Mostrando títulos en Cultura Popular

With all the whiz, bang, pop, and shimmer of a glowing arcade, volume 1 of The Ultimate History of Video Games reveals everything you ever wanted to know and more about the unforgettable games that changed the world, the visionaries who made them, and the fanatics who played them. Starting in arcades then moving to televisions and handheld devices, the video game invasion has entranced kids and the young at heart for nearly fifty years. And gaming historian Steven L. Kent has been there to record the craze from the very beginning.

Steven L. Kent has been playing video games since Pong and writing about the industry since the Nintendo Entertainment System. In volume 1 of The Ultimate History of Video Games, he chronicled the industry’s first thirty years. In volume 2, he narrates gaming’s entrance into the twenty-first century, as Nintendo, Sega, Sony, and Microsoft battle to capture the global market.

Welcome (back) to the mind-blowing world of What If? Unfazed by absurdity, Randall consults the latest research on everything from swing-set physics to airplane-catapult design to clearly and concisely answer his readers' questions. As he consistently demonstrates, you can learn a lot from examining how the world might work in very specific extreme circumstances. Filled with bonkers science, boundless curiosity, What If? 2 is sure to be another instant classic adored by inquisitive listeners of all ages.

For fans of Dopesick and Drug Use for Grown-Ups—a celebrated cannabis attorney's insider look at the War on Drugs and what comes next for the drug legalization movement.

La filosofia non è mai stata innocente. Ha perso la verginità in piazza, ai tempi di Socrate, e si è guardata indietro senza nessun rimpianto. XXI secolo: la mercificazione della nostalgia filosofica ci propina un passato che non è mai esistito. La filosofia è stata relegata nelle aule universitarie. È tempo per la filosofia di abbandonare il suo recinto. È tempo di portare la battaglia filosofica nella popular culture, usando le armi migliori a disposizione della filosofia: dal pensiero critico alla decostruzione. Ma in modo inedito.

Bloomberg tech journalist Mark Bergen delivers the definitive account on YouTube, detailing how it started, how it works and ultimately how it drives Google's success. It can be seen as the story of a technical marvel that has upended traditional media and created stars out of everyday people, or the story of the rise of a ruthless advertising conglomerate with little regard for its impact on the world beyond the bottom line—but in reality, it's the story of both.

Status signaling isn’t just the province of the immature or insecure but a fundamental human need to secure social standing. It drives our behavior, forms our tastes, determines what we buy, and ultimately shapes who we are. It’s what’s behind “cool” and what drives fashion, music, food, sports, slang, travel, hairstyles, and dog breeds—and even the outsize influence of unpopular things with the “right” audience.

The Chaos Machine is the story of how the world was driven mad by social media. The election of populists like Trump and Bolsonaro; strife and genocide in countries like Myanmar, the rampant spread of COVID-19 conspiracy theories as deadly as the pandemic itself, all of these are products of a breakdown in our social and political lives, a breakdown driven by the apps, companies and algorithms that compete constantly for our attention.

What is the Internet doing to us? What is college for? What are the myths and metaphors we live by? What is the purpose of art, and what can we learn from the past? The End of Solitude brings together more than forty essays from such publications as Harper's and the Atlantic and introduces four that are published here for the first time. Drawing on the past, they ask how we got where we are. Scrutinizing the present, they seek to understand how we can live more mindfully, more meaningfully, more freely.

¿Qué tienen en común la desaparición de las variedades de manzana, la aparición de políticos en programas de entrevistas, el fundamentalismo religioso y el mercado del arte y la música? La diversidad se reduce en todas partes, lo inesperado y lo desajustado se rechaza. En lugar del contenido peculiar, hay una supuesta autenticidad: ya no es el "qué" lo que cuenta, sino solo el "cómo". En la actualidad, la complejidad, la pluralidad y la diversidad ya no se perciben como un enriquecimiento.

This book is the first anthology to explore the connection between race and the suburbs in American cinema from the end of World War II to the present. It builds upon the explosion of interest in the suburbs in film, television, and fiction in the last fifteen years, concentrating exclusively on the relationship of race to the built environment. Race and the Suburbs in American Film is a stimulating resource for considering the manner in which race is foundational to architecture and urban geography, which is reflected, promoted, and challenged in cinematic representations.

