Mostrando títulos en Vida Urbana

Eve, Justin, Susie and Ed have been friends since they were 18. Now in their 30s, the four are still as close as ever, Thursday pub quiz night is still sacred and Eve is still secretly in love with Ed. Maybe Eve should have moved on by now, but she can’t stop thinking about what could have been. And she knows Ed sometimes thinks about it, too. Then one night, in an instant, all their lives change forever. And, as Eve learns she didn’t know her friends as well as she thought, she also discovers she isn’t the only person keeping secrets.

Don't get mad, get even is advice Jamie Silver takes to heart when she discovers her boyfriend is sleeping with her best friend. What she doesn't bank on is her hateful professor placing her on academic probation and it's all her ex's fault. When his rival, Ryan Sommers, offers her a way to get back into her professor's good books as well as get back at her ex, what's a girl to do? Revenge is a dish best served hot.

In a city teeming with stories, how do lost souls find one another? It’s a question Meg Rhys doesn’t think she’s asking. Meg is a self-identified spinster librarian, satisfied with living with her cat, stacks of books, and her dead sister’s ghost in her New York City apartment. Then she becomes obsessed with an intriguing library patron and the haunted house he’s trying to research. The house has its own story to tell too, of love and war, of racism’s fallout and the ghost story that is gentrification, and of Brooklyn before it was Brooklyn.

Élie Mestenapeo sort de prison après avoir purgé sa peine pour le meurtre de son père, un homme alcoolique et violent. Sa communauté innue de Nutashkuan l'a banni. Il débarque à Montréal et se retrouve très vite dans la rue. Il y croisera des personnes d'autres nations, Inuit, Cris, Atikamekw, venues comme lui s'échouer dans la métropole, et il fera des rencontres déterminantes, qui l'aideront à se reconstruire.

Aleksandar and Isobel are siblings and former classical music prodigies, once destined for greatness. As the only Eastern European family growing up on their block on the far southside of Chicago, the pair were inseparable until each was forced to confront the absurdity of tragedy at an early age and abandon their musical ambitions. Now in their twenties, they find themselves encountering ridiculous jobs, unfulfilling romantic relationships, and the outrageousness of ordinary life.

Fresh out of university in Manchester and struggling to climb the career ladder in London, Flick’s devastated when her boyfriend dumps her with no warning and leaves her looking for a new place to live. Being forced into a houseshare with three complete strangers isn’t exactly how Flick saw things going. But the residents of Carlisle Avenue are quickly on hand to help her navigate the ups and downs of the life she’s currently winging. With their help, along with her big sister, Flick manages to focus her energy on ticking off items that she’s added to her ‘twenties list.’

As Michael maneuvers through his working-class neighborhood delivering groceries, he enters the homes and lives of his customers. He’s confronted by the school yard and street corner violence of local thugs. With the 1967 Arab-Israeli War fresh in public memory, he passes for Greek or Italian and never summons the courage to explain, exactly, who he is or where his parents came from.

Joe Keen and Ana Urbanek have been a couple for a long time, with all the requisite lulls and temptations, yet they remain unmarried and without children or a mortgage, as their Midwestern values (and parents) seem to require. Now on the cusp of 40, they are both working jobs that they're not even sure they believe in anymore, but with significantly varying returns. Ana is successful; Joe is floundering; both are in limbo, caught somewhere between mainstream and alternative culture, sincerity and irony, achievement and arrested development.

Twenty-four years old and newly employed in Manhattan, Jenna McCann agrees to place herself under the dead body of a wealthy, prominent New Yorker—her boss—to hide the identity of his real lover. But why? Because she is half in love with him herself; because her only friend at Hull Industries asked her to; because she feared everyone around her; because she had no idea how this would spin out into her own, undeveloped life; because she had nothing and no one? Or just because?

It’s 2015 in New York City, and three women all known as Mrs. Tobias—Veronika, the matriarch, her daughter-in-law Mel, and Mel’s daughter-in-law Birdie—are trying to navigate personal difficulties, some of which are with one another. Veronika and Mel, despite having little in common, are both psychotherapists who are more skilled at helping other people than solving their own problems. Birdie, still dealing with the culture shock of moving to New York City and marrying into the Tobias clan, is pushed to her limit when her husband gets into trouble.

