Showing titles in Asian American

Japan, 1709. Amid the ever-treacherous intrigue in the court, Sano Ichiro has been demoted from chamberlain to a lowly patrol guard. His relationship with his wife Reiko is in tatters, and a bizarre new alliance between his two enemies Yanagisawa and Lord Ienobu has left him puzzled and wary. Then a harrowing, almost inconceivable crime takes place. In his own palace, the shogun is stabbed with a fan made of painted silk with sharp-pointed iron ribs.

The plan is to leave. As for how, when, to where, and even why - she doesn’t know yet. So begins a journey for the 24-year-old narrator of Days of Distraction. As a staff writer at a prestigious tech publication, she reports on the achievements of smug Silicon Valley billionaires and start-up bros while her own request for a raise gets bumped from manager to manager. And when her longtime boyfriend, J, decides to move to a quiet upstate New York town for grad school, she sees an excuse to cut and run.

Willa Chen has never quite fit in. Growing up as a biracial Chinese American girl in New Jersey, Willa felt both hypervisible and unseen, too Asian to fit in at her mostly White school, and too White to speak to the few Asian kids around. After her parents’ early divorce, they both remarried and started new families, and Willa grew up feeling outside of their new lives, too.

What happens when everything falls away, when those you call on in times of need are themselves calling out for rescue? In his highly anticipated second collection, Chen Chen continues his investigation of family, both blood and chosen, examining what one inherits and what one invents, as a queer Asian American living through an era of Trump, mass shootings, and the COVID-19 pandemic.

Two Nails, One Love opens in New York City with the narrator - Ethan Taniguchi, a Japanese American gay man in his early 40s - awaiting the arrival of his mother from Hawaii. The two have been estranged for more than a decade, and the reunion is fraught with past grievances bubbling to the surface. After a fateful ferry ride to the Statue of Liberty, Ethan's mother reluctantly reveals details of her shattered childhood.

Heartbreaker Connor Hart, one of the youngest fire chiefs in the country, is planning on marrying Dr. Elaine Woo, a woman who pretended to cheat on him with his best friend many years ago. She bought him a Dalmatian puppy, he gave her a ring—and the women of San Francisco are about to lose their most eligible bachelor. Artist and poet Nadine Woo is down on her luck. The cast-off half-sister of Dr. Elaine Woo, she doesn’t measure up, according to her strict and distant father. When Nadine and her mother are about to be evicted from their apartment, she gets an interesting offer from her sister. Seems she’s in need of a little help concerning her relationship with Fire Chief Connor Hart.

Seven, who works as a cleaner at a chiropractor's office, reencounters Cecilia, a woman who has obsessed her since their school days. As the two of them board the same bus—each dubiously claiming not to be following the other—their chance meeting spurs a series of intensely vivid and corporeal memories. As past and present bleed together, Seven can feel her desire begin to unmoor her from the flow of time.

In Taiwan, the Mid-Autumn Festival is a time for prioritizing family. When 25-year-old Jing-nan's gangster uncle, Big Eye, asks a favor, Jing-nan can't exactly say no, especially because two goons are going to follow him around to make sure he gets it done right. The favor is this: Big Eye's 16-year-old daughter, Mei-ling, has a biker boyfriend from the wrong side of the tracks and Big Eye wants Jing-nan to bring her to Taipei, away from the bad influences, and straighten her out.

Cora Zeng is a crime scene cleaner, washing away the remains of brutal murders and suicides in Chinatown. But none of that seems so terrible when she’s already witnessed the most horrific thing possible: her sister, Delilah, being pushed in front of a train. Before fleeing the scene, the murderer shouted two words: bat eater. So the bloody messes don’t really bother Cora—she’s more bothered by the germs on the subway railing, the bare hands of a stranger, the hidden viruses in every corner, and the bite marks on her coffee table.

In Root Fractures, Diana Khoi Nguyen excavates the moments of rupture in a family: a mother who was forced underground after the Fall of Saigon, a father who engineered a new life in California as an immigrant, a brother who cut himself out of every family picture before cutting himself out of their lives entirely. And as new generations of the family come of age, opportunities to begin anew blend with visitations from the past.

