Showing titles in History & Criticism

In a music world that was rougher than rough, where men took monikers of royalty and machismo like Duke and King and Lord; where boastful ringleaders fired guns into the air after descending a throne carried by their legions of followers, bandoliers crisscrossing their chests, ermine on their shoulders; where violent gangs stormed dances to “mash up,” breaking sound system equipment and smashing bottles of beer on brick walls, how was a little girl with a sweet song in her soul to have a chance? Some Jamaican women found a way. They endured harassment and received little or no pay to ...

From the birth of notation systems to the evolution of musical manuscripts, readers will uncover the challenges faced by ancient scribes, the fragility of invaluable records, and the transformative role of modern technology in preserving these echoes of antiquity. The exploration of the Byzantine musical legacy adds a rich layer to the narrative, weaving together the threads of Eastern and Western musical traditions. The volume culminates in an immersive journey through the melodies of Christian worship, exploring the influence of Gregorian chant, early Christian hymns, and the diverse ...

To many of us, Bowie was so much more than a pop idol. But why? In Why Bowie Matters, Professor Will Brooker answers that question persuasively, as both a fan and an academic. A Bowie obsessive since childhood, he hit the headlines over the course of a year-long immersive research project that took him from London to Berlin and New York, following in Bowie’s footsteps, only listening to music and reading books he loved, and even at times adopting his fashion.

This Very Short Introduction takes an expansive and inclusive approach meant to broaden and challenge traditional views of music and technology. In its most common use, "music technology" tends to evoke images of twentieth and twenty-first century electronic devices: synthesizers, recording equipment, music notation software, and the like. This volume, however, treats all tools used to create, store, reproduce, and transmit music—new or old, electronic or not—as technologies worthy of investigation.

In this biography, written long before the significance of Mozart's work was fully realized, Holmes reveals the musician's character and genius, his struggles, his influence on art, and the brilliant reputations that surrounded him.

Huey Morgan - Fun Lovin' Criminals' frontman and award-winning BBC Radio 2 and BBC Radio 6 Music broadcaster - celebrates the unpredictable personalities and talents of popular music's rebel heroes and explains why we need them more than ever before. The defining sounds of popular music - blues, rock 'n' roll, punk, hip-hop - were shaped and driven by rebel voices: whether that was Robert Johnson and Billie Holiday in the 1920s-40s or the likes of Jimi Hendrix.

Es sieht nicht alles schlimm aus in den achtziger Jahren. Aber vieles. Es ist das Jahrzehnt der explodierenden Dauerwellen und Pornoschnauzbärte, der aufgepumpten Schulterpolsterjacketts und schrillen Herumprotzerei; in den Achtzigern werden die Yuppies zu Vorreitern einer neuen Egoistenkultur. Doch gleichzeitig herrscht die Angst vor der Apokalypse, vor dem Atomtod und der Umweltzerstörung; die Menschen sehnen sich nach Utopien und Zukunft, nach neuer Gemeinschaft und Wärme.

New York City Blues: Postwar Portraits from Harlem to the Village and Beyond offers a deep dive into the blues venues and performers in the city from the 1940s through the 1990s. Interviews in this volume bring the listener behind the scenes of the daily and performing lives of working musicians, songwriters, and producers. The interviewers capture their voices—many sadly deceased—and reveal the changes in styles, the connections between performers, and the evolution of New York blues.

"I was 22 years old, a hard-on with a pulse: wretched vice-ridden, too much to burn and not enough minutes in a hour to do so. 1995 was a full 365-day year of drinking, fucking, lying, raging and exploration for me - not a dull one in the bunch. It was a time of self-shit: self-importance, self-absorption, self-indulgence and selfishness. I was the only person in the known galaxy and I wanted what the fuck I wanted sooner rather than later." The action begins in Iowa, where Corey Taylor committs each of the Seven Deadly Sins.

Inside the chapters of Behind the Boards: Nashville by award-winning music biographer Jake Brown, country music fans for the first time ever are given a front-row seat inside Music Row's most famous recording studios on tours narrated by the town's biggest record producers.

