sisters Sally and Gillian Owens are orphaned at a young age, they are taken to a small Massachusetts town to be raised by their eccentric aunts, who happen to dwell in the darkest, eeriest house in town. As they become more aware of their aunts' mysterious and sometimes frightening powers - and as their own powers begin to surface - the sisters grow determined to escape their strange upbringing by blending into "normal" society.

David Ash, detective of the paranormal, is sent to the mysterious Comraich Castle, secluded deep in the Scottish countryside, to investigate a strange, high-profile case. A man has been found crucified in a locked room. The reports suggest that the cliff-top castle is being haunted.... Who or what is the reclusive hooded figure that Ash has seen from the window walking across the courtyard in the dead of night? What are the strange, animal-like sounds that come from the surrounding woods? And why are the castle's inhabitants so reluctant to talk about what they have seen?

The nightmare home. We thought we'd found our haven, a cottage deep in the heart of the forest. Quaint, charming, maybe a little run-down, but so peaceful. The woodland animals and birds couldn't have been more neighbourly. That was the first part of the Magic. Midge's painting and my music soared to new heights of creativity. That was another part of the Magic. Our sensing, our feelings, our love for each other - well, that became the supreme Magic. But the cottage had an alternative side. The Bad Magic.

A wonderfully quixotic, charming and surprisingly uplifting travelogue which sees Jack Cooke, author of the much-loved The Treeclimbers Guide, drive around the British Isles in a clapped-out 40-year-old hearse in search of famous - and not so famous - tombs, graves and burial sites. Along the way, he launches a daredevil trespass into Highgate Cemetery at night, stumbles across the remains of the Welsh Druid who popularised cremation and has time to sit and ponder the imponderables at the graveside of the Lady of Hoy.

Finlay Donovan is - once again - struggling to finish her next novel and keep her head above water as a single mother of two. On the bright side, she has her live-in nanny and confidant Vero to rely on, and the only dead body she's dealt with lately is that of her daughter's pet goldfish. On the not-so-bright side, someone out there wants her ex-husband, Steven, out of the picture. Permanently. Whatever else Steven may be, he's a good father, but saving him will send her down a rabbit hole of soccer moms disguised as hit-women.

Welcome to celebrity culture in the early aughts: the reign of Perez Hilton, celebrity sex tapes, and dueling tabloids fed by paparazzi who were willing to do anything to get the shot. It was a time when the Internet was still the Wild West, and when slut-shaming, fat-shaming, and revenge porn were all considered perfectly legitimate. Celebrity was seen as a commodity to be consumed, and for the famous women of this era, they were never as popular—or as vulnerable—as when they were in crisis.

In the chaotic aftermath of World War II, American college girl Charlie St. Clair is pregnant, unmarried, and on the verge of being thrown out of her very proper family. She's also nursing a desperate hope that her beloved cousin Rose, who disappeared in Nazi-occupied France during the war, might still be alive.

Rachel Miller is a lawyer and mother of two who’s just as comfortable in a courtroom as she is on the sidelines of a soccer field. Sure, her marriage is on autopilot, her parents are overly involved, and the other suburban moms are just a little bit catty. But if you ask Rachel, life is good. That is until her world is upended when racy photos of her and her high-school boyfriend, the famous actor Jack Bellow—along with his love letters to her—are published in a tabloid, unexpectedly thrusting Rachel into the spotlight.

Bold and fearless, Nina Markova always dreamed of flying. When the Nazis attack the Soviet Union, she risks everything to join the legendary Night Witches, an all-female night bomber regiment wreaking havoc on the invading Germans. When she is stranded behind enemy lines, Nina becomes the prey of a lethal Nazi murderess known as the Huntress, and only Nina's bravery and cunning will keep her alive.

It’s been 20 years since Mean Girls hit theaters, winning over critics and audiences alike with its razor-sharp wit, star-making turns for its then unknown cast, and obsessively quotable screenplay by Tina Fey. Fast forward two decades and Mean Girls remains as relevant as ever. Arguably, no other movie from the 2000s has had as big of an impact on pop culture. In So Fetch, New York Times bestselling author of Seinfeldia, Jennifer Keishin Armstrong, offers the first ever authoritative book about this beloved classic that shaped an entire generation

Hazel Davis is drifting: newly unemployed, living in a city she hates, and significantly less successful than her infamous younger sister, Evie. Evie grew up online, having gone viral at age five in a daddy-daughter dance video. Now she’s a megapopular lifestyle influencer. But to Hazel, @evelyn is just Evie, her beloved little sister—and a kid who has been exploited for her entire childhood. So when Evie disappears—in the middle of a live stream, during a brand-sponsored trip to Los Angeles—Hazel knows something is terribly wrong.

In the snowbound city of Kiev, wry and bookish history student Mila Pavlichenko organizes her life around her library job and her young son—but Hitler’s invasion of Russia sends her on a different path. Given a rifle and sent to join the fight, Mila must forge herself from studious girl to deadly sniper—a lethal hunter of Nazis known as Lady Death. When news of her three hundredth kill makes her a national heroine, Mila finds herself torn from the bloody battlefields of the eastern front and sent to America on a goodwill tour.

Rosie had the perfect evening lined up: she'd come home early, slip into a sexy dress and surprise her boyfriend with date night. What she was not expecting was to find his bags packed and herself unceremoniously dumped. But she can't even dwell on her heartbreak when she faces the more pressing matter of making rent this month. And in desperate times, she somehow agrees to let out her spare room to the upstairs neighbour. Aled needs a place to stay while his place is being renovated, and she gets to keep her home. It's a win-win situation for both - if only it was that easy.

You know that old saying “if we are still single when we’re 35, we should get married?” Well, Maggie Vine made that vow with two different people at two very different stages of her life. And they both showed up. Maggie Vine’s life is going extra-medium. At 35, she’s pursuing her dreams of being a singer and being a mother—though neither are successfully panning out. So when Garrett Scholl—stifled hedge-fund manager by day but electrifying aspiring rock singer by night—comes to her 35th birthday party with the intention to kiss Maggie senseless, it feels like one piece might click into place.

At long last, millions of Dune fans can now hear the unpublished chapters and scenes from Dune and Dune Messiah. The Road to Dune also includes the original correspondence between Frank Herbert and famed editor John W. Campbell, Jr.; excerpts from Herbert's correspondence during his years-long struggle to get his innovative work published; and the article, "They Stopped the Moving Sands", Herbert's original inspiration for Dune.