Showing titles in History & Criticism

In his essay about the life of Irish writer John McGahern, Tóibín reveals the tones of melancholy and amusement within both art and the artist. In his extraordinary essay on his cancer diagnosis, Tóibín unpicks the word 'battle', and illuminates the distress, horror and blankness of his experiences. From the shades of light and dark in a Venice without tourists, to the streets of Buenos Aires riddled with disappearances and tied up with dictators and politics, we find ourselves considering law and religion in Ireland as well as in Marilynne Robinson's fiction.

Who are the Medici brothers? And who is trying to assassinate them? Why was the Pitti Palace never completed? And what part did Leonardo play in all of this? Leonardo da Vinci is remembered as an artist and inventor. But who was he before anyone knew his name? This family-friendly novel explores the history and the legends of his early years in Florence. It also weaves a mystery of politics and power.

Julian Barnes began writing about art with a chapter on Géricault's The Raft of the Medusa in his 1989 novel A History of the World in 10 1/2 Chapters. Since then he has written a series of remarkable essays, chiefly about French artists, for a variety of journals and magazines. Gathering them for this book, he realised that he had unwittingly been retracing the story of how art made its way from Romanticism to Realism and into Modernism.

This is a biography of my father, Tony D’Orazi, who had many successes and struggles as an influential twentieth artist, during his life. The story of Tony D’Orazi, is from his early childhood as a prodigy in Missoula, Montana, to his ascension into an award-winning artist by way of New York City and Chicago, and his days working for Walt Disney to ultimately becoming the radio and television personality known as Uncle Tony O’Dare, “the first cartoonist of the air”.

Who made the first snowman? Who first came up with the idea of placing snowballs on top of each other, and who decided they would use a carrot for a nose? Most puzzling of all: How can this mystery ever be solved, with all the evidence long since melted? The snowman appears everywhere on practically everything - from knickknacks to greeting cards to seasonal sweaters we plan to return.

The Royal Collection is one of the most wide-ranging collections of art and artefacts in the world, and it provides an intriguing insight into the minds of the monarchs who have assembled it. In this series, BBC Arts Editor Will Gompertz examines dozens of these unique objects, in a quest to "use the collection as a prism through which to better understand the art of being a monarch". From intimate portraits to epic tapestries, from the Coronation pen to the Investiture sword, each has an absorbing history.

Journey through 3,000 years of art and history to shine a light on the hidden stories behind the world's most famous works of art.

Qu'est-ce que l'art ? Comment s'est-il constitué et défini à travers l'histoire ? Quels rapports entretient-il avec la philosophie ?

Al final del audiolibro deviene la música de un río ancho y calmo que nos arrastra junto con los objetos que expresan la cultura del mundo hacia un océano apacible de remansadas sensaciones y conocimientos. Un acierto pleno y una obra que, estoy seguro, va a ocupar un lugar importante en la bibliografía del tema.

Edward Lucie-Smith examines Hans Holbein's famous series of prints, The Dance of Death, together with associated works, such as various artistic variations on the theme of Death and the Maiden. In addition, Lucie-Smith looks at some famous images made on the theme of war, notably the prints of Jacques Callot and the bitter social studies of Goya y Lucientes.

"L'impero delle luci" è uno dei più noti e importanti lavori di Giorgio De Chirico, pittore surrealista belga che operò agli inizi del Novecento, famoso per i suoi uomini con le bombette, la mela che prende il posto della testa e la pipa che non è una pipa. La sua pittura è intrisa di mistero, illusione, trabocchetti e realtà distorte che sono i tratti distintivi del primo surrealismo.

Jerry Saltz is one of our most-watched writers about art and artists, and a passionate champion of the importance of art in our shared cultural life. Since the 1990s he has been an indispensable cultural voice. Now, in Art Is Life, Jerry Saltz draws on two decades of work to offer a real-time survey of contemporary art as a barometer of our times. Chronicling a period punctuated by dramatic turning points—from the cultural reset of 9/11 to the rolling social crises of today—Saltz traces how visionary artists have both documented and challenged the culture.

From the best-selling author of Natasha's Dance, The Europeans is a richly enthralling, panoramic cultural history of 19th-century Europe, told through the intertwined lives of three remarkable people: a great singer, Pauline Viardot, a great writer, Ivan Turgenev, and a great connoisseur, Pauline's husband, Louis. Their passionate, ambitious lives were bound up with an array of writers, composers and painters all trying to make their way through the exciting, prosperous and pan-European culture that came about as a result of huge economic and technological change.

Fragile Cargo will share the as-yet-untold story of the brave people who saved China's art from the ravages of the Second World War, undertaking a perilous journey across the vast country in order to protect these fragile treasures. After the end of the war, and the beginning of the Communist regime, the Forbidden City curators were each faced with a stark choice: remain with their rescued artefacts in China, or flee with them to Taiwan. Depending on their choice, the curators' fates took startlingly different, sometimes heart-breaking turns.

So often deployed as a jingoistic, even menacing rallying cry, or limited by a focus on passing moments of liberation, the rhetoric of freedom both rouses and repels. Does it remain key to our autonomy, justice, and well-being, or is freedom's long star turn coming to a close? Does a continued obsession with the term enliven and emancipate, or reflect a deepening nihilism (or both)? On Freedom examines such questions by tracing the concept's complexities in four distinct realms: art, sex, drugs, and climate.

Based on years of archival research and on interviews with hundreds of Warhol's surviving friends, lovers and enemies, Warhol traces the artist's path from his origins as the impoverished son of Eastern European immigrants in 1930s Pittsburgh, through his early success as a commercial illustrator and his ground-breaking pivot into fine art, to the society portraiture and popular celebrity of the '70s and '80s, as he reflected and responded to the changing dynamics of commerce and culture.

Hidden Hands tells the stories of the artisans, artists, scribes and readers, patrons and collectors who made and kept the beautiful, fragile objects that have survived the ravages of fire, water and deliberate destruction to form a picture of both English culture and the wider European culture of which it is part. Without manuscripts, she shows, many historical figures would be lost to us, as well as those of lower social status, women and people of colour, their stories erased and the remnants of their labours destroyed.

Of all the self-doubting people in the world, nobody, it seems, doubts themselves more than creative people. Whether creating code for a new application, painting a mural, forging a new way forward in business, or writing a book, creatives tend to suffer from more self-doubt than other humans. Because, while creativity is demanded, it is rarely respected. Many fear the power of creative influence because they fear the unknown.

Unlock the enigmatic world where beauty meets betrayal, where passion for art conceals a sinister underbelly. In this captivating exposé, J.K. Artson unveils the hidden stories that have plagued the art world for centuries. Prepare to be enthralled as you embark on a journey through the shadows of art, crime, and corruption. Discover the rise of illicit acts that threaten our cultural heritage, leaving a trail of stolen masterpieces and shattered legacies in their wake.

An anthology of essays and reviews by the eminent art historian and writer, Edward Lucie-Smith. The articles cover a broad span, from the Italian Renaissance of Giotto and Antonello da Messina, Leonardo, and Michelangelo, progressing to Rubens, Velázquez, and Ingres, with essays on William Hogarth, John Constable, and John Everett Millais for British art. With the experience of his landmark publications on modern art, which remain in print, the author sweeps the listener on a fabulous journey of perception.