Mostrando resultados por Editor "Tantor Audio" en Ensayos

Part history, part memoir, I Am a Stranger Here Myself taps dimensions of human yearning: the need to belong, the snarl of family history, and embracing womanhood in the patriarchal American West. Gwartney becomes fascinated with the missionary Narcissa Prentiss Whitman, the first Caucasian woman to cross the Rocky Mountains and one of 14 people killed at the Whitman Mission in 1847 by Cayuse Indians. Whitman's role as a white woman drawn in to "settle" the West reflects the tough-as-nails women in Gwartney's own family.

Which famous author died of caffeine poisoning? Why was Alice's Adventures in Wonderland banned in China? Who was the first British writer to win the Nobel Prize in Literature? What was Truman Capote superstitious about? Here is a light-hearted book about books and the people who write them for all lovers of literature. A treasure trove of compelling facts, riveting anecdotes, and extraordinary characters, For the Love of Books is a book about books - and the inside stories about the people who write them.

Marion Winik is esteemed for bringing humor and wit to that most unavoidable of subjects: death. At last, Winik's critically acclaimed, cult favorites Glen Rock and Baltimore Book of the Dead have been carefully combined in their proper order, revealing more clearly than ever before the character hidden throughout these stories: Winik herself.

In his award-winning debut essay collection, What Cannot Be Undone, Walter M. Robinson shares surprising stories of illness and medicine that do not sacrifice hard truth for easy dramatics. These true stories are filled with details of difficult days and nights in the world of high-tech medical care, and they show the ongoing struggle in making critical decisions with no good answer. This collection presents the raw moments where his expertise in medical ethics and pediatrics are put to the test.

One of the most acclaimed essayists of his generation, Wesley Yang writes about race and sex without the jargon, formulas, and polite lies that bore us all. His powerful debut, The Souls of Yellow Folk, does more than collect a decade's worth of cult-reputation essays - it corrals new American herds of pickup artists, school shooters, mandarin zombies, and immigrant strivers, and exposes them to scrutiny, empathy, and polemical force.

In this exceptional book, inclusion leader Annahid Dashtgard shares her experiences looking for and teaching about belonging in our divided world. Through moving and deft interlocking stories, Dashtgard examines what it means to belong—to a country, in a marriage, and in our skin—and the price we pay when that belonging is absent.

Embracing the possibilities and impossibilities of language, Kim rejoices in the similes of Korean, her mother tongue, and draws inspiration from K-dramas and writers across cultures who sustain her. As borders close in and nations enter lockdown, the journey that Kim traces is fraught-and at once illuminates that the act of remaining present has its own power, allowing boundless hope.

Each disparate object described in this book - a Caspar David Friedrich painting, a species of tiger, a villa in Rome, a Greek love poem, an island in the Pacific - shares a common fate: It no longer exists, except as the dead end of a paper trail. Recalling the works of W. G. Sebald, Bruce Chatwin, or Rebecca Solnit, An Inventory of Losses is a beautiful evocation of 12 specific treasures that have been lost to the world forever, and, taken as a whole, opens mesmerizing new vistas of how we can think about extinction and loss.

Michel de Montaigne, one of the foremost writers of the French Renaissance and the originator of the genre of the essay, wrote on subjects ranging from friendship to imagination, from language to conscience. This collection includes 22 of Montaigne's essays, including "Of Prognostications," "Of the Custom of Wearing Clothes," "Of Pedantry," and "Of Friendship."

A diverse group of celebrities, activists, and artists open up about what feminism means to them, with the goal of helping listeners come to their own personal understanding of the word.

Judith Thurman, a prolific staff writer at The New Yorker for more than two decades, has gathered a selection of her essays and profiles in A Left-Handed Woman. They consider our culture in all its guises: literature, history, politics, gender, fashion, and art, though their paramount subject is the human condition. Thurman is one of the preeminent essayists of our time—"a master of vivisection," as Kathryn Harrison wrote in the New York Times. "When she's done with a subject, it's still living, mystery intact."

William Gaddis published only four novels during his lifetime, but with those works, he earned himself a reputation as one of America's greatest novelists, the heir to Joyce and Nabokov. Less well-known is Gaddis' body of perceptive critical writings. Presented here is a wide range of Gaddis' original essays.

Anthony Bourdain chases the fumigation truck in Bergen County, New Jersey. Dave Eggers tells it straight: Illinois is Number 1. Louise Erdrich loses her bikini top in North Dakota. Jonathan Franzen gets waylaid by New York's publicist...and personal attorney...and historian...and geologist. John Hodgman explains why there is no such thing as a "Massachusettsean."

The slippery online ecosystem is the perfect breeding ground for identities: true, false, and in between. The Internet shorthand IRL - "in real life" - now seems naïve. We no longer question the reality of online experiences but the reality of selfhood in the digital age. In The Secret Life, the essayist and novelist Andrew O'Hagan issues three bulletins from the porous border between cyberspace and IRL.

And We Came Outside and Saw the Stars Again takes its title from the last line of Dante's Inferno, when the poet and his guide emerge from hell to once again behold the beauty of the heavens. In that spirit, the stories, essays, and poems in this collection - from beloved authors including Jhumpa Lahiri, Mario Vargas Llosa, Eavan Boland, Daniel Alarcón, Jon Lee Anderson, Claire Messud, Ariel Dorfman, and many more - detail the harrowing experiences of life in the pandemic, while pointing toward a less isolated future.

More than 60 stories, poems, and essays are included in this wide-ranging collection by the extravagantly versatile Raymond Carver. Two of the stories - later revised for What We Talk About When We Talk About Love - are particularly notable in that between the first and the final versions, we see clearly the astounding process of Carver's literary development.

Uprooting ourselves and putting down roots elsewhere has become second nature. Americans are among the most mobile people on the planet, moving house an average of nine times in adulthood. Mobile Home explores one family's extreme and often international version of this common experience. Inspired by Megan Harlan's globe-wandering childhood, Mobile Home maps the emotional structures and metaphysical geographies of home.

The Tashkent-born Russian-American literary critic, editor, essayist, and journalist Vladislav Davidzon has been covering post-Soviet Ukraine for the past ten years, a tumultuous time for that country and the surrounding world. In late 2015, a year and a half after the 2014 Revolution swept away the Moscow-leaning kleptocratic President Viktor Yanukovich, Davidzon and his wife founded a literary journal, The Odessa Review. This eagerly anticipated debut tells the real story of what happened in Ukraine from the keen and resilient perspective of an observer at its center.

Blistering and deeply personal, I Am Sorry to Think I Have Raised a Timid Son records Russell's quest to understand, through his journalistic subjects, his own appetites and urges, his persistent alienation, and, above all, his knotty, volatile, vital relationship with his father.

Indiana champions shining examples of literary and artistic merit regardless of whether the individual artist or writer is famous; asserts a standard of care and tradition that has nothing to do with the ivory tower establishment; is unafraid to deliver the coup de grâce when someone needs to say the emperor has no clothes; speaks in the same breath—in the same discerning, insolent, eloquent way—about high art and pop culture. Few writers could get away with saying the things Gary Indiana does. And when the writing is this good, it's also political, plus it's a riot of fun.