Showing titles in Mexico

Al publicar México negro, nunca imaginé que, a 35 años de distancia, miles de lectores seguirían leyéndolo. Tampoco supuse la catástrofe que significaría la burocratización de la energía en México: Pemex es la única compañía petrolera quebrada en el mundo. Su insolvencia financiera puede destruir el crédito público de México. Ha sido, con algunas excepciones, una cantera de bandidos. ¿De qué les ha servido la expropiación petrolera de 1938 a más de 50 millones de mexicanos sepultados, hoy en día, en la pobreza?

En enero de 1923, el tren con el cuerpo maltratado de Ricardo Flores Magón avanzó sobre territorio mexicano. Hubo vítores, aunque pocos. La familia recurrió a donativos para trasladar desde Estados Unidos a uno de los más grandes revolucionarios mexicanos, muerto en cautiverio. El nuevo régimen elevaba a rango de mártir a Francisco I. Madero, pero regateaba el reconocimiento a un luchador social que había hecho posible la gesta armada.

Combining on-the-ground reporting and in-depth discussions with people on the frontlines of Mexico's drug war, To Die in Mexico tells behind-the-scenes stories that address the causes and consequences of Mexico's multibillion dollar drug trafficking business. John Gibler looks beyond the myths that pervade government and media portrayals of the unprecedented wave of violence now pushing Mexico to the breaking point.

This hybrid collection of short crónicas, journalism, and personal essays on systemic violence in contemporary Mexico and along the US-Mexico border draws together literary theory and historical analysis to outline how neoliberalism, corruption, and drug trafficking - culminating in the misnamed “war on drugs” - has shaped Mexico. Working from and against this political context, Cristina Rivera Garza posits that collective grief is an act of resistance against state violence and that writing is a powerful mode of seeking social justice and embodying resilience.

Kathryn S. Blair, autora de A la sombra del ángel y quien trabajaba en Estados Unidos para la oficina de Asuntos Latinoamericanos durante la Segunda Guerra Mundial, hace un recorrido breve y claro sobre la historia de México, desde la cultura olmeca hasta la época contemporánea. Aborda la época prehispánica, la Nueva España, la guerra de Independencia, la guerra de Reforma, el Porfiriato, la Revolución, los gobiernos de Lázaro Cárdenas, Miguel Alemán, hasta llegar al sexenio de Carlos Salinas de Gortari.

On the morning of November 4, 2019, a caravan of women and children was ambushed by masked gunmen on a desolate stretch of road in northern Mexico controlled by the Sinaloa drug cartel. Firing semi-automatic weapons, the attackers killed nine people and gravely injured five more. The victims were members of the LeBaron and La Mora communities-fundamentalist Mormons whose forebears broke from the LDS Church and settled in Mexico when their religion outlawed polygamy in the late nineteenth century.

Fear Is Just a Word begins on an international bridge between Mexico and the United States, as fifty-six-year-old Miriam Rodríguez stalks one of the men she believes was involved in the murder of her daughter Karen. He is her target number eleven, a member of the drug cartel that has terrorized and controlled what was once Miriam’s quiet hometown of San Fernando, Mexico, almost one hundred miles from the U.S. border. Having dyed her hair red as a disguise, Miriam watches, waits, and then orchestrates the arrest of this man, exacting her own version of justice.

Horizontal Vertigo: The title refers to the fear of ever-impending earthquakes that led Mexicans to build their capital city outward rather than upward. With the perspicacity of a keenly observant flâneur, Juan Villoro wanders through Mexico City seemingly without a plan, describing people, places, and things while brilliantly drawing connections among them.

Presentamos la historia completa de una de las naciones latinoamericanas de mayor riqueza cultural y tradición histórica, en cuyo vasto territorio se desarrollaron algunas de las más encarnizadas batallas durante la Conquista, la Independencia y la ulterior Revolución mexicana.