Escaping danger with my daughter, Boston should have been our safest option. Instead, it opened a can of worms that very well could end us all. Finding my best friend's apartment ransacked was terrifying. Running into Liam McConnor, my ex and head of the Irish mafia, was worse. Unfortunately for me, the man who shattered my heart five years ago is now my only hope for survival. Desperation drives us into his safe house. Old flames ignite, new fears arise, but trust on both sides is tenuous. Especially when he discovers Caitlin, my four year old daughter, is his. Liam, my brother’s best ...

In seinem ersten Roman Buddenbrooks erzählt Thomas Mann nur wenig verschlüsselt die Geschichte seiner Familie und ihrer Stellung in der Vaterstadt Lübeck, soweit er sie nachvollziehen, in Einzelheiten überblicken konnte, ja sogar noch miterlebt hat. Verwandte, Honoratioren und markante Persönlichkeiten seiner Jugend werden integriert. Es ist die Geschichte des langsamen Niedergangs einer reichen Kaufmannsfamilie über vier Generationen hinweg. Auch mehr als hundert Jahren nach seinem ersten Erscheinen hat der Roman nichts an Charme und Aktualität eingebüßt.

New York, August 1896. A "hot wave" has settled on the city with no end in sight, leaving tempers short and the streets littered with dead horses felled by the heat. In this presidential election year, the gulf between rich and poor has political passions flaring, while anti-immigrant sentiment has turned virulent. At police headquarters, the gruff, politically ambitious commissioner Theodore Roosevelt has been struggling to reform his notoriously corrupt department.

Meet Ivy. She's not just a hot mess, she's a walking disaster. The only man in her life is the pizza delivery driver and she puts more effort into binge-watching Netflix than her dead-end job. But that was the old Ivy. Because last night she switched her phone off, peeled the salami from last night's drunken takeaway off the carpet and made a list. A list that changed everything.

Set in the heart of global finance, Shadow Banking follows the lives of City hopefuls, as they try to wheel, deal and backstab their way to billions. Remember: lifes a trade. It is 1994. Al Denham turns up to his first day at City banking giant Trenchart Colville, he thinks hes there to start a job. But in fact, he's at the beginning of a journey that will change his life forever. Al is joined by a ragtag combination of the brash and the charming, the box-tickers and the risk-takers.

Chicago Street Corner Stories starts with a kind of spiritual walking tour in Graceland Cemetery to hear what the ghosts are saying. Wright's descriptions of seasons and vignettes, interspersed with remembrances of people, both famous and personal, who have influenced the rich history and diverse culture of the great city of Chicago, immerse the listener in a truly personal experience. Nostalgia meets the present, and introspection reveals lessons learned and imparted. Life itself is a blessing and that our stories are proof of its abundant benefit.

Happy works a dead-end job at the amusement park, biding his time and saving money for a clandestine journey to Europe, where he'll finally land a breakout role. After a nightmarish passage to Italy, Happy still manages to find relief in food and fantasy, even as he is forced into ever-worsening work conditions over a debt he allegedly accrued in transit. But his daydreams grow increasingly at odds with his bleak reality, one shared by so many migrant workers.

Every morning, seventeen-year-old Maria Anís Rosario takes the subway an hour from her boisterous and close-knit family in Queens to her private high school on the Upper East Side, where she struggles to fit in as one of the only Latina students - until Rocky welcomes her into this new life. White, rebellious, and ignored by her wealthy parents, Rocky uses her money toward one goal: to get away with anything. To Maria, it’s a dazzling privilege.

Set in post-World War II Chicago and Omaha, the novel features Manfred Banks, a young, harmonica-blowing blues singer who is always writing music in his head. Torn between his friendships with fellow musicians and nightclub life and his responsibilities to his wife and child, along with the pressures of dealing with a racist America that assaults him at every turn, Manfred seeks easy answers in "Dirty Bird" (Old Crow whiskey) and in moving on.

It’s 1968 and it’s cold when Felicity arrives in London to stay with her mother, improve her English, do a secretarial course - and meet a suitable man. She is already missing her home in Provence and her father and his new wife and their extended family. But it’s only for a year she tells herself - and then she can go back to France and do what she really wants and become a painter. And then she bumps into Oliver who is quite the most interesting young man she has ever met.