Mostrando títulos en Ensayos

You'll be wincing in recognition and scratching your head in incredulity, but like Marian herself you won't be able to stop laughing at the sheer delightful absurdity that is modern life - because each and every one of us is clearly making it up as we go along. She has wonderful and tickling words of advice for those fast approaching 50.

As everyday white supremacy becomes increasingly vocalized with no clear answers at hand, how best might we approach one another? Claudia Rankine, without telling us what to do, urges us to begin the discussions that might open pathways through this divisive and stuck moment in American history. Just Us is an invitation to discover what it takes to stay in the room together, even and especially in breaching the silence, guilt, and violence that follow direct addresses of whiteness.

Orthodoxy, first published 1908, is Chesterton's spiritual autobiography. Subtitled, 'The romance of faith', Chesterton declares that people need a life of 'practical romance; the combination of something that is strange with something that is secure.'

A book unlike any other, Women in Clothes is essentially a conversation among hundreds of women of all nationalities - famous, anonymous, religious, secular, married, single, young, old - on the subject of clothing, and how the garments we put on every day define and shape our lives. It began with a survey. The editors composed a list of more than 50 questions designed to prompt women to think more deeply about their personal style.

When the multitalented biographer Edmund Morris (who writes with equal virtuosity about Theodore Roosevelt, Ronald Reagan, Beethoven, and Thomas Edison) was a schoolboy in colonial Kenya, one of his teachers told him, "You have the most precious gift of all - originality." That quality is abundantly evident in this selection of essays. They cover 40 years in the life of a maverick intellectual who can be, at whim, astonishingly provocative, self-mockingly funny, and richly anecdotal.

In a book that begins with a series of lynchings and ends with a series of apologies, Eula Biss explores race in America. Her response to the topic is informed by the experiences chronicled in these essays - teaching in a Harlem school on the morning of 9/11, reporting for an African American newspaper in San Diego, watching the aftermath of Katrina from a college town in Iowa, and settling in Chicago’s most diverse neighborhood.

"Reporters love murders," Calvin Trillin writes in the introduction to Killings. "In a pinch, what the lawyers call 'wrongful death' will do, particularly if it's sudden." Killings, first published in 1984 and expanded for this edition, shows Trillin to be such a reporter, drawn time after time to tales of sudden death. But Trillin is attracted less by violence or police procedure than by the way the fabric of people's lives is suddenly exposed when someone comes to an untimely end.

By way of H. G. Wells and Rebecca West's affair through 1930s nuclear physics to Flanagan's father working as a slave labourer near Hiroshima when the atom bomb is dropped, this genre-defying daisy chain of events reaches fission when Flanagan as a young man finds himself trapped in a rapid on a wild river not knowing if he is to live or to die. At once a love song to his island home and to his parents, this hypnotic melding of dream, history, literature, place and memory is about how reality is never made by realists and how our lives so often arise out of the stories of others.

Richard Brantley’s culminating monograph knits intellectual and spiritual autobiography with literary criticism. His measuring of faith in experience (empiricism) versus the experience of faith (evangelicalism)—fostered by parents steeped in literature—prefigured his career-long approach. A combination of personal commitment and professional dynamism sets a model for subjective as well as objective interpretation. Grappling with the sources of both taste and judgment seems called for in these dangerous times. Brantley’s memoir/lit-crit hybrid delivers art and life alike. What Others...

In January 2017, Donald Trump signed an executive order stopping entry to the United States from seven predominantly Muslim countries and dramatically cutting the number of refugees allowed to resettle in the United States each year. The American people spoke up, with protests, marches, donations, and lawsuits that quickly overturned the order. But the refugee caps remained. In The Displaced, Pulitzer Prize-winning writer Viet Thanh Nguyen, himself a refugee, brings together a host of prominent refugee writers to explore and illuminate the refugee experience.

Songs on Endless Repeat gathers those essays together, along with previously unpublished fiction. Written with razor-sharp wit and an unflinching eye, the essays examine his youth in California, the lives of his refugee parents, his intimate friendships, loss, pop culture, and more. And in linked fiction following three Cambodian American cousins who stand to inherit their late aunt’s illegitimate loan-sharking business, So explores community, grief, and longing with inimitable humor and depth.

In My Remaining Years, by creative juggernaut Jean Grae, debunks the myth that coming-of-age narratives should be reserved for the kids, providing a much-needed rallying cry for those of us still trying to figure it out in our forties.

In this 1976 collection of essays, Americana icon Tom Wolfe explores the social status strife of the 1970s, eviscerating trends of faux-sympathy and self-absorption, going as far as to coin the term "The 'Me' Decade" to describe the period’s narcissism. And when paired with the clear, confident delivery of storied narrator and stage-and-screen veteran Peter Berkrot, Wolfe’s incisive wit and cynical bite is more blistering than ever.

The revolutionary writings of Audre Lorde gave voice to those 'outside the circle of this society's definition of acceptable women'. Uncompromising, angry and yet full of hope, this collection of her essential prose - essays, speeches, letters, interviews - explores race, sexuality, poetry, friendship, the erotic and the need for female solidarity and includes her landmark piece 'The Master's Tools Will Never Dismantle the Master's House'.

Funny, poignant and reflective, The Weight of a Cherry Blossom is a fable of rootlessness and belonging in the modern world. It is equal parts a story of urban loneliness and self-discovery and of the healing powers of kinship and love. Revisiting the awkwardness of adolescence and the chaos of growing up, it looks the foibles of adulthood irreverently in the eye.

¿Qué es la realidad? ¿Cómo deberíamos vivir? Éstos son los interrogantes que dieron origen a la filosofía y que inquietaban a Sócrates, quien pasó sus días desconcertando a la gente en las plazas y mercados atenienses con sus extrañas preguntas que hacían ver a las personas lo poco que realmente entendían. En cuarenta breves capítulos, Nigel Warburton realiza un apasionante recorrido cronológico por la historia de la filosofía occidental, presentándonos a los grandes pensadores y explorando sus ideas sobre el mundo y cómo vivir mejor en él.

In this tender, funny, and sharp companion to her acclaimed memoir-in-essays Amateur Hour, Kimberly Harrington explores and confronts marriage, divorce, and the ways love, loss, and longing shape a life.

Virginia Woolf es considerada como una de las más destacadas figuras del modernismo literario del siglo XX.

Of all the essentials for survival: oxygen, water, sleep, and food, only food is a vast treasure trove of memory and of sensory experience. Food is a portal to culture, to times past, to disgust, to comfort, to love: no matter one's feelings about a particular dish, they are hardly ever neutral.

Mike Nagel is spending too much time in his duplex. Mostly he’s hungover. There's a squirrel in the attic, the ceiling’s caving in, and he’s not sure who to call about it. Not much else seems to happen in Mike Nagel’s Duplex, except of course everything happens there: a distinct mind is constantly working over the absurdity, meaninglessness, and mundanity of contemporary life.