Hence this is a story without precedent, a story in which Elton John plays a royal funeral, Mick Jagger gets a knighthood, Bob Dylan picks up the Nobel Prize, the Beatles become, if anything, bigger than the Beatles and it's beginning to look as though all of the above will, thanks to the march of technology, be playing Las Vegas forever.

An American institution, Sun Records has a history with many chapters: its Memphis origins with visionary Sam Phillips, the breakthrough recordings of Elvis Presley, and the studio's immense influence on the sound of popular music. But behind the company's chart toppers and legendary musicians there exists another story, told by Barbara Barnes Sims. In the male-dominated workforce of the 1950s, 24-year-old Sims found herself thriving in the demanding roles of publicist and sales promotion coordinator at Sun Records.

This cultural brilliance of sound presented a voice and unique mind through the rough streets of America's largest conurbations going as far back as the 1920s. Sprung from the spirits of poverty, this inner city culture quickly uncovered an amazing bunch of young fresh black American forces of nature eager to express their unique self-street accounts and contributed to a spirited new style of soul of black Americana across major cities in the USA. Nowadays, hip hop has reached the doorsteps of regions as distinct as Africa, Japan, Korea, Myanmar, Jamaica, and just about everywhere.

Jens Balzer, einer der profiliertesten deutschen Kulturjournalisten, zeichnet ein farbiges Panorama der Siebziger, von der Mondlandung und Woodstock über die Ölkrise und den Deutschen Herbst bis hin zum Nihilismus des Punk. Ein Jahrzehnt, in dem sich so ziemlich alles ändert: Die Hippies erproben unerhörte Lebensweisen, die antiautoritäre Erziehung und die Emanzipationsbewegung ordnen die Familien- und Geschlechterverhältnisse neu, weltumspannender Idealismus trifft auf apokalyptische Weltuntergangsängste, und spätestens als Hacker den ersten "Personal Computer" bauen, wird deutlich: Genau hier beginnt unsere Gegenwart.

In the 1920s and 1930s, as radio took over the pop music business, record companies were forced to leave their studios in major cities in search of new styles and markets. Ranging the mountains, prairies, rural villages, and urban ghettos of America, they discovered a wealth of unexpected talent - farmers, laborers, and ethnic minorities playing styles that blended the intertwining strands of Europe, Africa, Asia, and the Americas.

Rocking in the Free World explains how Americans came to believe they had learned the truth about rock 'n' roll, a truth shaped by the Cold War anxieties of the fifties, the countercultural revolutions (and counter-revolutions) of the sixties and seventies, and the end-of-history triumphalism of the eighties.

"Wonderful compilation" -- Henry Fogel, Dean, Chicago College of Performing Arts, Roosevelt University; former president, Chicago Symphony Orchestra, American Symphony Orchestra League "An enjoyable read, and a great conversation starter." -- James McCarthy, Limelight magazine, Australia "...for those seeking to shake up their listening habits and explore musical rarities -- Opera America A sequel, volume two. Some 90 composers profiled. Special chapter by pianist, conductor, Sir Andras Schiff. The author writes: I will let you in on a little secret. The classical world is prejudiced. If ...

"Wonderful compilation" -- Henry Fogel, Dean, Chicago College of Performing Arts, Roosevelt University; former president, Chicago Symphony Orchestra, American Symphony Orchestra League "An enjoyable read, and a great conversation starter." -- James McCarthy, Limelight magazine, Australia "...for those seeking to shake up their listening habits and explore musical rarities -- Opera America Focus on obscure composers from 19th century Romantic Period, drawn from Obscure Composers series, volumes 1, 2, and 3.

Woodstock, more accurately entitled the Woodstock Music Festival; An Aquarian Exposition: Three Days of Peace and Music, represents one of the most enduring symbols of the youth movement of America's late 1960s and early '70s. As the public pinnacle of that social phenomenon, the giant festival that overwhelmed a section of an upstate New York farm for a week during a time of national and international upheaval evolved from a typical speculative financial venture to a defining historical monument.

Introducing The Journey Of Pearl Jam, the definitive guide to one of the most iconic bands of the past three decades. With an in-depth look at the band's formation, history, impact on music, and social activism, this book offers a comprehensive exploration of Pearl Jam's journey.