Find Me as the Creature I Am is a book full of tenderness and violence, longing and love. Ranging from inherited family tales, to meditations on the body, to the ways animals display love and grief alike, Emily Jungmin Yoon holds a mirror up to humanity to show that we are animal, too. In poems full of wonder and want, she showcases our tendencies to fight or fly, act with affection and cruelty, and ultimately, overflow with life itself.

Korea's brightest literary star sets this complex and nuanced coming-of-age story against the backdrop of Korea's industrial sweatshops of the 1970s and takes on the extreme exploitation, oppression, and urbanization that helped catapult Korea's economy out of the ashes of war. But it was girls like Shin's heroine who formed the bottom of Seoul's rapidly changing social hierarchy, forgotten and ignored.

Phil Kaye’s debut collection is a stunning tribute to growing up, and all of the challenges and celebrations of the passing of time, as jagged as it may be. Kaye takes the listener on a journey from a complex but iridescent childhood, drawing them into adolescence, and finally on to adulthood. There are first kisses, lost friendships, hair blowing in the wind while driving the vastness of an empty road, and the author in the middle, trying to make sense of it all. Date & Time is a welcoming story, which freezes the calendar and allows us all to live in our best moments.

The Chai House is a haunting debut novel that explores the complexity of community when individuals are unaware of their own roles in upholding systems of oppression. Swati has spent her entire life trying to live up to her family’s expectations of her. She has learned it is easiest to just do what is asked of her, without resistance; a skill that has helped her survive in the early years of the Knights, an authoritarian regime. When her mother has a request for Swati, she agrees to it as it is the only way to help her young niece have some sort of future.

In a realm where loyalty's true measure shines, Where masters and servants cross blurred lines, Enter a tale of Frank Lee's valiant stride, Incredible Servant, where fates collide. Master Han's wisdom, a village's last store, Promises made, destinies to explore, Frank Lee, a servant, yet a heart so pure, Navigates a world where doubts endure. Phase-less divine kung fu, a mystical art, A fusion of strength, mind, and heart, Frank Lee learns, in hours, what's profound, A cloak of defense, in battle's surround. Qin Shannon's concern, outside the temple's gate, A servant's plight, her worries ...

The energies animating Saints of Little Faith, Megan Pinto’s electrifying debut in poetry, are a forceful quiet, a loud stillness, the caesura between a lightning strike and the sound of thunder. Everywhere, the speaker sees the numinous power of language, the incipience of things to come, even a kind of catastrophic grace in desolation and destruction—as if within the terrain of her own obsession, she recognizes the familiar, ever-changing seasons.

On April 11, 1931, Virginia Woolf ended her entry in A Writer's Diary with the words "too much and not the mood." She was describing how tired she was of correcting her own writing, of the "cramming in and the cutting out" to please other readers, wondering if she had anything at all that was truly worth saying. The character of that sentiment, the attitude of it, inspired Durga Chew-Bose to write and collect her own work. The result is a lyrical and piercingly insightful collection of essays and her own brand of essay-meets-prose poetry about identity and culture.

Orphaned as a child, Fatimah Asghar grapples with coming of age and navigating questions of sexuality and race without the guidance of a mother or father. These poems at once bear anguish, joy, vulnerability, and compassion, while also exploring the many facets of violence: how it persists within us, how it is inherited across generations, and how it manifests itself in our relationships. In experimental forms and language both lyrical and raw, Asghar seamlessly braids together marginalized people’s histories with her own understanding of identity, place, and belonging.

I don’t take anything too seriously. Not the career that’s brought me fame and fortune, or the never-ending string of women that fill my bed, and definitely not myself. But life has a way of turning on a dime. The party is over. All the jokes have been told. One beautiful face blurs with the next beautiful body and all I feel is...empty. Until her.

In F.S. Yousaf's debut poetry collection, he writes of a journey dedicated to growth, mental illness, spirituality, and self-reflections. Filled with various topics and powerful poetry, this collection will surely give you different emotions, ones which you wouldn't experience otherwise.