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The Twelve Caesars was written based on the information of eyewitnesses and public records. It conveys a very accurate picture of court life in Rome and contains some of the raciest and most salacious material to be found in all of ancient literature. The writing is clear, simple and easy to understand, and the numerous anecdotes of juicy scandal, bitter court intrigue, and murderous brigandage easily hold their own against the most spirited content of today's tabloids.

As private secretary to the Emperor Hadrian, the scholar Suetonius had access to the imperial archives and used them (along with eyewitness accounts) to produce one of the most colorful biographical works in history. The Twelve Caesars chronicles the public careers and private lives of the men who wielded absolute power over Rome, from the foundation of the empire under Julius Caesar and Augustus, to the decline into depravity and civil war under Nero and the recovery that came with his successors.

Suetonius wrote his Lives of the Twelve Caesars in the reign of Vespasian around 70AD. He chronicled the extraordinary careers of Julius, Augustus, Tiberius, Caligula, Claudius, Nero, Vespasian, and Domitian and the rest in technicolour terms. They presented some high and low times at the heart of the Roman Empire. The accounts provide us with perspicacious insights into the men as much as their reigns.

De Vita Caesarum ("About the Life of the Caesars"), commonly known as The Twelve Caesars, is a set of 12 biographies of Julius Caesar and the first 11 emperors of the Roman Empire written by Gaius Suetonius Tranquillus. The work was considered highly significant in antiquity and remains a primary source on Roman history. It examines the critical period of the Principate from the end of the Republic to the reign of Domitian.

The personalities of the Twelve Caesars of ancient Rome - Julius Caesar and the first 11 Roman emperors who followed him - have profoundly impressed themselves upon the world. They bore the perilous responsibility of governing an empire comparable in its gigantic magnitude and diversity to the United States and the Soviet Union of the 1980s. It is a matter of perennial concern to investigate how the potentates who wield such vast might, and the men who advise them, cope with their task.

Caligula’s father was a beloved military leader, so the Romans were initially glad to see his son take the throne, but Suetonius recounts the less flattering aspects of Caligula’s life and rule that followed his ascension. The narcissistic Caligula believed he was a god, and often replaced the busts of deities with his own. A devoted fan of gladiator fights, he also often had people assassinated, covered up the deed, and then claimed the deceased had committed suicide. Suetonius concludes this biography by detailing the omens that foreshadowed Caligula’s eventual assassination.

Before his assassination, Julius Caesar named his great nephew Gaius Octavius as his successor. In this excerpt from The Twelve Caesars, Roman biographer Suetonius tells the life story of Octavius, who took the name Augustus when he became emperor. While Augustus did have a military career, Suetonius focuses on the dramatic details of Augustus’ personal life, making this biography more gossip-filled than its contemporaries.

If recent history has taught us anything, it's that sometimes the best guide to leadership is the negative example. But that insight is hardly new. Nearly 2,000 years ago, Suetonius wrote Lives of the Caesars, perhaps the greatest negative leadership book of all time. In How to Be a Bad Emperor, Josiah Osgood provides crisp new translations of Suetonius's briskly paced, darkly comic biographies of the Roman emperors Julius Caesar, Tiberius, Caligula, and Nero. Entertaining and shocking, these ancient anti-role models show how power inflames leaders' worst tendencies.

From the celebrated author of The Secret Life of Bees, a magnificent novel about two unforgettable American women. Writing at the height of her narrative and imaginative gifts, Sue Monk Kidd presents a masterpiece of hope, daring, the quest for freedom, and the desire to have a voice in the world - and it is now the newest Oprah’s Book Club 2.0 selection. Hetty “Handful” Grimke, an urban slave in early nineteenth century Charleston, yearns for life beyond the suffocating walls that enclose her within the wealthy Grimke household. The Grimke’s daughter, Sarah, has known from an early age she is meant to do something large in the world, but she is hemmed in by the limits imposed on women.

This is the first in the popular series featuring California investigator Kinsey Millhone. She's 32, twice divorced, no kids, an ex-cop who likes her work...and who works strictly alone!