James Patterson tells the most heartbreaking story of our time, as only he can—Diana’s life as a princess and a mother—timed to the 25th anniversary of her death. From the moments William and Harry are born into the House of Windsor, they become their young mother’s whole world. Diana’s faced with a seemingly impossible challenge: one son destined to be King of England and another determined to find his own way. She teaches them to honor royal tradition, even while daring to break it.

As Daphné B. obsessively watches YouTube makeup tutorials and haunts Sephora’s website, she’s increasingly troubled by the ways in which this obsession contradicts her anti-capitalist and intersectional feminist politics. In this poetic treatise, she rejects the false binaries of traditional beauty standards and delves into the celebrities and influencers who have shaped the reflection she sees in the mirror. At once confessional and essayistic, Made-Up is a meditation on the makeup that colors, that obscures, that highlights who we are and who we wish we could be.

Every one of our thoughts, actions, moods and decisions is shaped by a whole array of factors, most of which we don't pay any attention to. From culture, time and language to genetics, technology and the microorganisms living inside us—even our own unconscious routines and habits—it's clear that we aren't always in the driving seat. The good news is that by better understanding the external and internal forces at work, we can minimise their impact on our lives.

Más que un libro, este objeto es un carnaval de cincuenta estaciones que desfila tras las bambalinas de la cultura mexicana. En él participan Tin Tan y Pita Amor, María Félix y Monsiváis, Piporro y Tongolele, Nahui Olin y Jorge Ibargüengoitia, los beats y Marilyn Monroe, Vitola y José Revueltas. Entre muchos, muchos otros. Mientras pasan, nos van contando de sus vicios, supersticiones, sus pleitos y apodos, los cuadrángulos amorosos que formaron y los cabarés que visitaron.

All societies, in their very different ways, are orderly. The very term 'society' implies the existence of a degree of organisation and predictability to human life. Orderliness, however, is a matter of degree. It is neither total, nor totally absent. In recent times, however, such concerns have largely given way to a greater preoccupation with disorderliness: with significant and disruptive social change; with rising crime and anti-social behaviour; and with a variety of other social problems. But what has really been happening?

Of all the white American pop music groups that hit the charts before the Beatles, only the Beach Boys continued to thrive throughout the British Invasion to survive into the 1970s and beyond. The Beach Boys helped define both sides of the era we broadly call the sixties, split between their early surf, car, and summer pop and their later hippie, counterculture, and ambitious rock.

Too many popular histories seek to establish heroes, pioneers and martyrs but as Huw Lemmey and Ben Miller argue, the past is filled with queer people whose sexualities and/or dastardly deeds have been overlooked. We all remember Oscar Wilde, but who speaks for Bosie? What about those 'bad gays' whose un-exemplary lives reveals more than we might expect? Part-revisionist history, part-historical biography and based on the hugely popular podcast series, Bad Gays subverts the notion of gay icons and queer heroes.

Die zweiten Olympischen Spiele auf deutschem Boden sind das erste Weltereignis in der BRD: München 72 bietet die einmalige Chance, das moderne Deutschland vorzuzeigen. Alle wollen zum Aufbruch in die neue Zeit beitragen: berühmte Athleten, Helfer, eifrige Hostessen. Es ist ihr deutscher "Summer of Love". Bis es zum Terroranschlag auf die israelische Mannschaft kommt – und die "heiteren Spiele" ein abruptes Ende finden. "München 72" erzählt kunstvoll vom geteilten Deutschland, von alltäglichem Rassismus, Mode und Musik, Aufklärung und Sex.

Horror films promise an experience: fear. But how exactly do filmmakers pull this off? The truth is, there's more to it than just loud noises and creepy images. With the affection of a true horror fan and the critical analysis of a scientist, Nesseth explains how audiences engage horror with both their brains and bodies, and teases apart the elements that make horror films tick. Nightmare Fuel covers everything from jump scares to creature features, serial killers to the undead, and the fears that stick around to those that fade over time.