Mostrando resultados por narrador "Anna Bentinck" en Todas las categorías

Two suburban women. Two dark secrets. The almost perfect murder. Everybody needs good neighbours.... Melissa and Hester have lived next door to each other for years. When Melissa's daughter was younger, Hester was almost like a grandmother to her. But recently they haven't been so close. Hester has plans to change all that. It's obvious to her that despite Melissa's outwardly glamorous and successful life, she needs Hester's help.

From the #1 New York Times best-selling author comes an epic saga of intrigue and mystique set in Edwardian England. Cavendon Hall is home to two families, the aristocratic Inghams and the Swanns who serve them. With World War I looming, both families will find themselves tested in ways they never thought possible. Loyalties will be challenged and betrayals will be set into motion. In this time of uncertainty, one thing is sure: these two families will never be the same again.

In Hilary Mantel's Wolf Hall trilogy, one of our very best writers brings the opulent world of the Tudors to bloody, glittering life. It is the backdrop to the rise and rise of Thomas Cromwell: lowborn boy, charmer, bully, master of deadly intrigue, and, finally, most powerful of Henry VIII's courtiers. But the bloody theatre of Cromwell's ascension will leave no one unscathed. This collection includes expertly adapted versions of Wolf Hall, Bring up the Bodies and The Mirror and the Light alongside The World of Wolf Hall.

The Last Man is Mary Shelley's apocalyptic fantasy of the end of human civilisation. Set in the late 21st century, the novel unfolds a sombre and pessimistic vision of mankind confronting inevitable destruction. Interwoven with her futuristic theme, Mary Shelley incorporates idealised portraits of Shelley and Byron, yet rejects Romanticism and its faith in art and nature.

The novels of Jane Austen have been celebrated for centuries. In this unique collection, listeners will be able to experience her wit, irony, and social commentary at its best.

The Years is a personal narrative of the period of 1941 to 2006 told through the lens of memory, impressions past and present - even projections into the future - photos, books, songs, radio, television, and decades of advertising and headlines, contrasted with intimate conflicts and written notes from six decades of diaries. Local dialect, words of the time, slogans, brands, and names for ever-proliferating objects are given a voice here. The voice we recognize as the author's continually dissolves and re-emerges.

It all begins in July 1926 when, for the first time in years, the earl has planned a family weekend. As the family members come together, secrets, problems, joys, and sorrows are revealed. As old enemies come out of the shadows, and the Swanns' loyalty to the Inghams gets tested in ways none of them could have predicted, it's up to the Cavendon women to band together and bring their family into a new decade, and a new way of life.

In 1851, private detective Laetitia Rodd is enjoying a well-earned holiday when she gets an urgent request for her services. Mrs. Rodd’s neighbor Jacob Welland is a reclusive rich gentleman dying of consumption, and he wants Mrs. Rodd to find his brother, who has been missing for 15 years. Joshua Welland was a scholar at Oxford, brilliant, eccentric, and desperately poor when he disappeared from the university. Friends claim to have seen him since, in gypsy camps and wandering around the countryside.

Subtitled 'A Story of To-day', A Laodicean occupies a unique place in the Thomas Hardy canon. Departing from pre-industrial Wessex, Hardy brings his themes of social constraint, fate, chance and miscommunication to the very modern world of the 1880s - complete with falsified telegraphs, fake photographs, and perilous train tracks. The story follows the life of Paula Power, heiress of her late father's railroad fortune and the new owner of the medieval Castle Stancy. With the castle in need of restoration, Paula employs architect George Somerset, who soon falls in love with her.

Exploring the dichotomy between one's inner and outer self is central to Behind Her Eyes. When a vulnerable woman is drawn into the lives of an enigmatic couple, she finds it hard to differentiate between reality and what truly lies beneath a seemingly perfect exterior.

For centuries past, and all across the world, there are words for a certain kind of woman. Words that raise our hackles, fire up our blood. Words that tell a story. In this blazing cauldron of a book, the boldest writers of our day take up these words and take up their pen, celebrating fifty years of Virago.

Archaeologist Louise Cantor returns home to Sweden, and makes a devastating discovery: her only child, twenty-eight-year-old Henrik, dead in his bed. The police rule his death a suicide, but she knows he was murdered; her quest to find out what really happened to Henrik takes her across the globe to Barcelona, where her son kept a secret apartment; Sydney, Australia, to find Aron, her estranged ex-husband and Henrik's father; and to Maputo, Mozambique, where she learns the awful truth behind an AIDS hospice.

To her adoring fans, Emmy Jackson, aka @the_mamabare, is the honest “Instamum” who always tells it like it is. To her skeptical husband, a washed-up novelist who knows just how creative Emmy can be with the truth, she is a breadwinning powerhouse chillingly brilliant at monetizing the intimate details of their family life.To one of Emmy’s dangerously obsessive followers, she’s the woman that has everything—but deserves none of it.

Thirteen-year-old Lisa has escaped from Nazi Germany on the Kindertransport. She arrives in London unable to speak a word of English, her few belongings crammed into a small suitcase. Among them is one precious photograph of the family she has left behind. Lonely and homesick, she is adopted by a childless couple. But when the Blitz blows her new home apart, she wakes up in a hospital with no memory of who she is or where she came from. The authorities give her a new name and dispatch her to a children's home. With the war raging around her, what will become of Lisa now?

Here are the voices of London - rich and poor, native and immigrant, women and men. From the woman whose voice announces the stations on the London Underground to the man who plants the trees along Oxford Street; from a Pakistani currency trader to a Guardsman at Buckingham Palace - together, these voices paint a vivid, epic and wholly fresh portrait of 21st Century London.

Francesca Stubbs has a very full life. A highly regarded expert on housing for the elderly who is herself getting on in age, she drives restlessly round England. Amid the professional conferences she attends, she fits in visits to old friends, brings home-cooked dinners to her ex-husband, texts her son, who is grieving over the sudden death of his girlfriend, and drops in on her daughter, a quirky young woman who lives in a floodplain in the West Country.

Fresh from the cultivated hothouse of Renaissance France, Anne draws attention at the English court. A nobleman, a poet and a king vie for her love. She has a spirit worthy of a crown - and a crown is what she seeks. It is a more powerful aphrodisiac than love. And so she embarks on her perilous course, which will plunge a kingdom into turmoil. Blood will flow on her account. Her only protection is the King's great love.

Historian and broadcaster Tessa Dunlop tells the story of the women of Bletchley Park through exclusive and unprecedented access to the women themselves. The Bletchley Girls weaves together the lives of 15 women who were all selected to work in Britain's most secret organisation - Bletchley Park. It is their story, told in their voices; Tessa met and talked to 15 veterans, often visiting them several times. Firm friendships were made as their epic journey unfolded on paper.

When Nina almost dies during a disastrous blind date, her life is saved by a waitress called Angel. But later that evening, Nina is surprised by a knock on the door. It’s Angel - and she’s pointing a gun at her. Minutes later, Angel’s younger brother Lucas turns up, covered in blood, shielding a stolen newborn baby in his arms. Nina is about to endure the longest night of her life - a night that will be filled with terror and lead her to take risks she would never have believed herself capable of.

He is Dexter Mayhew, tall, dark and (she can't deny it) handsome. She is Emma Morley, bottled red hair, wilfully badly dressed, all principles and no action. Could this be the dawn of the rest of their lives? Or are Dex and Em living proof that - despite an unlikely beginning - men and women really can be just good friends?