Showing results by publisher "Highbridge, a division of Recorded Books" in Art & Literature

Mark Doty has always felt haunted by Walt Whitman's bold, perennially new American voice, and by his equally radical claims about body and soul and what it means to be a self. In What Is the Grass, Doty - a poet, a New Yorker, and an American - keeps company with Whitman and his Leaves of Grass, tracing the resonances between his own experience and the legendary poet's life and work.

Don Paterson is one of our most acclaimed contemporary poets, possessed of "an infinite sensitivity to the world" (Zadie Smith). But his current standing gives few hints of his hilariously misspent youth. An indifferent student prone to obsessions (with girls at school and . . . origami), Paterson nevertheless made clear early on his immense gift for observation. In Toy Fights, he vividly re-creates the customs of the Scottish working class, from the titular childhood game ("basically twenty minutes of extreme violence without pretext") to the virtues of the sugary sweet known as tablet.

When Nick Flynn was 7 years old, his mother set fire to their house. The event loomed large in his imagination for years, but it's only after having a child of his own that he understands why. He returns with his young daughter to the landscape of his youth, reflecting on how his feral childhood has him still in its reins, and forms his memories into lyrical bedtime stories populated by the both sinister and wounded Mister Mann.

In 1966, just as the American military buildup in Vietnam was going into overdrive, a working-class 22-year-old from Chicago was drafted into the army. Larry Heinemann served one year of combat duty, most of it in the vicinity of Cu Chi. It was the most horrific and consequential year of his life, and it served as the raw material for his two classic war novels. This memoir chronicles a 1992 railway journey Heinemann took from Hanoi to Ho Chi Minh City as the guest of the Vietnam Writers' Association.

Lacing his vivid narration with poetic interludes, Doig masterfully crafts a remarkable memoir. This House of Sky speaks many truths about family, love, loss, and the landscapes that mold us all.

In late-1940s Long Branch, a historic but run-down Jersey Shore resort town, in a neighborhood of Italian, Black, and Jewish families, Robert Pinsky began his unlikely journey to becoming a poet. Descended from a bootlegger grandfather, an athletic father, and a rebellious tomboy mother, Pinsky was an unruly but articulate high school C student, whose obsession with the rhythms and melodies of speech inspired him to write.

Since its publication on September 30, 1868, Little Women has been one of America's favorite stories. While we now think of it as a girls' book, it was initially read by both boys and girls, men and women of all ages. Professor Anne Boyd Rioux, who read it in her 20s, tells us how Louisa May Alcott came to write the book and drew inspiration for her story from her own life. Rioux sees the novel's beating heart in its honest look at adolescence and its inspiring vision of young women's resilience and hope.

Now 60 - with years of sobriety under his belt - and the father of three sons, James Brown writes about finding a new path in life, making peace with the family whose ghosts have haunted him, and helping the next generation of addicts overcome their disease. Opening with the tragic tale of an elderly couple consumed by opioid addiction and moving through the horrors of a Las Vegas massacre to the loss of a beloved sponsor, these essays draw on Brown's personal journey of recovery to illustrate how an individual life, in all its messiness and charm, can offer a blueprint for healing.

Max Allan Collins became Spillane's friend and collaborator, continuing the Mike Hammer series for years after the author's death, building upon unfinished manuscripts the writer left behind. Now, with coauthor James Traylor, Collins has produced the first comprehensive and authoritative profile of the Mystery Writers of America Grand Master. It is a must-listen for any fan of the author—or of the generations of crime writers that were influenced by his work.

For a time, Nelson Algren was America's most famous author, lauded by the likes of Richard Wright and Ernest Hemingway. Millions bought his books. Algren's third novel, The Man with the Golden Arm, won the first National Book Award, and Frank Sinatra starred in the movie. But despite Algren's talent, he abandoned fiction and fell into obscurity. The cause of his decline was never clear. Some said he drank his talent away; others cited writer's block. The truth, hidden in the pages of his books, is far more complicated and tragic.

