Mostrando resultados por Editor "Blackstone Audio, Inc." en Cine y TV

By 1920, the movies had suddenly become America's new favorite pastime and one of the nation's largest industries. Never before had a medium possessed such power to influence; yet Hollywood's glittering ascendancy was threatened by a string of headline-grabbing tragedies - including the murder of William Desmond Taylor, the popular president of the Motion Picture Directors Association, a legendary crime that has remained unsolved until now.

Baldwin's personal reflections on movies gathered here in a book-length essay are also a probing appraisal of American racial politics. Offering an incisive look at racism in American movies and a vision of America's self-delusions and deceptions, Baldwin challenges the underlying assumptions in such films as In the Heat of the Night, Guess Who's Coming to Dinner, and The Exorcist.

For two moviegoing generations, Cary Grant was class—an effortless embodiment of gentlemanly grace and humor. But Cary Grant’s greatest achievement was in creating himself and the irresistible character he became. In this savvy, fascinating portrait, McCann tracks the transformation of a life and looks closely at the sources of Cary Grant’s charms, which did not come easily. Generously filled with anecdotes about fellow actors and directors, a realistic portrait of a complicated man emerges.

You may not recognize my name-or my face for that matter-but it's very likely you've seen me at work. I've managed to cram quite a bit into my thirty-year acting career. In fact I've helped put more bums on cinema seats than Will Smith or Tom Hanks. Who else can say that they've helped destroy a Death Star? Defeated an evil sorceress? Taught magic to Harry Potter? Become a Jedi Master? Reluctantly hitchhiked across the galaxy in search of the answer to the Ultimate Question?

Ever wonder why so many B actors wind up as A-grade politicians? Or how the casting couch worked? Acclaimed author Kathleen Sharp traces the influence of show business through the lives of its first power couple. Edie and Lew Wasserman built the world’s largest talent agency, MCA, created the multibillion-dollar Universal Studios, and helped shape Washington, DC.

When movies cost hundreds of millions to make and market, the magnitude of the wagers is astonishing. Vast riches rain down on those who gamble wisely, and careers are made and lost in one weekend. But never is this box-office race more feverish than during the summer blockbuster season, when the studios roll out their most expensive, effects-laden pictures in a feverish race to win the box-office derby. Peter Bart here brings us a marvelously entertaining behind-the-scenes portrait of moviemaking.

A welcome surprise: more than 50 prose pieces, gathered together for the first time, by one of America's most revered and admired novelists and short-story writers, whose articles, essays, and cultural commentary - appearing in the New York Review of Books, the New York Times Book Review, The New Yorker, The Atlantic, The Guardian, Harper's Magazine, and elsewhere - have been parsing the political, artistic, and media idiom for the last three decades.

When The Flip Wilson Show debuted in 1970, Black faces were still rare on television, Black hosts nonexistent. So how did Clerow “Flip” Wilson go from Jersey City grade-school dropout to national celebrity, heralded on the cover of Time as “TV’s first black superstar”? Flip is a candid, entertaining biography of a consummate comedian who changed the face of American popular culture.

America is suffering from an information glut. Most Americans are no longer clear about what news is worth remembering or how any of it connects to anything else. Thus, Americans are rapidly becoming the least knowledgeable people in the industrial world. Author and academic Neil Postman and television journalist Steve Powers tell you how to become a discerning viewer.

In the summer of 1970, legendary but self-destructive director Orson Welles returned to Hollywood from years of self-imposed exile in Europe and decided it was time to make a comeback movie. It was about a legendary self-destructive director who returns to Hollywood from years of self-imposed exile in Europe. Welles swore it wasn't autobiographical.

Why does our popular culture seem so consistently hostile to the values that Americans hold dear? Why does the entertainment industry attack religion, glorify brutality, undermine the family, and deride patriotism? In this explosive book, one of the nation’s best known film critics examines how Hollywood has broken faith with its public, creating movies, television, and popular music that exacerbate every serious social problem we face, from teenage pregnancies to violence in the streets.

Fifty years ago, a little boy was cast in a movie with some of Hollywood's brightest stars. The movie: It's a Wonderful Life; the boy: Jimmy Hawkins; today, he tells his story. Through personal recollection, careful research, and interviews with cast and crew, actor Jimmy Hawkins, who played four-year-old Tommy Bailey, takes you behind the scenes for a first-hand look at the American movie classic It's a Wonderful Life.

Television and TV viewing are not what they once were - and that's a good thing, according to award-winning author and critic Clive James. Since serving as television columnist for the London Observer from 1972 to 1982, James has witnessed a radical change in content, format, and programming, and in the very manner in which television is watched. Here he examines this unique cultural revolution, providing a brilliant, eminently entertaining analysis of many of the medium's most notable 21st-century accomplishments.

For more than 25 years and counting, Rebecca Eatonhas presided over PBS's Masterpiece Theatre, the longest-running weekly prime-time drama series in American history. From the runaway hits Upstairs, Downstairs and The Buccaneers to the hugely popular Inspector Morse, Prime Suspect, and Poirot, Masterpiece Theatre and its sibling series Mystery! have been required viewing for fans of quality drama.

Author Lynn delves into Chaplin's childhood and family, his often controversial relationships with four wives and a slew of mistresses, and his associations with British music-hall impresario Fred Karno and silent-screen star and pal Douglas Fairbanks. He addresses Chaplin's political influences and convictions, and brings a keen, critical intelligence to the meaning of the films, illuminating Chaplin's elusive genius.

When El Matador opened in 1958, Bennett Cerf called it "the most attractive room in America". Part saloon, part salon, Barnaby Conrad's nightclub was nestled in the heart of San Francisco's cabaret and nightlife district. On any given night, one might find Noel Coward, Marilyn Monroe, Truman Capote, Frank Sinatra, Ava Gardner, or Tyrone Power in the club or might hear Duke Ellington, Art Tatum, Eva Gabor, George Shearing, or André Previn take over the piano.

In this passionate love-hate letter to the film industry, Peter Bart pulls together his best columns from Variety and GQ, outlining in detail the history and inner workings of Hollywood. In story after story, Bart shows how the major studios have diverted their energies away from production of the shrewdly crafted pictures that once made the industry powerful.

Conventional wisdom holds that John F. Kennedy was the first celebrity president, in no small part because of his innate television savvy. But as Kathryn Brownell shows, Kennedy capitalized on a tradition and style rooted in California politics and the Hollywood studio system. Since the 1920s, politicians and professional showmen have developed relationships and built organizations institutionalizing Hollywood styles, structures, and personalities in the American political process.