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One of art's purest challenges is to translate a human being into words. The New Yorker magazine has met this challenge more often and more successfully than any other modern American journal. Starting with its light fantastic evocations of the glamorous and the idiosyncratic in the '20s and continuing to the present, with complex pictures of such contemporaries as Marlon Brando and Richard Pryor, The New Yorker's Profiles have presented readers with a vast and brilliant portrait gallery.

Walking her dog, Beatrice, Jody falls under the spell of Everett's bewitching smile. Everett begins to appreciate his post-divorce life only when he falls in love with Howdy, Polly's puppy. Polly lives with her brother, George, and wants him to fall in love. George isn't so much looking for a love life as for life direction, and Howdy leads him right to it. Doris hates the trash on her block, she hates the pee on her SUV's tires, and, above all, she hates dogs. That is, until she gets one of her own.

Calvin Trillin has reported serious pieces across America for The New Yorker, covered the civil rights movement in the South for Time, and written comic verse for The Nation. But one of his favorite subjects over the years—a superb fit for his unique combination of reportage and humor—has been his own professional environment: the American press.

New Yorker fiction writers read their stories.

This program is read by the author. Blythe Roberson’s sharp observational humor is met by her openhearted willingness to revel in the ugliest warts and shimmering highs of choosing to live our lives amongst other humans. She collects her crushes like ill-cared-for pets, skewers her own suspect decisions, and assures listeners that any date you can mess up, she can top tenfold. And really, was that date even a date in the first place?

Readings and conversation with The New Yorker's poetry editor, Kevin Young.

From its birth in 1925 to the early days of the Cold War, The New Yorker slowly but surely took hold as the country's most prestigious, entertaining, and informative general-interest periodical. In Cast of Characters, Thomas Vinciguerra paints a portrait of the magazine's cadre of charming, wisecracking, driven, troubled, and brilliant writers and editors. He introduces us to Wolcott Gibbs, theater critic, all-around wit, and author of an infamous 1936 parody of Time magazine.

Paris. The name alone conjures images of chestnut-lined boulevards, sidewalk cafés, breathtaking façades around every corner: in short, an exquisite romanticism that has captured the American imagination for as long as there have been Americans.

Critics at Large is a weekly culture podcast from The New Yorker. Every Thursday, the staff writers Vinson Cunningham, Naomi Fry, and Alexandra Schwartz discuss current obsessions, classic texts they’re revisiting with fresh eyes, and trends that are emerging across books, television, film, and more. The show runs the gamut of the arts and pop culture, with lively, surprising conversations about everything from Salman Rushdie to “The Real Housewives.” Through rigorous analysis and behind-the-scenes insights into The New Yorker’s reporting, the magazine’s critics help listeners make ...

This collection of A.J. Liebling's classic New Yorker pieces on the "sweet science of bruising" brings vividly to life the boxing world as it once was. It depicts the great events of boxing's American heyday: Sugar Ray Robinson's dramatic comeback, Rocky Marciano's rise to prominence, Joe Louis' unfortunate decline. Liebling never fails to find the human story behind the fight, and he evokes the atmosphere in the arena as distinctly as he does the goings-on in the ring.

Welcome to New York City! Join me as I introduce you to the wonderful world of New York City. I will tell you the best places to go, help you navigate the city, plus bring on New Yorkers to tell you their New York Stories. Jae Watson, Executive Producer, and New Yorker, will also join me on the podcast episodes sharing his experiences in the City. New episodes are out every other Sunday.

A collection of The New Yorker‘s groundbreaking writing on race in America - including work by James Baldwin, Toni Morrison, Ta-Nehisi Coates, Hilton Als, Zadie Smith, and more - with a foreword by Jelani Cobb.

To the best of my knowledge understandably when I first saw the New Yorkers, I was in a state of euphoria concerning the awesome lifestyles of the great people on Earth. I choked out a few words the first time I interacted with them. I immediately realized there is so much more to explore about their characteristics and to create a highly readable novel about them to the world's profundity of their lifestyles.

The New York Times Magazine’s award-winning “1619 Project” issue reframed our understanding of American history by placing slavery and its continuing legacy at the center of our national narrative. This new book substantially expands on that work, weaving together 18 essays that explore the legacy of slavery in present-day America with 36 poems and works of fiction that illuminate key moments of oppression, struggle, and resistance.

Writers Daniel Torday and Eric Rosenblum discuss the weekly content of the New Yorker Magazine. Plus special guests!

From classic eighties films like “Wall Street” to Bret Easton Ellis’s 1991 novel “American Psycho,” the world of finance has long provided a seductive backdrop for meditations on wealth and power. On this episode of Critics at Large, Vinson Cunningham, Naomi Fry, and Alexandra Schwartz discuss the many portrayals of this élite realm, and how its image has evolved over time. Where earlier texts glorified Wall Street types as roguish heroes, the Great Recession ushered in more critical fare, seeking to explain the inner workings of a system that benefitted the few at the expense of ...

Sept. 26, 2024 - The reason for the outmigration from New York is a charged political issue at the Capitol, with popular narratives circulating on both sides of the aisle. Newsday Capitol reporter Mike Gormley is trying to cut through the rhetoric with his recent reporting on why New Yorkers are leaving and where they're going.

Lawrence Weschler sets Oliver Sacks' brilliant table talk and extravagant personality in vivid relief, casting himself as a beanpole Sancho to Sacks' capacious Quixote. We see Sacks rowing and ranting and caring deeply; composing the essays that would form The Man Who Mistook His Wife for a Hat; recalling his turbulent drug-fueled younger days; helping his patients and exhausting his friends; and waging intellectual war against a medical and scientific establishment that failed to address his greatest concern: the spontaneous specificity of the individual human soul.

New York City is not only The New Yorker magazine's place of origin and its sensibility's lifeblood, it is the heart of American literary culture. Wonderful Town, an anthology of superb short fiction by many of the magazine's most accomplished contributors, celebrates the 75-year marriage between a preeminent publication and its preeminent context with this collection of 44 of its best stories from (so to speak) home.

In the summer of 1925, Katharine Sergeant Angell White walked into The New Yorker’s midtown office and left with a job as an editor. The magazine was only a few months old. Over the next thirty-six years, White would transform the publication into a literary powerhouse. This exquisite biography brings to life the remarkable relationships White fostered with her writers and how these relationships nurtured an astonishing array of literary talent.