The night before her father dies, 18-year-old Jeannie Vanasco promises she will write a book for him. But this isn't the book she imagined. The Glass Eye is Jeannie's struggle to honor her father, her larger-than-life hero but also the man who named her after his daughter from a previous marriage, a daughter who died. After his funeral, Jeannie spends the next decade in escalating mania, in and out of hospitals - increasingly obsessed with the other Jeanne. Obsession turns to investigation as Jeannie hunts for clues into the mysterious circumstances of her death.

In Gene Smith's Sink, Stephenson revives Smith's life and legacy, merging traditional biography with highly untraditional digressions. Traveling across 29 states, Japan, and the Pacific, Stephenson tracks down a lively cast of characters, including the playwright Tennessee Williams, to whom Smith likened himself; the avant-garde filmmaker Stan Brakhage, with whom he once shared a chalet; the artist Mary Frank, who was married to his friend Robert Frank; and Thelonious Monk and Sonny Clark, whom Smith recorded on surreptitious tapes.

Jesse Ball has produced fourteen acclaimed works of deeply empathetic absurdism in poetry and fiction. Now, he offers listeners his first memoir, one that invites the listener into a raw and personal account of love, grief, and memory. Inspired by the memoir Édouard Leve put to paper shortly before his death, Autoportrait is an extraordinarily frank and intimate work from one of America's most brilliant young authors. Half-remembered moments are woven together with the joys and triumphs—and the mistakes and humiliations, too—that somehow tell us who we are, why we are here.

Sir Thomas Browne (1605-1682) was an English writer, physician, and philosopher whose work has inspired everyone form Ralph Waldo Emerson to Jorge Luis Borges, Virginia Woolf to Stephen Jay Gould. In an intellectual adventure akin to Sarah Bakewell's book on Montaigne, How to Live, Hugh Aldersey-Williams sets off not just to tell the story of Browne's life but also to champion his skeptical nature and inquiring mind for our own age.

Written in Tyrrell's trademark satirical style, How Do We Get Out of Here? is an invaluable and intimate recount of the political and cultural battles that shaped our contemporary politics.

Raised up from poverty by a determined single mother, gifted and beautiful twin sisters Christa and Cara Parravani were able to create a private haven of splendor and amusement that they shared between themselves. They earned their way into a prestigious college, established careers as artists (a photographer and a writer, respectively), and entered young marriages. But plagued by their father's early rejection of them and further damaged by being raped as a young woman, Cara veered into depression, drugs, and a shocking early death.

Intimate and richly detailed, The Beauty of Living begins with E. E. Cummings's Cambridge upbringing and his relationship with his socially progressive but domestically domineering father. It follows Cummings through his undergraduate experience at Harvard, where he fell into a circle of aspiring writers including John Dos Passos, who became a lifelong friend. Steeped in classical paganism and literary Decadence, Cummings and his friends rode the explosion of Cubism, Futurism, Imagism, and other "modern" movements in the arts.

Declan Walsh is one of the New York Times's most distinguished international correspondents. His electrifying portrait of Pakistan over a tumultuous decade captures the sweep of this strange, wondrous, and benighted country through the dramatic lives of nine fascinating individuals.

Xiaolu Guo has been lauded as a "voice . . . speaking with full freedom" (Wall Street Journal), which has made her one of the most acclaimed Chinese-born writers of her generation. Her new memoir, Radical, is an exploration of a city, an electrically honest rendering of what it means to be an outsider, and the sojourn that upended her sense of self as a woman, partner, mother, and artist.

In Somehow Form a Family, Earley writes about finding a place in a world without losing sight of where you came from. In his late 30s, he is neither a Boomer nor a GenXer. He stands with one foot in the rural South and one foot in the ersatz suburbia of the Brady Bunch. Candidly discussing his struggles with clinical depression, he confronts the big issues - God, death, civilization, family - with grace and wit, without glibness or evasion.