Showing titles in History & Criticism

Laurel Canyon was the neighborhood perched above the clubs and record companies of Sunset Strip where Joni Mitchell, Jim Morrison, Graham Nash, Cass Elliot, Carole King, Don Henley, and Peter Tork, just to name a few, lived and collaborated to make an indelible mark on our music and our culture.

On New Year's Eve, 1970, Paul McCartney told his lawyers to issue the writ at the High Court in London, effectively ending The Beatles. You might say this was the last day of the pop era. The following day, which was a Friday, was 1971. You might say this was the first day of the rock era. And within the remaining 364 days of this monumental year, the world would hear Don McLean's "American Pie", The Rolling Stones' "Brown Sugar", The Who's "Baba O'Riley", Zeppelin's "Stairway to Heaven", and more.

The year that changed everything for the Beatles was 1966 - the year of their last concert and of Revolver, their first album created to be listened to rather than performed. This was the year the Beatles risked their popularity by retiring from live performances, recording songs that explored alternative states of consciousness, experimenting with avant-garde ideas, and speaking their minds on issues of politics, war, and religion. Music journalist and Beatles expert Steve Turner investigates the enormous changes that took place in the Beatles' lives and work during 1966.

When blues master Robert Johnson's recordings were rereleased to great fanfare in the 1960s, little was known about his life, giving rise to legends that he gained success by selling his soul to the devil. Biography of a Phantom is musicologist Mack McCormick's search, from the late 1960s until McCormick's death in 2015, to uncover Johnson's life story. McCormick spent decades reconstructing Johnson's mysterious life and developing theories about his untimely death at the age of 27, but never made public his discoveries. Biography of a Phantom publishes his compelling work for the first time.

For the first time, Appetite for Self-Destruction recounts the story of the precipitous rise and fall of the recording industry over the past three decades, when the incredible success of the CD turned the music business into one of the most glamorous, high-profile industries in the world - and the advent of file sharing brought it to its knees.

"Surely make you lose your mind . . ." So the Eagles warn us about the outrageous and ruthless lifestyle of the ambitious rock-n-roller. In fact, Don Henley could barely listen to the track "Life in the Fast Lane" when they were recording it. He was so high that it made him sick. The band that embodied the American dream with globe-straddling success, impossibly luxurious lives, and almost supernatural talent also descended into nightmare with betrayal, hate-filled hubris, the skeletons of perceived enemies, brutally discarded lovers and former band mates left unburied in the road behind them.

Tune In is the first volume of All These Years - a highly-anticipated, groundbreaking biographical trilogy by the world's leading Beatles historian. Mark Lewisohn uses his unprecedented archival access and hundreds of new interviews to construct the full story of the lives and work of John Lennon, Paul McCartney, George Harrison, and Ringo Starr.

In this fascinating analysis of how to listen to both contemporary and classical music analytically, eminent American composer Aaron Copland offers provocative suggestions that will bring listeners a deeper appreciation of the most viscerally rewarding of all art forms.

Real rock stars do truly insane thing and invite truly insane things to happen to them: murder, drug trafficking, rape, cannibalism and the occult. We allow this behavior. We are complicit because a rock star behaving badly is what's expected. It's baked into the cake. Deep down, way down, past all of our self-righteous notions of justice and right and wrong, when it comes down to it, we want our rock stars to be bad. We know the music industry is full of demons, ones that drove Elvis Presley, Phil Spector, and Sid Vicious and that consumed the Norwegian black metal scene.

Histories of music overwhelmingly suppress stories of the outsiders and rebels who created musical revolutions and instead celebrate the mainstream assimilators who borrowed innovations, diluted their impact, and disguised their sources. In Music: A Subversive History, Ted Gioia reclaims the story of music for the riffraff, insurgents, and provocateurs. Gioia tells a 4,000-year history of music as a global source of power, change, and upheaval.

From the Stooges and MC to Grand Funk Railroad and Ted Nugent, to the White Stripes, Eminem, and Kid Rock, and whole casts of other great bands and performers, Detroit has always produced louder, more rumbling, more subversive rock music than any city in the world. In Detroit Rock City, listeners get to hear the stories straight from the participants themselves: the singers, the guitar slingers, the fans, the reporters, the promoters, even the guys who hand-made amps to be louder and crunchier than the competition’s.

Listen to This, which takes its title from a beloved 2004 essay in which Ross described his late-blooming discovery of pop music, showcases the best of Ross’s writing from more than a decade at The New Yorker. These pieces, dedicated to classical and popular artists alike, are at once erudite and lively.

In the second half of the 20th century New York was the source of new sounds, including the Greenwich Village folk scene, punk and new wave, and hip-hop. But as the end of the millennium neared, cutting-edge bands began emerging from Seattle, Austin, and London, pushing New York further from the epicenter. The behemoth music industry, too, found itself in free fall, under siege from technology. Then 9/11/2001 plunged the country into a state of uncertainty and war.

From the author of the definitive biography of Frank Sinatra, the story of how jazz arrived at the pinnacle of American culture in 1959, told through the journey of three towering artists—Miles Davis, John Coltrane, and Bill Evans—who came together to create the most iconic jazz album of all time, Kind of Blue.

Tupac Amaru Shakur (1971–1996) was an American rap artist, actor, and social activist. More than seventy-five million of his albums have sold worldwide, making him one of the bestselling music artists in the world. Rolling Stone magazine named him the 86th Greatest Artist of All Time.

Shakur also gained notoriety for his conflicts with the law and time spent in prison.

More is at stake in the music we listen to or perform than most people are aware. In this vivacious and challenging work, Dr. Peter Kwasniewski—a philosopher, theologian, composer, conductor, and singer—explains why the great classical music of Western civilization is morally and intellectually good for us, as well as why certain other forms of music can actually be harmful.

Joe Boyd tells of his journey through Sixties music, from tour managing Muddy Waters and Coleman Hawkins, to plugging in Bob Dylan's electric guitar while working as production manager at the 1965 Newport Folk Festival, to becoming a leading record producer. His first session was Eric Clapton and Steve Winwood's "Crossroads" followed by Pink Floyd, Nick Drake, the Incredible String Band, Fairport Convention, Sandy Denny and many more.

Lisa Robinson has interviewed the biggest names in music--including Led Zeppelin, the Rolling Stones, John Lennon, Patti Smith, U2, Eminem, Lady Gaga, Jay Z and Kanye West. She visited the teenage Michael Jackson many times at his Encino home. She spent hours talking to John Lennon at his Dakota apartment - and in recording studios just weeks before his murder.

Introduced with more than 90 biographical entries that trace the friendships, loves, and rivalries that inspired each musical genius and their work. Profiles offer revealing insights into what drove each individual to create the musical masterpieces - symphonies, concertos, and operatic scores - that changed the direction of classical music and are still celebrated as masterpieces today.

From Pieces to Weight: Once Upon a Time in Southside Queens is a violent and introspective memoir that reveals not only 50 Cent's story but the story of a generation of youth faced with hard choices and very little options. It is a tale of sacrifice, transformation, and redemption, but it is also one of hope, determination, and the power of self. Told in 50's own unique voice, the narrative drips with the raw insight, street wisdom, and his struggle to survive at all costs.