The Decameron is one of the greatest literary works of the Middle Ages. Ten young people have fled the terrible effects of the Black Death in Florence and, in an idyllic setting, tell a series of brilliant stories, by turns humorous, bawdy, tragic and provocative. This celebration of physical and sexual vitality is Boccaccio's answer to the sublime other-worldliness of Dante's Divine Comedy.

The emperor Nero's reign is one weird tale of sexual depravity and extravagant sadism. He was a gifted musician, and is said to have given great concerts of which attendance was compulsory; women were said to have given birth during the performance, and men were driven to fake death to escape. Nero kicked his pregnant wife to death and then had a young boy castrated to replace her as his spouse; then, during the great fire of Rome, he is said to have played the lyre to emphasize the beauty of the destruction. His eccentricities are a continuation of the tradition of his predecessors, only more perverted; Suetonius' account portray a strange man in strange times.

The emperor Caligula was one of the strangest and cruelest rulers that ever lived, and most of what is known about his reign comes from Suetonius. The first six months of his reign appear to have been moderate and successful; but after that, he fell into a spiral of sadism, sexual perversity, and plain insanity that made him one of the most hated tyrants of all time.

What does the face of power look like? Who gets commemorated in art and why? And how do we react to statues of politicians we deplore? In this book - against a background of today’s “sculpture wars” - Mary Beard tells the story of how for more than two millennia portraits of the rich, powerful, and famous in the Western world have been shaped by the image of Roman emperors, especially the “Twelve Caesars”, from the ruthless Julius Caesar to the fly-torturing Domitian.

The ancient Roman empire was the supreme arena, where emperors had no choice but to fight, to thrill, to dazzle. To rule as a Caesar was to stand as an actor upon the great stage of the world. No biography invites us into the lives of the Caesars more vividly or intimately than that by Gaius Suetonius Tranquillus, written from the centre of Rome and power, in AD 121. Placing each Caesar in the context of the generations that had gone before, and connecting personality with policy, Suetonius injected flesh and blood into their stories.

Augustus adopted Tiberius as his heir after noting his success in military campaigns across Germany. Tiberius was reluctant to take rule, however, and gained a reputation as “the exile” after he sent himself on an eight-year, self-imposed exile to Rhodes. Eventually he did take control of the empire, but he gained a reputation for cruelty which led Rome to rejoice at his eventual death. In this excerpt from The Twelve Caesars, Roman biographer Suetonius digs deep into both the conquests and character of Tiberius.

Roman historian Suetonius first introduces Claudius in his biography of Augustus, describing the boy as having various issues with his mental and physical health. Though he grew healthier after becoming emperor, "Life of Claudius" portrays him in a mixed light. While Suetonius tells of how Claudius was the first to invade Britain in a 100 years, he also paints the man as a fool who was easily swayed by others. Though historians today perceive Claudius as a more competent ruler, this dramatic biography held primary sway over public opinion for centuries.

The Life of Otho tells a story of ambition, betrayal, and power. After Nero’s suicide, Otho expected to assume the role of emperor, but his old ally Galba became Nero’s successor. Rather than give up, Otho murdered Galba and took his place as emperor, though not for long. Suetonius’ account of Otho’s brief rule during the Year of the Four Emperors is an excerpt from his work The Twelve Caesars.

Domitian succeeded his older brother Titus as Roman emperor. In “The Life of Domitian,” Suetonius remarks on the emperor’s innovative approach to governing that granted the empire safety and peace. As an individual, he preferred to go it alone and was naturally suspicious of others, a trait which inevitably led to his downfall. The final of three Flavian emperors, Domitian is also the last entry in Suetonius’ The Twelve Caesars.

The Roman biographer Gaius Suetonius Tranquillus (c. 69-after AD 122) lived about 50 years after the reign of Aulus Vitellius, whose biography forms part of his book De Vita Caesarum. Tacitus and Cassius Dio agree with Suetonius that Aulus Vitellius was a useless glutton who was unfit to rule.