Mostrando resultados por Editor "Penguin Audio" en Afroamericano

Raised in Pennsylvania, Thandi views the world of her mother’s childhood in Johannesburg as both impossibly distant and ever present. She is an outsider wherever she goes, caught between being Black and White, American and not. She tries to connect these dislocated pieces of her life, and as her mother succumbs to cancer, Thandi searches for an anchor - someone, or something, to love.

In 1919, a high school teacher from Washington, D.C arrives in Harlem excited to realize her lifelong dream. Jessie Redmon Fauset has been named the literary editor of The Crisis. The first Black woman to hold this position at a preeminent Negro magazine, Jessie is poised to achieve literary greatness. But she holds a secret that jeopardizes it all.

Brianna Rogers has been told a time (or six) she needs to stop jumping into things head first. But when the principal rescinds his approval for a library upgrade, deciding to spend the money on a football field instead, she sees red. Literally. Brianna throws her hat in the ring and joins a team of teachers who will spend their summer in a Mars simulation. As the sister of an astronaut, this should be easy, right? What she didn’t count on was the last-minute addition to the team—Roman Major: science teacher, son of the principal, and too handsome for his own good.

It’s a warm, bright October afternoon, and Ozro Armstead walks out into the brilliant sunshine on his thirty-seventh birthday. At home, his wife Deborah and daughter Trinity prepare a surprise celebration; down the street, his brother waves as Oz heads back to his office after having lunch together. But he won’t make it to the party or even to his briefcase back at his desk. He's about to disappear.

Jade isn't even my real name. Jade began as my Starbucks name, because all children of immigrants have a Starbucks name. Jade has done all the right things. She's curated herself to fit right in at her law firm, but tells herself she has no choice. She's with a man who loves her, but isn't always herself around him. She's made her Omma and Baba proud, but resents that they can't properly understand her. Jade is perfectly in control of her life. Until one terrible night unravels Jade's carefully constructed world, leaving her wondering who she truly is.

In the series of linked stories at the heart of Filthy Animals, set among young creatives in the American Midwest, a young man treads delicate emotional waters as he navigates a series of sexually fraught encounters with two dancers in an open relationship, forcing him to weigh his vulnerabilities against his loneliness.

In the fall of 1962, twenty-seven-year-old Jemma Barker is desperate to escape her life in Chicago—and the spirits she has always been able to see. When she receives an unexpected job offer from the Duchon family in New Orleans, she accepts, thinking it is her chance to start over. But Jemma discovers that the Duchon family isn’t what it seems. Light enough to pass as white, the Black family members look down on brown-skinned Jemma.

From navigating the oft competing worlds of religion and desire, to balancing society’s expectations with the raw experience of being a woman in the world; from detailing the experiences of growing up as a first generation black British woman, to working through situations of dependence and abuse; from finding solace in the echoing caverns of depression and loss, to exploring the vulnerability and redemption in falling in love, each of the raw and immediate poems in Daley-Ward’s bone resonates to the core of what it means to be human.

Drawing on James Baldwin's own boyhood in a religious community in 1930s Harlem, his first novel tells the story of young Johnny Grimes. Johnny is destined to become a preacher like his father, Gabriel, at the Temple of the Fire Baptized, where the church swells with song and it is as if 'the Holy Ghost were riding on the air'. But he feels only scalding hatred for Gabriel, whose fear and fanaticism lead him to abuse his family. Johnny vows that, for him, things will be different. This blazing tale is full of passion and guilt, of secret sinners and prayers singing on the wind.

Harlem in the 1970s: the black soul of New York City. Tish is nineteen and the man she loves - her lifelong friend and the father of her unborn child - has been jailed for a crime he did not commit. As their families come together to fight for his freedom, will their love be enough?

Gone Like Yesterday follows two Black women—Zahra, a listless college prep coach, and Sammie, a teenage girl and budding activist soon off to college—who are drawn to each other through the songs of gypsy moths. Gypsy moths have been singing the songs of Zahra’s ancestors to her for years, so when Zahra realizes that Sammie might be a moth person too, their paths become intertwined. Then, the unthinkable happens: Zahra’s brother, Derrick, goes missing.

Marshall Field Finney was named after a department store and dropped like a hot potato when his mother suddenly packed up and left. Now Marshall lives with his hard-drinking father in a crackerbox house and rides a yellow bus through beautiful St. Louis County to his mostly white suburban school. Caught at a crossroads, Marshall is desperately searching for something to believe in. At stake is only the rest of his life.

Mutiny: a rebellion, a subversion, an onslaught. In poems that rebuke classical mythos and Western canonical figures, and embrace Afro-Diasporanfolk and spiritual imagery, Phillip B. Williams conjures the hell of being erased, exploited, and ill-imagined and then, through a force and generosity of vision, propels himself into life, selfhood, and a path forward. Intimate, bold, and sonically mesmerizing, Mutiny addresses loneliness, desire, doubt, memory, and the borderline between beauty and tragedy.

Ebby Freeman travels to France to take a three-month hiatus from her complicated home life, the last person she expects to find is her ex-fiancé Henry, with his new girlfriend in tow. Nearly twenty years earlier, the Freemans were the only African American family living in a wealthy coastal enclave in Connecticut when armed robbers invaded their family home and tragedy changed their lives forever. Then, just as Ebby thought she had a new chance at happiness, her storybook romance with Henry fell apart. Now, this unexpected encounter with Henry will force Ebby to reckon with her past.

Pulitzer Prize-winning biographer edits a collection of Alain Locke's influential essays on the importance of the Black artist and the Black imagination.

Across three sequences, Joshua Bennett’s new book recalls and reimagines social worlds almost but not entirely lost, all while gesturing toward the ones we are building even now, in the midst of a state of emergency, together. Bennett opens with a set of autobiographical poems that deal with themes of family, life, death, vulnerability, and the joys and dreams of youth.

In Thick with Trouble, award-winning poet Amber McBride interrogates if being “trouble”—difficult, unruly, fearsome, defiant—is ultimately a weakness or an incomparable source of strength. Steeped in the Hoodoo spiritual tradition and organized via reimagined tarot cards, this collection becomes a chorus of unapologetic women who laugh, cry, mesmerize, and bring outsiders to their knees. Summoning the supernatural to examine death, rebirth, and life outside the male gaze, Amber McBride has crafted a haunting collection of poems that reckon with the force and complexity of Black womanhood.

From a visionary writer praised for her captivating work on Black history and experience, comes a poetry collection exploring personal, political, and artistic frontiers, journeying from her family's history as "Afropioneers" in the American West to shimmering glimpses of transcendent, liberated futures.

Spanning four decades, these essays, speeches and meditations interrogate the world around us. They are concerned with race, gender and globalisation. The sweep of American history and the current state of politics. The duty of the press and the role of the artist. Throughout A Mouth Full of Blood our search for truth, moral integrity and expertise is met by Toni Morrison with controlled anger, elegance and literary excellence.

Claude McKay’s first novel, Home to Harlem, was published in 1928 during the height of the Harlem Renaissance. McKay portrays Harlem post-WWI, through Jake, an African American longshoreman who deserts the U.S. army and returns to his home in Harlem, and Ray, a Haitian intellectual expatriate. With his use of dialect, McKay portrays these men and other working-class characters who try to stay afloat in a complex world of isolation, racial discrimination, and excitement drawn from Harlem’s jazz nightlife.