Showing titles in Dark Humor

And...she's off. Eighty-year-old Herra Bjornsson, one of the most original narrators in literary history, takes listeners along with her on a dazzling ride of a novel that spans the events and locales of the 20th century. As she lies alone in that garage in the heart of Reykjavik, waiting to die, Herra reflects - in a voice by turns darkly funny, bawdy, poignant, and always, always smart - on the mishaps, tragedies, and turns of luck that took her from Iceland to Nazi Germany, from the United States to Argentina and back to a post-crash, high-tech, modern Iceland.

A swirling, psychedelic, bleakly funny fugue by the Booker-shortlisted author of The Butcher Boy and Breakfast on Pluto. Una Fogarty, suffering from dementia in a seaside nursing home, would be all alone without her brother Dan, whose epic free-verse monologue tells their family story. Exile from Ireland and immigrant life in England. Their mother’s trials as a call girl. Young Una’s search for love in a seemingly haunted hippie squat, and the two-timing Scottish stoner poet she’ll never get over.

Korede is bitter. How could she not be? Her sister, Ayoola, is many things: the favorite child, the beautiful one, possibly sociopathic. And now Ayoola's third boyfriend in a row is dead. Korede's practicality is the sisters' saving grace. She knows the best solutions for cleaning blood, the trunk of her car is big enough for a body, and she keeps Ayoola from posting pictures of her dinner to Instagram when she should be mourning her 'missing' boyfriend. Not that she gets any credit.

Taking us inside one of the 20th century's most ambitious assassination attempts - "making history personal", as one character puts it - High Dive moves between the luxurious hospitality of a British tourist town and the troubled city of Belfast, Northern Ireland, at the height of the armed struggle between the Irish Republican Army and those loyal to the UK government.

In this darkly comic and surreal collection from celebrated author Alissa Nutting, misfit women scramble for agency in a series of uncanny circumstances. Throughout these breathtakingly creative 17 stories spread across time, space, and differing planes of reality, we encounter a host of women and girls in a wide range of unusual jobs. A space cargo deliverywoman enlists the help of her cybersex partner to release her mother from cryogenic prison.

Natasha has screwed up royally. Her mistake isn’t just embarrassing, it's a breach of journalistic ethics that makes headlines and costs her a plum job reporting from London. Back in New York at thirty-five and single, divorced from a kind man she loved, she finds herself at the bottom of the media food chain—a junior reporter at a clickbait factory, rewriting sensational tabloid stories to make them just different enough to avoid lawsuits.

Stella loves her life in London, being far from the foul-mouthed, flame-haired grandmother who raised her. Then, she gets the dreaded call in the middle of the night, and finds herself living with Gina in the crazy coastal town of Mapton on Sea.

This is a collection of short stories in the Caverns and Creatures series. It includes the following titles: "They Fight Three Giants", "From the Bowels of Hell Hounds", "Tossing the Salaad", "The Fuccubus", "Fistin' the Furious", and "Pixie Dicks".

Kathy is a writer. Kathy is getting married. It’s the summer of 2017 and the whole world is falling apart. Fast-paced and frantic, Crudo unfolds in real time from the full-throttle perspective of a commitment-phobic artist who may or may not be Kathy Acker. From a Tuscan hotel for the super-rich to a Brexit-paralyzed UK, Kathy spends the first summer of her 40s adjusting to the idea of a lifelong commitment. But it’s not only Kathy who’s changing. Fascism is on the rise, truth is dead, the planet is heating up, and Trump is tweeting the world ever-closer to nuclear war.

A satire of teenage life follows cynical soon-to-graduate Flannery Culp on a raucous journey through high school in the 1990s, covering SATs, college applications, friends, boyfriends, tabloid journalism, and TV talk shows. A first novel.

Miles, a lead creative at a midsize virtual reality company known for its "original experiences," has engineered a new product called The Ghost Lover. Wildly popular from the outset, the "game" is simple: a user's simulated life is almost identical to their reality, except they're haunted by the ghost of an ex-lover. However, when a shift in the company's strategic vision puts The Ghost Lover at the center of a platform-wide controversy, Miles becomes the target of user outrage, and starts receiving a series of anonymous death threats.

There have always been Mountain Men. Their names are legendary. Their motives unknown. Until now. Over four centuries, one by one, they changed the course of human history. Occasionally, some of them were even quite good at it. Like most things in life, successful revolutions take a bit of practise. Only they knew their identity and purpose, but someone has discovered their secrets. Now the actions of the Mountain Men are being re-enacted in the 21st century and there’s twelve billion dollars up for grabs for anyone willing to help.

When I was a child, I loved old men, and I could tell that they also loved me. And so we meet our deliciously incisive narrator: a popular English professor whose husband, a charismatic professor at the same small liberal arts college, is under investigation for his inappropriate relationships with his former students. The couple have long had a mutual understanding when it comes to their extramarital pursuits, but with these new allegations, life has become far less comfortable for them both.

After one of the best nights of his life, David wakes up hungover but giddy—only to find prince charming dead next to him in bed. Horrified, completely confused, and suddenly faced with the implausible-but-somehow-plausible idea that he may have actually killed his date, David calls the only person he can trust in a moment of crisis: his literary agent, Stacey. Together, David and Stacey must untangle the events of the previous night, cover their tracks, and spin the entire misadventure into David’s career-defining novel—if only they can figure out what to do with the body first.

This is a story about two marriages. Or is it? It begins with a wedding, held in the small San Francisco forest of Bottle Grove - bestowed by a wealthy patron for the public good, back when people did such things. Here is a cross section of lives, a stretch of urban green where ritzy guests, lustful teenagers, drunken revelers, and forest creatures all wait for the sun to go down. The girl in the corner slugging vodka from a cough-syrup bottle is Padgett - she’s keeping something secreted in the woods.

A woman wakes up, frightened and alone. The room shaking and jumping like it’s alive. The noise is terrifying. Where is she? Stumbling through a door, she realizes she is on a train carriage. A carriage full of the dead. A personal hell unfolding in an apocalyptic future. This is Night Train, a terrifying ride set on a driverless locomotive, heading for a collision somewhere in the endless night. How did the woman get here? Who is she? And who are the dead?

Q: What do a set of LEGO toys, a mountain of cocaine, a glitter-dusted stripper, and a monkey who's grown tired of his dead-end day job have in common? A: Absolutely nothing. Except that they're all key elements in some of the stories featured in this dark and funny collection.

Las divertidas historias del Mirador de Montepinar llegan en exclusiva para Audible en formato audioserie.

In the near future, after the internet grinds to a halt amid a wave of cyberattacks, a company named Zodiac steps in to replace it with an evolved, augmented-reality version called the Grid. Harrigan, a hard-drinking private detective living as off-Grid as possible, is about to be evicted from his apartment when a stranger shows up asking for his help in finding Anna, an escort who's absconded with more than just his heart. Anna has come into possession of a program/entity called Mirror, Mirror, which has the capacity to merge the Grid and reality.

It is 1940. France has fallen, and only a narrow strip of sea lies between Great Britain and invasion. The war could go either way, and everyone must do their bit. Young copywriter Catrin Cole is drafted into the Ministry of Information to help write women into propaganda films - something that the men aren't very good at. She is quickly seconded to the ministry's latest endeavor: a heartwarming tale of bravery and rescue at Dunkirk. It's all completely fabricated, of course, but what does that matter when the nation's morale is at stake?