Every nation needs its creation myth, and since Texas was a nation before it was a state, it's no surprise that its myths bite deep. There's no piece of history more important to Texans than the Battle of the Alamo, when Davy Crockett and a band of rebels went down in a blaze of glory fighting for independence from Mexico, losing the battle but setting Texas up to win the war.

In the 1860s, Napoleon III, intent on curbing the rise of American imperialism, persuaded a young Austrian archduke and a Belgian princess to leave Europe and become the emperor and empress of Mexico. They and their entourage arrived in a Mexico ruled by terror, where revolutionary fervor was barely suppressed by French troops. When the United States, now clear of its own Civil War, aided the rebels in pushing back Maximilian’s imperial soldiers, the French army withdrew, abandoning the young couple. The regime fell apart.

En breves e irreverentes anécdotas, en las que la acidez y el humor se desbordan sin timidez, México bizarro retrata un país tan surrealista que lo mismo tiene sabor a chiste que a pesadilla.

For hundreds of years, the history of the conquest of Mexico and the defeat of the Aztecs has been told in the words of the Spanish victors. Miguel León-Portilla has long been at the forefront of expanding that history to include the voices of indigenous peoples. In this new and updated edition of his classic The Broken Spears, León-Portilla has included accounts from native Aztec descendants across the centuries. These texts bear witness to the extraordinary vitality of an oral tradition that preserves the viewpoints of the vanquished instead of the victors.

Masiosare, nuestro extraño enemigo, es un libro que hace una serie de viajes al pasado de México y la mente de los mexicanos, para comprender los mitos y traumas que nos destruyen como país y nos dividen como pueblo. En un México que no cesa de destruirse a sí mismo, Juan Miguel Zunzunegui hace, en esta revisión histórica, el llamado a la paz y la colaboración que el país necesita para sobrevivir.

"We could see them now, hundreds of little black figures riding through the chaparral. A spent bullet droned overhead, then one unspent, and then a whole flock. 'Come on, Meester! Let's go!' We began to run...." The material for this remarkable history came from journalist and poet John Reed's experience as a war correspondent during the Mexican Revolution.

In 1519, Hernando Cortés arrived in Mexico to investigate stories of a wealthy empire. What he encountered was beyond his wildest dreams; an advanced civilization with complex artistic, political, and religious systems (involving extensive human sacrifice) and replete with gold. This was the Aztec empire, headed by the aloof emperor, Montezuma.

In 1519, the Spanish conquistador Hernando Cortés first met Montezuma, the Aztec emperor, at the entrance to the capital city of Tenochtitlan. This introduction - the prelude to the Spanish seizure of Mexico City and to European colonization of the mainland of the Americas - has long been the symbol of Cortés' bold and brilliant military genius. Montezuma, on the other hand, is remembered as a coward who gave away a vast empire and touched off a wave of colonial invasions across the hemisphere. But is this really what happened?

Abrán González always knew he was different. Called a coyote because of his fair skin, the kid from Barelas found escape through boxing and became one of the youngest Golden Gloves champs. But the arrival of a letter from a dying woman turns his entire life into a lie. The revelation that he was adopted makes him feel like an orphan and sends him on a quest to find his birth father.

Gustavo Arellano has compiled the best questions about Mexican Americans from readers of his ¡Ask a Mexican!column in California's OC Weekly and uses them to explore the clichés of lowriders, busboys, and housekeepers; drunks and scoundrels; heroes and celebrities; and most important, millions upon millions of law-abiding, patriotic American citizens and their illegal-immigrant cousins who represent some $600 billion in economic power.

Porfirio Díaz. Su vida y su tiempo narra la historia de uno de los personajes más fascinantes en la historia de México. Héroe para unos, villano para otros, su vida de soldado ilustra en plenitud una novela de aventuras del siglo XIX. Es el tema que aborda La guerra. Díaz nació en un mundo donde la gente despertaba a las cuatro de la madrugada para rezar el Rosario; formó parte de la generación que derribó a sablazos aquel mundo durante la Reforma y destacó como nadie en la lucha contra la Intervención y el Imperio.