Showing results by publisher "Tantor Audio" in Arts & Entertainment

The first European settlers saw America as a paradise regained. The continent seemed to offer a God-given opportunity to start again and build the perfect community. Those messianic days are gone. But as Alex Krieger argues in City on a Hill, any attempt at deep understanding of how the country has developed must recognize the persistent and dramatic consequences of utopian dreaming. Even as ideals have changed, idealism itself has for better and worse shaped our world of bricks and mortar, macadam, parks, and farmland.

Muslim Cool is a way of being an American Muslim-displayed in ideas, dress, social activism in the 'hood, and in complex relationships to state power. Constructed through hip hop and the performance of Blackness, Muslim Cool is a way of engaging with the Black American experience by both Black and non-Black young Muslims that challenges racist norms in the U.S., as well as dominant ethnic and religious structures within American Muslim communities.

We're currently in the golden age of superhero blockbusters. Movies like Black Panther, Wonder Woman, Joker, and Avengers: Endgame routinely break box office records and compete for Oscars. Yet, Zack Snyder's 2017 behemoth Justice League - a veritable sure bet at the Hollywood casino - tanked miserably, and the behind-the-scenes reasons for the movie's demise are fascinating.

Royal Lodge is one of a scattered group of dwellings, mansions, forts, and follies in the southern recesses and environs of Windsor Great Park which have served royal pleasures and private needs ever since the carefree days of Charles II. It has been the home of artists and courtiers and farmers and foresters, the picnic pavilion of queens and the private abode of two kings. Meticulously researched, royal chronicler Helen Cathcart paints a vivid picture of the evolving architecture, changing decor, and esteemed inhabitants of Royal Lodge from earliest days through to the mid-twentieth century.

This Very Short Introduction takes an expansive and inclusive approach meant to broaden and challenge traditional views of music and technology. In its most common use, "music technology" tends to evoke images of twentieth and twenty-first century electronic devices: synthesizers, recording equipment, music notation software, and the like. This volume, however, treats all tools used to create, store, reproduce, and transmit music—new or old, electronic or not—as technologies worthy of investigation.

Rooted in rhythm-and-blues pioneered by black musicians, 1950s rock and roll was racially inclusive and attracted listeners and performers across the color line. In the 1960s, however, rock and roll gave way to rock: a new musical ideal regarded as more serious, more artistic-and the province of white musicians. Decoding the racial discourses that have distorted standard histories of rock music, Jack Hamilton underscores how ideas of "authenticity" have blinded us to rock's inextricably interracial artistic enterprise.

Long before the United States had presidents from the world of movies and reality TV, we had scores of politicians with connections to country music. In I'd Fight the World, Peter La Chapelle traces the deep bonds between country music and politics. These performers and politicians both rode and resisted cultural waves: some advocated for the poor and dispossessed, and others voiced religious and racial anger, but they all walked the line between exploiting their celebrity and righteously taking on the world.

With humor and honesty, Girls on Film looks at the good, the bad, and the unfairly written women in film. A celebration of the power of cinema and the hidden messages within media and culture, this collection of personal essays explores the women who inspired and confused a young film enthusiast.

Before Ratmansky was the artistic director of the Bolshoi Ballet, the resident choreographer at American Ballet Theatre, the artist in residence at New York City Ballet, and generally, as The New Yorker has it, "the most sought-after man in ballet," he was just a boy from Kyiv, sneaking into the ballet at night, concocting his own juvenile adaptations of novels and stories, and dreaming up new possibilities for bodies in motion.

On December 15, 1944, Maj. Alton Glenn Miller, commanding officer of the Army Air Force Band (Special), boarded a plane in England bound for France with Lt. Col. Norman Francis Baessell. Somewhere over the English Channel the plane vanished. No trace of the aircraft or its occupants has ever been found. To this day Miller, Baessell, and the pilot, John Robert Stuart Morgan, are classified as missing in action. Weaving together cultural and military history, Glenn Miller Declassified tells the story of the musical legend Miller and his military career.

With the success of the Wonder Woman movies and the results following the outcry of the #MeToo movement, now is the time to highlight the female influences in film history previously left unheard!

Operation Iraqi Freedom Veteran and former host of All Access, DC Comics' web show, Jason Inman, discusses the influence war has had on some of the most memorable superheroes in comics.

In recent years, narratives about the music industry tend to hew to a common theme: it was humming along for decades until the Internet and Napster came along and disrupted it. Key Changes shows that this view is incorrect: the industry was actually shaken up not once in the 1990s, but ten times over more than 100 years.

The work of Stanley Kubrick amounts to a sustained reflection on the male condition: past, present, and future. The persistent theme of his filmmaking is less violence or sex than it is the pressurized exertion of masculinity in unusual or extreme circumstances, where it may be taxed or exaggerated to various effects, tragic and comic—or metamorphosed, distorted, and even undone.

Is the top still spinning? Was it all a dream? In the world of Christopher Nolan's four-time Academy Award-winning movie, people can share one another's dreams and alter their beliefs and thoughts. Inception is a metaphysical heist film that raises more questions than it answers: Can we know what is real? Can you be held morally responsible for what you do in dreams? What is the nature of dreams, and what do they tell us about the boundaries of "self" and "other"?

Keith Lowe, an award-winning author of books on World War II, saw monuments around the world taken down in political protest and began to wonder what monuments built to commemorate WWII say about us today. Focusing on these monuments, Prisoners of History looks at World War II and the way it still tangibly exists within our midst. He looks at all aspects of the war, from the victors to the fallen, from the heroes to the villains, from the apocalypse to the rebuilding after devastation.

Sandringham, the much-loved Norfolk retreat of Queen Elizabeth II, has been the private home of four generations of monarchs since 1862, when Queen Victoria and Prince Albert bought the country estate for their eldest son Albert Edward, Prince of Wales. Written with warmth and wit, Helen Cathcart charts a hundred years of royal domestic history at Sandringham, from earliest days through to celebrated visitor attraction. A blend of narrative history and family chronicle, Sandringham commemorates the centenary of one of the best-known private country houses in the world.

For over forty years, ventriloquist Shari Lewis and her sassy hand puppet Lamb Chop were the most beloved team in children's television. Together with her other puppets Charlie Horse and Hush Puppy, Shari raised three generations of kids and struggled to stay relevant in an industry that was constantly changing. In this audiobook, cowritten and recorded by Shari's daughter Mallory Lewis (who now performs with Lamb Chop) and producer-biographer Nat Segaloff, you'll hear how Shari survived using sheer will and talent.

Nick Currie, otherwise known as Momus - named for the ancient Greek god of mockery - has recorded more than 30 albums, published half a dozen works of speculative fiction, and written articles for The New York Times, Wired, Artforum, Frieze, and The Wire. Niche isn't any old showbiz memoir. Rather than writing a single sincere, avuncular tell-all in his own voice, Momus has structured the narrative of his life as a typically atypical mockery of the rock-biography oral history.

The Beloved Vision links the music history of this singular epoch to the ideas that lay behind Romanticism in all its manifestations. In this account, we come to understand the phase in music history that has become the mainstay of the twentieth and twenty-first century concert and operatic repertoire.